The Guardian:
Olafur Eliasson is putting the chill into climate change. The revered Scandinavian artist has placed 24 large blocks of centuries-old ice, harvested from the Nuup Kangerlua fjord in Greenland, in a circle outside the Tate Modern in London, with another six on display in the City.
Grey wolves have had a tumultuous relationship with their human neighbors in the Pacific Northwest for more than a hundred years. From nearly being wiped out from the continent, Canadian grey wolves started being reintroduced to the wilderness in the U.S.'s Northern Rockies as early as 1995. The wolves were (and continue to be) placed in areas dense with wilderness and potential prey.
TROY, N.Y. Three loud blasts from a steam whistle screamed out as the rain drizzled on the riverbank here. And the fleet of seven eclectic handmade ships slowly moved away.
As the summer warms up, bringing with it sleeveless tops, Xiao Meili, a women’s rights advocate, is collecting photos of women’s armpits. Her goal: to challenge a growing belief in China that a woman must have hair-free armpits to be attractive.
In 1982, for documenta 7, Beuys proposed a plan to plant 7000 oaks throughout the city of Kassel, each paired with a basalt stone. The 7000 stones were piled up on the lawn in front of the Museum Fridericianum with the idea that the pile would shrink every time a tree was planted. The project, seen locally as a gesture towards green urban renewal, took five years to complete and has spread to other cities around the world.
Street Art Projects brings talented visual artists to public events, community groups, and schools, to offer a window into the creative process. Our workshops and projects combine chalk art with story telling, encouraging a deeper understanding between different cultures through the creation of collaborative public artworks. The work is not just about public art, its about making a public places as a focal point for education.
The Quilt was conceived in November of 1985 by long-time human rights activist, author and lecturer Cleve Jones. Since the 1978 assassinations of gay San Francisco Supervisor Harvey Milk and Mayor George Moscone, Jones had helped organize the annual candlelight march honoring these men. While planning the 1985 march, he learned that over 1,000 San Franciscans had been lost to AIDS.
The collective Ndaku Ya La Vie Est Belle, a group of Kinshasa street performers turn their bodies into living sculptures, and use them to political ends. Among the artists is Jared, who regularly takes to the streets dressed as Robot Annonce. The costume, made from broken radio parts, is designed to raise awareness of fake news. “People receive so much incorrect information and many inaccuracies are spread. I want to fight this,” says Jared.
The exhibition "Unpacking the 21st Century: Artists Engaging the World" included work by five New York City area artists that examined a range of social and political issues and offered companion special events.
There were still bloodstains outside the Midwood Mobil gas station on Friday night; a fresh sign taped to a lamppost read “A Hate Crime Happened Here.” This is the place where, less than a week prior, 28-year-old O’Shae Sibley, a gay Black dancer and choreographer, made a pit stop with friends after a Jersey beach day.
Just over a decade ago on May 15, 2011, a wave of social outrage began as the Spanish people collectively decided that they had had enough of the corruption, cuts, and inequalities affecting their country.
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By appropriating mementos of other people’s lives and placing them in an art context, Boltanski explores the power of photography to transcend individual identity and to function instead as a witness to collective rituals and shared cultural memories.
Jacques-Louis David was an active member of the French Revolution, and his works often depicted his political affiliations. David’s painting The Lictors Bring to Brutus the Bodies of His Sons portrays the scene of Brutus, an important figure of the Roman Republic, reacting to the death of his sons. Since they wanted to overthrow the government and restore the monarchy, Brutus ordered their death.
The Immigrant Yarn Project (IYP), organized and created by Cindy Weil was a massive work of public and democratic (crowd-sourced), yarn-based art honoring our immigrant heritage and promoting tolerance, difference, and community. Weil reached out across the state and beyond to collect yarn-based creations by immigrants and their descendants.
Creative Time, a public art fund, invited artists to make online comics that addressed contemporary issues. Every month for two years a new artist presented their comic strip online. At the end, there were a total of 24 comic works that were archived online and also released as a publication in 2010.
500+ snowmen appeared outside the office of Senator Chuck Schumer in Melville Monday, Feb. 15, 2021. The snowmen appear to be placed there by climate activist @pricecarbonplz. (Source: Newsday, https://www.newsday.com/long-island/photos-of-the-day-1.50139710)
March 26, 2020, a day that most people will remember as the day that Colorado began enforcing the “Stay-at-home” order. Suddenly, grocery stores would be ransacked of milk, eggs, and toilet paper. All of the “essentials” of course. As panic buying plagued the population of Colorado, many others began to fear for completely different reasons.
The Canadian artist collective General Idea found its drive in the AIDS epidemic, becoming aesthetically and conceptually refined in the in the 1970s and ’80s, after long forays into absurdity and performances evocative of Dada and Fluxus.
The Neistat Brothers first attracted public attention in 2003 with their blatantly critical work, iPod’s Dirty Secret. After being refused a replacement battery for an 18-month old iPod, [they] took to the streets of Manhattan on their bikes to sabotage iPod’s omnipresent advertising.
"What I Couldn't Say in Public" transforms individual secrets into a public, anonymous spectacle.
While origins and exact location of the "What I Couldn't Say in Public" project are unknown, awareness about the project has grown over the micro-blogging platform of Tumblr. Amassing over 132,480 notes on the website, this practice may have possibly inspired others to imitate the same or similar projects in different locations.
ATHENS — The young man climbed a 30-foot scaffold on a building in central Athens and dipped a brush into a tray of gray paint. With rapid flicks of his wrist, he outlined a haunting image: a baby with two faces, looking simultaneously into an abyss and toward the sky, its vacant eyes searching for a future that was not there.
El Rey de la Ruina (The King of the Ruin) has become an act of powerful recognizable symbolism throughout Madrid. In terms of his popular heart symbolism, the artist chose the organ, a heart, as one of his favorite symbols because he was diagnosed when he was little with cardiomegaly, an abnormal increase in the volume of the heart, which is what inspired this organ as his prize art symbol.