Shu Yong is an artist who has been passionate about environmental protection in recent years. "The Earth Is Bleeding" was created in 1998. The creation was carried out in a studio of more than ten square meters.
Cheril Linett is a female artist from Chile, with a background in performance art and stage performance, who primarily focuses her artwork on feminist issues in Chile, especially ones involving violence, murder, hate crime and different kinds of oppression and assault, but also creates artwork reflecting issues in other parts of Latin America.
Monday June 18, 2007 marked history with Operation First Casualty (OFC) – part IV, Chicago, Illinois. As IVAW members were coming into town, organizers were finishing last minute details. Participating IVAW members were from Illinois, New York, Pennsylvania, DC and Indiana.
WITH HER 2003 PROJECT UNTITLED, Andrea Fraser throws us an archetype of sexual and cultural identity. More than in her other performances, Fraser here works without the protection of a research-based script, a surrogate actor, or the remove that often characterizes analytical thinking. The central action in Untitled has Fraser and a male client of her US gallery meet for a session of sex and video recording in a New York hotel room.
Cheat Neutral satirizes the carbon offset model by offering people the opportunity to pay someone else not to cheat on their partner in order to neutralize their own infidelity. Cheatneutral allows you to pay £2.50 to carry on cheating while funding “monogamy-boosting offset projects”.
Has the Coachella Valley Music and Arts Festival, long a bastion of high-priced fun-in-the-sun escapism, finally sharpened its political teeth? A few of this year's art installations would say yes, as Coachella during this election year doesn't seem to be going quietly into the cultural void.
The San Francisco Mine Troupe has been staging radical political theater for over fifty years. In 1967, the Troupe toured campuses across the midwest, performing L'amant Militaire - a satirized adaptation of an old anti-war play, updated to critique US involvement in the Vietnam War.
"Superbarrio Gomez and his journey in the construction of a "politics of the possible" (1) , an alternative political imaginary constituted via popular culture and the construction of a national and transnational social movement. Superbarrio makes evident the collapse between politics and performance; he forces us to think beyond the performance of politics in order to understand the politics of performance.
King Gizzard & The Lizard Wizard have released a pair of live albums to benefit relief efforts in response to devastating wildfires in their native Australia.
In 1984, a group of women in New York gathered outside the Museum of Modern Art as part of a protest. A group show, An International Survey of Recent Painting and Sculpture, was showing 165 artists, 152 male artists exhibited alongside just 13 women.
Outraged, they attended the protest, bringing placards and chanting outside the museum. But a handful of women within the larger crowd learned something.
An advertising agency creates a one-time action for traffic safety, then uses documentation to generate awards and free promotion for their company. Did traffic fatalities actually drop after this was done once? Their Press Release doesn't make mention.
From McCann's Press Release:
Less than a month after Mauricio Macri's inauguration as president of Argentina in December 2015, a manual for micro-resistance was released online to guide resistance against Macri's election and policies. The manual suggests specific actions that people can perform in their everyday lives to build opposition against the new president.
“He describes it as a “family theme park unsuitable for small children” – and with the Grim Reaper whooping it up on the dodgems and Cinderella horribly mangled in a pumpkin carriage crash, it is easy to see why.
Banksy’s new show, Dismaland, which opened on Thursday on the Weston-super-Mare seafront, is sometimes hilarious, sometimes eye-opening and occasionally breathtakingly shocking.
The People’s Bank of Govanhill uses social and activist art practices to involve people in re-imagining the local economy, looking at how we can put feminist economics into practice in the local community.
Forest activist and environmentalist Julia Butterfly Hill spent two years (Dec. 10, 1997-Dec. 18, 1999) living 180 feet high, on two six-by-six-foot platforms, in the canopy of a thousand-year-old redwood tree named Luna to help make the world aware of the plight of the redwood forest.
No matter how nuanced current superhero comics may be, to the general public they are still fairly simple. Superheroes are the good guys, supervillians are the bad guys, and it’s easy to see who is who. That’s why kids like to dress up as superheroes on Halloween — and why should they have all the fun?
At Theresa May's speech to the Conservative Party conference, comedian Simon Brodkin crept up to the stage and handed the Prime Minister a P45 form (the form that bosses in the UK use to formally fire their employees), telling her "Boris told me to do it."
Naked members of the animal rights group PETA (People for the Ethical Treatment of Animals) impersonated cellophane-wrapped meat packages in a pro-vegan demonstration demonizing the way the meat industry treats animals in front of a Vancouver slaughterhouse.
The story of an artist. Laolu Senbanjo grew up surrounded by the culture and mythology of the Yoruba, an ethnic group from the southwest of Nigeria, but he never imagined how it would influence the artist he is today. After a career as a human rights attorney, Senbanjo moved to New York City to pursue art full time. “With my art, I like to tell stories, I like to start a conversation,” says Senbanjo, but life as an artist in New York was tough.
Direct Cause: Students' freedom to enter and leave the campus has been restricted for two weeks, but the university has not even issued an official document, only a verbal rule of "not leaving the campus unless necessary."
Objective: To protest the arbitrary closure policy of Beijing Film Academy.
The starting point of this artistic project, carried out by MAPA within its Laboratory of Artists in Colombia, is the disappearance of one of the oldest "barrios" downtown Bogotá: El Cartucho.