Projects tagged "Performance"

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The statistics in regards to older men marrying young girls is mind boggling and disgusting. Every day 33,000 girls are married to older men, denied their rights to education and opportunity and robbed of their childhood. Many countries around the world find this practice normal, thankfully we do not find it normal here in the United States. More than 91 countries allow girls as young as six-years-old to be married. This is a problem.

In state capitals and street protests, women’s rights activists have been wearing red robes and white bonnets based on “The Handmaid's Tale,” the 1985 novel that is now a series on Hulu. Silent, heads bowed, the activists in crimson robes and white bonnets have been appearing at demonstrations against gender discrimination and the infringement of reproductive and civil rights.

WOW started as an international women's theatre festival in October of 1980 in NYC. Within 18 months Wow found a permanent location and produced works by women and trans people all year around. In 1984 it moved into its current home at 59-61 East 4th Street.

The project associating the contemporary movement of the people with the Gilgamesh journey focuses on the contemporary global crisis of the political systems and humanistic values, with the goal to contribute to the prevention of radicalization of our respective societies mobilized around recent conflicts, enhancement of the wellbeing of immigrants, through opening a space for creative expression and questioning the role of culture in contemporary polit

More than 30 South Korean college students shaved their heads in front of the Japanese embassy in Seoul on Tuesday to protest Japan's decision to release water from its crippled Fukushima nuclear plant into the sea. Police periodically dispersed crowds, who chanted and held placards but did not stop the event from taking place, though there is an anti-pandemic ban on gatherings larger than 10 people.

In Tunisia, a country gripped by economic uncertainty and still in the midst of rebuilding its identity after the Arab Spring, hip-hop culture is viewed as part of an ongoing dissident movement. Just a few events, such as the recent Mafia Wallitili Festival in the heart of downtown Tunis, offer the local hip-hop community an opportunity to share their values with the broader population.

Thelma Golden, curator at the Studio Museum in Harlem, talks through three recent shows that explore how art examines and redefines culture. The "post-black" artists she works with are using their art to provoke a new dialogue about race and culture -- and about the meaning of art itself.

"Twelve members of the 'Reclaim Shakespeare Company' staged an unexpected protest performance inside the 'Shakespeare: Staging the World' exhibition at the British Museum.

My skin is black,” the first woman’s story begins, “my arms are long.” And, to a slow and steady beat, “my hair is woolly, my back is strong.” Singing in a club in Holland, in 1965, Nina Simone introduced a song she had written about what she called “four Negro women” to a young, homogeneously white, and transfixed crowd.

In early 2012, a group of artists, activists and assorted other odd balls got together to form People's Tours. The idea was to give walking tours in the Boston area. Standard enough. But instead of the usual history, we would talk about social justice, contested spaces, important protests, and shady corporations. So far, the group has consisted of Dave Taber, Heather McCann, Kristin Parker, Neil Horsky, and Tim Devin.

This month’s blast of arctic air may have roused climate-change skeptics. But the composer Laura Kaminsky and the painter Rebecca Allan were unfazed. Holed up in their apartment in Riverdale in the Bronx on one of the coldest days in decades, these longtime artist-activists were doing what came naturally: fighting the planet’s warming.