In the series The History of Korean Women, Cho's suggests that the cost of that gain cannot be paid for by a cultural amnesia masking the pain and suffering of previous generations. Here the semantic emphasis is on the official - the status of women and their contribution to the survival and growth of Korea. Their efforts have gone uncelebrated due to their relegated status within a five hundred year old social system.
Cassils' Becoming an Image confronts issues of queer and trans visibility, bodily violence, and the politics of witnessing. The performance uses a powerful blend of media—including live action in darkness, flash photography, clay sculpture, and sound—to explore how trauma and resilience are physically and symbolically inscribed onto the queer body.
In 1982, for documenta 7, Beuys proposed a plan to plant 7000 oaks throughout the city of Kassel, each paired with a basalt stone. The 7000 stones were piled up on the lawn in front of the Museum Fridericianum with the idea that the pile would shrink every time a tree was planted. The project, seen locally as a gesture towards green urban renewal, took five years to complete and has spread to other cities around the world.
Even though Spain is constitutionally defined as a non-confessional nation, the Catholic Church still holds great power. For example, the Catholic Church is exempt from paying certain taxes, and can reclaim certain buildings as their property. This often creates frictions and conflicts with the activist groups and organizations that would prefer a more secular political environment.
The Xuzhou chained woman incident, also known as the Xuzhou eight-child mother incident, is a case of human trafficking, false imprisonment, sexual assault, severe mistreatment, and subsequent events that came to light in late January 2022 in Xuzhou's Feng County, Jiangsu, People's Republic of China.
Close to 100 artists and activists staged a protest at the Brooklyn Museum yesterday afternoon in response to displacement — both in Brooklyn and Palestine.
Filip Custic (Santa Cruz de Tenerife, Spain 1993) works across photography, performance and video to address themes around identity, body and our relationship with technology. Mirrors and screens are a recurring features, a reference to our age of image-obsession and selfies, and Custic also uses symbols, references to science, and art-historical borrowings in his art.
Zanele Muholi, the self-proclaimed visual activist and photographer, investigates the fraught relationship between post-apartheid South Africa and its queer community, who, despite being constitutionally protected since 1996, remain a constant target of abuse and discrimination.
The Brooklyn Paper
March 26, 2012
BY ELI ROSENBERG
Occupy Wall Street wants to occupy your wall space.
A collective of poster printers in Gowanus is attempting to help reignite the social movement’s flames for a May 1 “General Strike,” with a handful of new pin-ups it hopes will be as arresting as the image of a ballerina atop a bull that kicked off the whole protest in September.
Forensic Architecture's Cloud Studies is a project that investigates the impact of toxic clouds on colonised and oppressed communities. The clouds, originating from sources like tear gas, industrial emissions, chemical weapons, and forest fires, often go unaddressed due to doubt and denialism.
PHOENIX — As Super Bowl LVII was getting underway in Glendale, Arizona, on February 12, artist and Apache Skateboards founder Douglas Miles (San Carlos Apache, Akimel O’odham) was protesting racist mascots in the NFL by painting a mural-style portrait of Geronimo with the words “Don’t Call Me Chief” for a community event at Grassrootz, a Black- and worker-owned bookstore near downtown Phoenix.
In Cut Piece—one of Yoko Ono’s early performance works—the artist sat alone on a stage, dressed in her best suit, with a pair of scissors in front of her. The audience had been instructed that they could take turns approaching her and use the scissors to cut off a small piece of her clothing, which was theirs to keep. Some people approached hesitantly, cutting a small square of fabric from her sleeve or the hem of her skirt.
Artist Nathaniel Ruleaux leads a community project called “To See If I Could Go Home: A True History Paste-Up” at the Union for Contemporary Art in Omaha on Thursday. His son, Luca, 3, walks away after handing Ruleaux a print to use to demonstrate the project. A member of the Oglala Lakota Nation, Ruleaux often uses his art to bring attention and activism to Native stories.
On June 26, contemporary artist Cai Guo-Qiang released the daytime firework display ‘When the Sky Blooms with Sakura’ at Yotsukura Beach in Iwaki City, as commissioned by Saint Laurent’s creative director Anthony Vaccarello.
Josep Renau Berenguer was a Spanish painter, photomontager, muralist and communist militant.
Renau was the son of an Art teacher. Due to his father’s low income, he had to work various jobs during his youth and teenage years to maintain a middle class position.
“There are many problems in rural areas. For example, agriculture is declining, no one is farming, traditional things are falling apart, farmers are brainwashed by the idea of urbanization, and they don’t like their hometown. They all want to move to the city.”Activist Ou Ning said. Rural construction is an important issue. As an activist, he chose Bishan village in Anhui, China as the field to start his experiment, which is “Bishan Project”.
A coalition of more than twenty national arts funders has launched an emergency relief fund that will provide millions of dollars to artists struggling financially in the wake of the COVID-19 outbreak in the United States, which has more than 400,000 confirmed cases of the virus. The Andrew W.
First: inflatables uplift a grim protest situation into a playful event. There is something magic about what inflatables induce in people. Their enormous size combined with the weightlessness and softness makes them irresistibly attractive and dreamlike. People have a natural tendency to touch the inflatable sculpture and to join the game of throwing inflatables in the air—changing a march into a poetic, joyful and participatory event.
It may have been a while since you’ve set foot in an internet cafe, but a pop-up one on the Lower East Side offering free tea on top of free wifi is well worth a visit for a lesson in online freedoms.
With more than 48,000 panels and 94,000 names, the AIDS quilt is a constantly growing testament to the deadly toll the disease has taken on the world. At roughly 1.3 million square feet, it is so large that it can’t be displayed in its entirety in one place. Parts of it are currently on display at the National Mall, with volunteers constantly switching sections in and out.
Add Colour (Refugee Boat) begins as an all-white boat in an all-white room. Ono’s instruction for this collective, participatory work reads: ‘Just blue like the ocean.’ You are invited to contribute your hopes and beliefs in blue and white.