"Two weekends ago, a loose network of these artists and activists, under the name Subvertisers International, launched their first global effort to reclaim our shared public environment from its monopolization by commercial media. The demand was not for better or more truthful advertising, but to imagine what a city would look like when the stories we told ourselves in public space reflected a democratic voice.
Justin Brice Guariglia’s We Are the Asteroid employs a highway message sign to bring attention to how anthropocentric, or human-centered, attitudes have allowed for unsustainable systems that contribute to climate change. The artist generated the slogan for this work with eco-critic and professor Timothy Morton.
The Violence Against Women (VAW) Art Map was conceptualized in the fall of 2018, in the wake of the #MeToo movement by Dr. Lauren Stetz, as part of her doctoral research in Art Education with a minor in Women's, Gender, & Sexuality Studies at Penn State University.
What he captured became one of the most influential images in history. A driving force of the environmental movement, the picture, which became known as Earthrise, showed the world as a singular, fragile, oasis.
Mind Over Media is a crowdsourced educational platform that contains diverse examples of contemporary propaganda on a wide range of social, political, economic and environmental topics.
What if we gave our teenagers the opportunity to imagine themselves as the heroes that they have grown up watching, rather than treating their precious minds as nothing more than a way to line the pockets of some CEO?
A giant leak of more than 11.5 million financial and legal records exposes a system that enables crime, corruption and wrongdoing, hidden by secretive offshore companies.
For more than 30 years, the Guerrilla Girls have travelled the world exposing sexism and inequality in the art industry, and this week they proved Hong Kong was no exception.
Three members of the anonymous feminist collective—calling themselves Frida Kahlo, Käthe Kollwitz and Zubeida Agha—spoke at the University of Hong Kong on Monday, dressed in their signature black outfits and gorilla masks.
How would you describe Mixer?
Anis Bennaceur: It’s a professional network for creatives—people working in arts, fashion, film and media, and music. You can showcase your work, past projects to everyone else on the platform, and you can search, discover, connect, and collaborate with a lot of other incredible and talented people working in those industries. Also, every member is vetted by our team, so we ensure the quality of the userbase.
#ChallengeAccepted, also known as the Challenge Accepted campaign, is an Instagram tagged challenge as well as an awareness campaign on empowering women involving sharing posts of black-and-white selfies.
Since 1991, approximately 1,700 organizations in 130 countries have participated in the 16 Days Campaign, which originated from the first Women's Global Leadership Institute sponsored by the Center for Women's Global Leadership. During 16 days, participators are encouraged to organize events and act in their local communities to:
In 1987 with AIDS deaths in the thousands and government policy still criminally indifferent, activists formed ACT UP (AIDS Coalition to Unleash Power) with the purpose of turning grief and fear into rage and action.
An inspired story of artists who have made millions engaging their communities of using their artistic influence to create change for others!
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Over the last few years or so, Diddy and Jay-Z have continually found themselves near the very top of Forbes' wealthiest acts in hip-hop list. Now, it looks like the two are combining their immense wealth to help Black people across the U.S.
Up Against the Wall: Art, Activism, and the AIDS Poster is the traveling version of the first major exhibition devoted to the University of Rochester's collection of HIV/AIDS-related posters. It illustrates to a broad audience that "AIDS affects everyone" and through the use of language and imagery, shows how messaging and information around HIV is shared to different groups, audiences, and people throughout the world.
The global response to COVID-19 has made clear that the fear of contracting disease has an ugly cousin: xenophobia. As the coronavirus has spread from China to other countries, anti-Asian discrimination has followed closely behind, manifesting in plummeting sales at Chinese restaurants, near-deserted Chinatown districts and racist bullying against people perceived to be Chinese.
First: inflatables uplift a grim protest situation into a playful event. There is something magic about what inflatables induce in people. Their enormous size combined with the weightlessness and softness makes them irresistibly attractive and dreamlike. People have a natural tendency to touch the inflatable sculpture and to join the game of throwing inflatables in the air—changing a march into a poetic, joyful and participatory event.
If, like me, you spent the days after Trump’s election in a depressed stupor wondering what – if anything – would change, look no further than Good Trouble. Set up by former Dazed editor Rod Stanley, it’s a new collective arts platform dedicated to celebrating the culture of resistance and grassroots activists promoting positive change.
The Dove Campaign for Real Beauty is a worldwide marketing/public relations campaign launched in 2004 that includes advertisements, video, workshops, sleepover events and the publication of a book and the production of a play. The principle behind the campaign is to celebrate the natural physical variation embodied by all women and inspire them to have the confidence to be comfortable with themselves.
The project involved creating portraits of garbage pickers from the Jardim Gramacho landfill near Rio de Janeiro, Brazil, using materials found in the landfill itself.
Muniz worked with the garbage pickers to create the portraits, which were then photographed and exhibited in galleries around the world. The project aimed to raise awareness of the plight of the garbage pickers and the environmental issues associated with landfill waste.
In 2016, photojournalist Gulnara Samoilova was running a successful wedding photography business. Her diverse portfolio of work spans two decades — with images in the permanent collections of The New York Public Library, 9/11 Memorial Museum and Houston Museum of Fine Arts — but weddings had become her staple business. By the year's end, she'd decided to pack it in.
IMAPCT are youth activists who view the creative arts and leadership training as a way to develop ourselves and change the world in a positive way. They believe that they must be the message that bring through hardwork, focus, discipline, unity and the principles of S.O.S. safe space, outstanding effort and service to their family friends and community.
Park(ing) day is a community of artists, activist, students and everyday people who, on September 21, every year and across the world, collaborate to transform parking spaces into green and friendly spaces. They invite reflections and discussions on the significance of nature and quality of life in urban areas. Park(ing) day encourages people to take over public spaces, reclaim their space, and imagine how sustainable and green cities can be.