As local rapper Naty says, a group of young people are intent on making their mark in Madagascar's cultural history. From gifted slam poet Caylah to inventive visual artist Temandrota and a crew of entrepreneurial skateboarders, a generation of young Madagascans are making space for creative projects.They are inspiring in their enthusiasm and hopeful for the future despite the poverty in their country and its colonial past.
Note before the post: This article is great in highlighting a specific case of creative activism in the streets of New York City, but also gives some contextual background to how this project manifested.
On a sidewalk in the Village in downtown Manhattan, an African-American woman leans on her elbows and knees, wearing only black underpants. Scrawled in black marker all over her body are the words "Ain't I a Woman?"
Forest activist and environmentalist Julia Butterfly Hill spent two years (Dec. 10, 1997-Dec. 18, 1999) living 180 feet high, on two six-by-six-foot platforms, in the canopy of a thousand-year-old redwood tree named Luna to help make the world aware of the plight of the redwood forest.
Actionplay, a theatre company dedicated to providing autistic, neurodivergent, and disabled teens and young adults equal access to the theatre-making process, is pleased to announce their next production, the new musical comedy The Surface (or, That One Time Atlantis Washed Up On the Beach).
Acción #CronicaDaMorteAnunciada que consistió en la creación de 9 estandartes con informaciones sobre asesinatos a “País do Santo” para denunciar sus muertes por motivos de racismo afroreligioso en la ciudad de Belém, Brasil.
This is a parody of 1970s American daytime television aimed at housewives. In this performance Rosler takes on the role of an apron-clad housewife and parodies the television cooking demonstrations popularized by Julia Child in the 1960s. Standing in a kitchen, surrounded by refrigerator, table, and stove, she moves through the alphabet from A to Z, assigning a letter to the various tools found in this domestic space.
The starting point of this artistic project, carried out by MAPA within its Laboratory of Artists in Colombia, is the disappearance of one of the oldest "barrios" downtown Bogotá: El Cartucho.
Between 1995 and 2017 the highly addictive painkiller OxyContin brought in $35 billion USD in revenue for Purdue Pharma, most of which went directly into the hands of the Sackler family.
Mandela's notion of manhood changed over time. In the early days, he evoked the image of toughness to deal with an enemy that would not respond to reason. When it became possible to secure peace through talking, Mandela adapted. After his release his image was one of warmth and inclusiveness, embracing those who feared majority rule and even his former enemies.
Transfixed by racial, political, and socioeconomic tensions saturating the news, movement artists Jon Boogz and Lil Buck, enveloped by the art of Alexa Meade, switch off the TV and release their emotion into a stirring dance that is both a lament and a spirited call to action.
On a recent eight-hour shift at a McDonald’s in Hong Kong, Luke Ching, 52, wiped tables, cleared trays of half-eaten fries, emptied cups of soda and milk tea and lugged bulging trash bags to the dumpster.
For him, the main goal of the part-time work was not making ends meet. It was research for his main pursuit: using art to advocate for better treatment of people in menial jobs in a city with one of the widest income gaps in the world.
This year marks the 50th anniversary of one of this country’s most beloved theater companies. Founded in New York City in 1963, the Bread and Puppet Theater’s first productions ranged from puppet shows for children to pieces opposing poor housing conditions. The group’s processions, involving monstrous puppets, some about 20 feet high, became a fixture of protests against the Vietnam War. "We don’t have playwrights in the theater.
https://www.netflix.com/title/80220000
http://www.indiewire.com/2018/02/the-push-netflix-review-ending-derren-b...
Article from IndieWire
by
Steve Greene
BEIJING — Like many art students, Zou Yaqi often worried she’d be unable to afford to live in Beijing after graduation. So, earlier this year, she decided to set herself a daunting challenge: Survive in the city for three weeks without spending a single yuan.
It turned out to be a piece of cake.
Carolee Schneemann is largely associated with her performance art of the 1960s and 1970s, in which she boldly addressed feminist and political issues in ways that shocked and engaged viewers. But she has always maintained that she is a painter, a fact often overlooked in discussions of her larger body of work. At the heart of her approach is her ongoing exploration of the boundaries of painting and drawing, as in Up to and Including Her Limits.
The Guardian:
Olafur Eliasson is putting the chill into climate change. The revered Scandinavian artist has placed 24 large blocks of centuries-old ice, harvested from the Nuup Kangerlua fjord in Greenland, in a circle outside the Tate Modern in London, with another six on display in the City.
Long before the red ribbon became an innocuous symbol of AIDS
“awareness” and celebrity philanthropy, there was the pink triangle and
there was ACT UP and there were thousands of people taking to the
streets for their lives. Once a symbol used to mark suspected queers for
death in the Holocaust, ACT UP appropriated the pink triangle for
The Spanish 15M/Indignados movement represents a citizen break-up with the current political system while proposing an alternative one, changing the prevailing participation patterns while transforming the cultural, social and political structures in the country.
Nobody expected the Spanish r-Evolution and there it goes; still advancing and strong.
A performance by artist Santiago Sierra, titled THE NAMES OF THOSE KILLED IN THE SYRIAN CONFLICT, BETWEEN 15th OF MARCH 2011 AND 31st OF DECEMBER 2016, took place for a total duration of eight days from May 21 to 29, across four cities on three continents.
Through their podcast, The Dance Union, Melanie Greene and J. Bouey have been confronting racism in the dance world, and highlighting the experiences of Black artists, since 2018. Their episodes cover a variety of topics and issues, ranging from mental health and sexual harassment to advocating for fair pay.
ARTS/CULTURE
FOKAL is the hub in Haiti where locals and international visitors from all walks of life -- artists, writers, citizens, activists-- come together to discuss the most pressing nation- and community-building issues, enjoy cutting edge artistic expressions, and share their ideas.
Brian Larney is an AI.tivist or American Indian artist. He is also an Artivist where he performs Artivism, a concept that includes art as a form of activism.
Mis(s)placed Women? (2009-2022), is a collaborative art project, consisting of performances, performance series, performance art workshops and delegated performances, including contributions by over 180 individuals from six continents. Many of them are artists, mainly identifying themselves as women from diverse backgrounds. Mis(s)placed Women?