Anjali Mehta is an illustrator from New Delhi, India. She is primarily known for her graphic shapes, gentle lines, bold colors, and strong female subjects. She is also designing a series titled Enroute Extinction that uses the same bright colors and familiar layout of a postage stamp. This series highlights animal species in India that are at risk of extinction.
Rokudenashiko is on a mission to free the vagina. In her native country of Japan, the vaginal slang word “manko” is considered taboo while the penis equivalent, “chinko,” is used freely. Rokudenashiko (the pseudonym of artist Megumi Igarashi) uses her manko art to destigmatize the vagina, using it as the basis for whimsical figurines, iPhone cases, dioramas, and, in her most infamous piece, a kayak.
The collective Ndaku Ya La Vie Est Belle, a group of Kinshasa street performers turn their bodies into living sculptures, and use them to political ends. Among the artists is Jared, who regularly takes to the streets dressed as Robot Annonce. The costume, made from broken radio parts, is designed to raise awareness of fake news. “People receive so much incorrect information and many inaccuracies are spread. I want to fight this,” says Jared.
"Cats Against Cat Calling" began online as a movement under same slogan, powered through Hollaback! Hollaback! is an activist collective seeking to end street harassment. Working through a network of activists in various locations, Hollaback! encourages individuals to stand up for themselves against uncomfortable interactions in public.
The group Art Not Oil did a campaign to raise awareness about the oil industry, and their funding of Art. "Art Not Oil has campaigned against Big Oil cultural sponsorship since 2004.
This exhibition
is a collection of work by displaced Syrian artists. With the support of the British Council, 'Syria: Third Space' demonstrates the roles that artists play in supporting recovery and resilience. It seeks to show how artists can break boundaries, support and unite communities, re-interpret and offer alternative viewpoints through their practice.
Syria: Third Space
After winning the TED Prize on March 2, 2011, the French-artist JR launched the Inside Out Project, in his first TED Talk. Using his own artistic practice as inspiration, this participatory platform helps individuals and communities to make a statement by displaying large-scale black and white portraits in public spaces. Through their “Actions,” communities around the world have sparked collaborations and conversations.
If you visit the Art AIDS America exhibition expecting to see activist slogans and memorial pieces along with some art-world superstars, you won’t be disappointed—Keith Haring, Robert Mapplethorpe and the “Silence = Death” slogan are present and accounted for—but you might also walk through the show scratching your head in confusion.
Private Dinner Party: Clothing Not Allowed
The Füde Dinner Experience gathers those who want to meet, eat and drink — only after leaving their clothes at the door.
Cleve Jones's powerful vision for memorializing those lost to AIDS was realized in October 1987 in Washington D.C. It showcased the artistic contributions of people who'd lost loved ones to the virus from a number of US metropolitan centers. The quilt has continued to grow for the nearly 40 years since. By 1992, the AIDS Memorial Quilt included panels from every state and 28 countries.
Two artists have repurposed the presidential candidate’s campaign bus in order to critique his controversial views.
In October 2015, the artists David Gleeson and Mary Mihelic purchased a Donald Trump tour bus on Craigslist.
Museums and art galleries are not usually the sites of feminist political protest. Yet over the past couple of years, before the lockdown, gallery visitors all over the UK had noticed a small, determined activist whose modus operandi is “Small signs, big questions, fabulous wardrobe”.
The streets of Santiago are once again alive with the spirit of revolution. For weeks now, working-class Chileans have occupied national monuments and blocked major intersections in protest of widespread inequality. They desire full reform — a request so long in the making that it is practically tradition. The country’s floundering political elite offer half measures while dispatching riot police and the military.
A CALL TO ARTISTS:
The American Friends Service Committee (AFSC) has created a new, nationally touring poster exhibit called All of Us or None: Responses and Resistance to Militarism. The exhibit will launch in June and is already scheduled to travel to Chicago, Greensboro, Providence, and San Francisco with many other stops anticipated. We are looking for some additional work to include in this show.
“The real wealth of the Nation,” marine biologist and author Rachel Carson wrote in her courageous 1953 protest letter, “lies in the resources of the earth — soil, water, forests, minerals, and wildlife… Their administration is not properly, and cannot be, a matter of politics.” Carson’s legacy inspired the creation of Earth Day and the founding of the Environmental Protection Agency, whose hard-won environmental regulations are now being undone in the
In time for the 30th Anniversary of the famed EDSA People People Revolution, a two-day pop-up museum in Camp Aguinaldo serves as a vivid reminder of a significant period in Philippine History.
The interactive museum, which is composed of nine halls, recreates the martial law victims’ struggle for democracy, including the events that led to the bloodless revolution in 1986.
This is the sixth piece of the series Tatlin’s Whisper which examines the relationship between apathy and anaesthetization of the images in the mass media. This series intends to activate images, well-known because of having been repeatedly seen in the press, but are here decontextualized from the original event that gave way to the news and staged as realistically as possible in an art institution.
The Bread and Puppet Theater was founded in 1963 by Peter Schumann on New York City’s Lower East Side. Besides rod-puppet and hand puppet shows for children, the concerns of the first productions were rents, rats, police, and other problems of the neighborhood. More complex theater pieces followed, in which sculpture, music, dance and language were equal partners. The puppets grew bigger and bigger.
Now What? project has just finished a series of interactive workshops, where global citizens came together to reflect on the global sustainability issues, got inspired and empowered to imagine the world anew through poetry and imagery.
With the focus on the community and climate action, the project is live on social platforms and soon to be a collective street art too.
T.I.E. is a residential, 24-hour, intensive experience during which participants will be: introduced to aesthetics of Immersive Theatre, guided through a practical exploration of these strategies, and mentored in the creation of an immersive, theatrical experience about a social justice issue -- a piece that can be shared at the end of the workshop with an invited audience of their choice
At the peak of her career in 1976, Georgia O’Keeffe refused to lend her work to a pivotal exhibition in Los Angeles, “Women Artists: 1550 to 1950.” It was one of a wave of all-female shows — some 150 — that decade to spotlight artists largely ignored by major museums and galleries. But O’Keeffe, the most famous female artist of her day, saw herself in a different category — “one of the best painters,” period.
Susan Speirs fed four dollars into the Amend-o-matic Stamp Mobile. After spiraling up the "Tower of Corrupted Power," gliding past a clanging gong and sliding down hairpin turns on a roller coaster-style track to a final stamping station, the bills came out with bright red lettering in all caps.
Now, they read, "Stamp money out of politics."
CAM brings contemporary art and ideas directly to Saint Louis Public High School and Middle School students through its ArtReach program. Tailored to meet the needs of individual schools and teachers, ArtReach is designed to raise awareness of contemporary issues through an exploration of contemporary art. The program includes a curriculum-based offering of museum tours, school visits, and creative workshops for students and teachers alike.
Conceived and curated by Bushwick native Joe Ficalora, the Bushwick Collective has evolved into an extraordinary open-air gallery since its first mural surfaced in 2011.
Attracting a wondrous array of local, national and international artists, it showcases first-rate street art -- from legendary Blek Le Rat stencils to huge collaborative walls by such world-renowned artists as Case Ma'Claim and Pixel Pancho.