"Disasters of War in East Ukraine"
1235 Ocean Parkway
Brooklyn, NY 11230
October 10, 11 am – November 11, 7 pm
Tuesday – Saturday, 11 am – 7 pm
Please write to racc.ny@mail.ru or call (347) 662 1456
The artist is available for interviews.
Vince Staples mentioned Long Beach's Ramona Park approximately 80 times on his debut album Summertime '06 and even allotted the park two of its own tracks: "Ramona Park Legend Pt. 1" and "Ramona Park Legend Pt. 2." "The sun come down and guns come out, you know Ramona Park."
National Public Radio (NPR):
There's no historical marker outside Jacob Lawrence's childhood home in New York City's Harlem neighborhood.
But Khalil Gibran Muhammad, director of the Schomburg Center for Research in Black Culture, has an idea of what it might say: "Here lived one of the 20th century's most influential visual artists, a man named Jacob Lawrence, who was a child of southern migrants."
Up Against the Wall: Art, Activism, and the AIDS Poster is the traveling version of the first major exhibition devoted to the University of Rochester's collection of HIV/AIDS-related posters. It illustrates to a broad audience that "AIDS affects everyone" and through the use of language and imagery, shows how messaging and information around HIV is shared to different groups, audiences, and people throughout the world.
Is it possible that through affective design we can change our consumer behavior? Yan Lu and his "Little Fish Project" offer a design inspired solution to excess use of water. "As consumption is incalculable, saving is often neglected through daily consumption.
Seeking to use war-time waste for social good, Saught was set up by Pamela Yeo, Adeline Heng and Ng Sook Zhen in December 2010. Based in Singapore, the company uses the metal from de-activated landmines to create pieces of jewellery. The organisation employs citizens from conflict-ravaged regions, offering a source of employment for those who may have lost as a result of the fighting in their nation.
"The thing about this is that sculptures like these in art history were for the male gaze. Photoshop a phone to it and suddenly she’s seen as vain and conceited. That’s why I’m 100% for selfie culture because apparently men can gawk at women but when we realize how beautiful we are we’re suddenly full of ourselves…" —Kiyun Kim
Homeworkers 1977 is the central piece of a multidisciplinary project that comprised photographs, interviews, news clippings and a large canvas documenting the situation of non-unionised women doing manual work at home.
Cosmic Generator presents a network of characters working in nonsensical, and at times absurd, economies. Artist Mika Rottenberg uses footage from actual discount dollar stores in Calexico, CA; Mexicali, Mexico; and Yiwu, China to recreate the imaginary “life” of a product, from its production in the factory to the moment it is sold.
In 1998 Portuguese born artist Paula Rego created a series of work entitled Untitled. The Abortion Pastels. Rego created her work in response to a referendum to legalise abortion in Portugal, which was very narrowly defeated. Each canvas depicted the image of a woman undergoing an unsafe abortion. When the series was exhibited in the Portuguese capital, Lisbon, Rego recalled the whispered secrets of women in the gallery while looking at her artworks.
The Haitian Creole word "konbit" denotes the idea of similar talents joining together to work towards a common goal. The founders — a group of photographers, educators, and artists — came up with the idea for Fotokonbit a few years ago to "empower Haitians to tell their own stories and document their community", but it was the 2010 earthquake that gave the group new urgency.
Google is honoring female artists and their stories this International Women’s Day.
On Thursday, the tech company will feature 12 interactive illustrations or “Google Doodles” on the search platform’s homepage. The artists are from 12 countries, including the U.S., Japan, Pakistan and Mexico.
TED TALK:
I consider it my life's mission to convey the urgency of climate change through my work. I've traveled north to the Arctic to the capture the unfolding story of polar melt, and south to the Equator to document the subsequent rising seas. Most recently, I visited the icy coast of Greenland and the low-lying islands of the Maldives, connecting two seemingly disparate but equally endangered parts of our planet.
This project served as an educational tool to demystify the female body and bring awareness to the issues of reproductive rights and the ignorance that sometimes plagues common misconceptions about the reproductive system. I think this campaign is very successful in its approach. It exhibits paintings and displays of uterus and the female form in a non-sexual way.
Without water, life would not exist. And yet, those of us in developed countries take it for granted; our shelves are stocked with hundreds of branded bottles, and it is freely given at restaurants, at schools, and even in parks. We seem to have an unslakable thirst for it; attained in excess, we throw it away like dirt—just as many developing countries liken its value to gold.
The aim of the action is to create a fractal network of poets, where their poems will be recited, recorded, set to music, will be activistically acted as performance material in order to resist the censorship of art.
The field of action is the poets who will be born and the network that will be created by the restless artists.
In July 2015, the Empire State Building's famous light displays were used to draw attention endangered wildlife. Along with Cecil, whose death has sparked international outrage, a snow leopard, tigers, lemurs, and various snakes, birds and sea creatures were projected onto the building.
For Women’s History Month 2024, Hysterical Collective presented: Hysterical: Radical Creativity – the third instalment of the annual charity art exhibition and cultural programme taking place in March each year. Co-founded and curated by Eliza Hatch of Cheer Up Luv and Bee Illustrates, Hysterical is a queer and feminist-led exhibition and event showcase; centred around community, collaboration, and activism.
"Intrabody Wireless Network" is a show of eighteen drawings and collages by Dmitry Borshch, in which he shows the architecture of such networks, their components referred to as nanomachines (biological, physical, chemical sensors, routers, antennas, interface devices), options for communicating (molecular, electromagnetic – in the terahertz band, acoustic, nanomechanical), and this type of network's applications (human, plant, industrial)
The Center for the Study of Political Graphics and the Esperanza Community Housing Corporation have combined forces to bring 75 powerful and engaging poster works on broad issues of health care to audiences traditionally excluded from the art world in Los Angeles and elsewhere. Both organizations have been in the forefront of social change for three decades.
Beginning in the early 1970s, the Los Angeles-based multi-media arts collective Asco (from the Spanish word for nausea) created performances, street theater and conceptual art that satirized the emerging styles of Chicano art and pushed the boundaries of what it might encompass.
Paris inaugurates its first fresco, on the Human Rights Wall, in tribute to six contemporary activists. To be discovered in the capital's 12th arrondissement, this XXL work of committed street art is by Mahn Kloix.
Add Colour (Refugee Boat) begins as an all-white boat in an all-white room. Ono’s instruction for this collective, participatory work reads: ‘Just blue like the ocean.’ You are invited to contribute your hopes and beliefs in blue and white.