Projects tagged "Visual Arts"

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Huffington Post put together a digital, interactive map of some of the so-called best and brightest street art collections. Street art is important because it allows artists, usually from the community where the street art is taking place, to interact with the community and bring color/brightness to the environment.

Aníbal López, also known by his government identification number A-153167, is a pioneer of performance art in Central America. ArtBus describes his work as, "Generally aimed at immersing viewers into the region’s social and political tensions, his works combine the dry language of 1960/1970s conceptual art with the revolutionary ethos of a Latin American guerrillero.

"A week-long party characterizes Brazil’s Carnival, the Mardi Gras of the southern hemisphere. Celebrations and parades are held throughout the country, most notably in the city of Rio de Janeiro and the Brazilian states of Bahia and Pernambuco. Carnival celebrations vary in length and content, depending on the area.

Earlier this month, an anonymous message was posted to the discussion-board Web site 4chan. In it, the author threatened to hurt the video-game developer Zoe Quinn: “Next time she shows up at a conference we … give her a crippling injury that’s never going to fully heal … a good solid injury to the knees. I’d say a brain damage, but we don’t want to make it so she ends up too retarded to fear us.”

I think this is a very interesting project that is intended to pay hommage by showcasing portraits of survivors of the Cuban revolution. They are displayed in the streets of Havana and, as the artists explains, this is a place that lacks commercial advertising/ billboards in the streets. So they are displaying the courage and strength of those, people who should be admired, earned their place in a sense.

Fifty-six-year-old Dan Witz — who originally hails from Chicago but lives in Brooklyn — has been producing street art in New York since the seventies. And not just any street art. Wondrous works that trick the eye and often elude passersby altogether. Oh, but when one realizes what he or she is seeing, it’s pure revelation.

French street artist Roti installed a 4-ton marble sculpture in Independence Square in Kiev Ukraine, as an expression of solidarity with government resistors and protestors. The sculpture depicts a woman's body emerging from water.

Artist Bryan Lewis Saunders took it upon himself to draw a self portrait every time he took a psychoactive substance. These ranged from zoloft to morphine to marijuana and it is an amazing subjective experience to witness. We can almost get a taste of what each drug must feel like on the inside, at least to Saunders, and an experiment like this raises some important questions like what are drugs and what place do they have in society?

CAM brings contemporary art and ideas directly to Saint Louis Public High School and Middle School students through its ArtReach program. Tailored to meet the needs of individual schools and teachers, ArtReach is designed to raise awareness of contemporary issues through an exploration of contemporary art. The program includes a curriculum-based offering of museum tours, school visits, and creative workshops for students and teachers alike.

Sam Durant is an LA based artist who engages in social, cultural and political issues through his interactive public sculptures. Durant is interested in investigating historical narratives and their contemporary communities. From 2005-2010 Durant was part of the collective Transforma Projects, a grassroots cultural rebuilding initiative in New Orleans. One of his most recent interactive public sculptures Scaffold is on view at the Hague.

The image is stark. And shocking. A black man, his ankles shackled, his head hanging away from the viewer, stands in relief on a field of white. Chains stretching to the image's borders on the left and right pull his arms taut. Fourteen crimson marks crosshatch his back. Within the dark fabric that frames "86 Lashes to Go," a small rectangle is labeled simply "salt."

With a lick of wheat paste, a roller and a stepladder, Tatyana Fazlalizadeh, a painter and illustrator from Brooklyn, introduced herself to the South, in an unusual way. She plastered a poster with her own face floating above the words, “Stop Telling Women to Smile” on a vacant storefront here, across from a federal courthouse.