Alex King describes Project Ukko in detail for Huck Magazine (March 17, 2016):
"Moritz Stefaner’s Project Ukko turns climate and wind data into an immersive art installation that allows viewers to explore the future of the planet."
In 2007, Andrew Danziger had an architecture class assignment at the University of Texas at Austin to propose an urban intervention in Austin. The goal was to think about public art in unexpected ways. One classmate dreamed up a blank traffic sign; another suggested putting a bench at a bus stop that lacked one. Danziger hit on the idea of installing swings in surprising places, and then he went beyond the assignment by actually doing it.
The Couple in the Cage documents the travelling performance of Guillermo Gómez -Peña and Coco Fusco, in which they exhibited themselves as caged Amerindians from an imaginary island. While the artists’ intent was to create a satirical commentary on the notion of discovery, they soon realized that many of their viewers believed the fiction, and thought the artists were real “savages”.
Imagine affecting the global cultural Landscape through art and technology use. Imagine one-mile long installation in 100 city locations worldwide, each mile-long install is of 250 bronze plaques of different Peacemakers. Then imagine its own App that when any smartphone is pointed at one of the plaques an entire timeline biographical history of that peacemaker becomes available.
In Women Are Heroes, JR introduces women who sometimes look death in the face, who go from laughter to tears, who are generous, have nothing and yet share, who have had a painful past and long to build a happy future.
While meditating in front of a Nepalese Sarasvati statue on New Year's Day in 1991 at her California home, Mayumi received a calling that brought a sudden halt to painting. Having witnessed the horrors of atomic bombings as a child and later, watching her beloved Japan become a leader in nuclear-energy, and seeing the effects of depleted uranium, Mayumi had to pursue a global cause greater than her art or feminism.
Tiny Pricks is a public art project created and curated by Diana Weymar. Contributors from around the world are stitching Donald Trump’s words into textiles, creating the material record of his presidency and of the movement against it. Tiny Pricks Project holds a creative space in a tumultuous political climate.
Museums and art galleries are not usually the sites of feminist political protest. Yet over the past couple of years, before the lockdown, gallery visitors all over the UK had noticed a small, determined activist whose modus operandi is “Small signs, big questions, fabulous wardrobe”.
Zero Abuse Project is a 501(c)(3) organization committed to transforming institutions in order to effectively prevent, recognize, and respond to child sexual abuse.
#ChallengeAccepted, also known as the Challenge Accepted campaign, is an Instagram tagged challenge as well as an awareness campaign on empowering women involving sharing posts of black-and-white selfies.
“Nude” and “vulnerable” aren’t words commonly used to describe Arab males. But that’s how Tamara Abdul Hadi pictures them—literally—in the project Picture an Arab Man. With the goal of breaking the stereotype of Arab men as violent and dangerous, Abdul Hadi has traveled during the past three years to countries including Egypt, Palestine, and Yemen to photograph semi-naked men.
publicly displayed posters feature the portraits of women, along with a quote relaying their experiences with street harassment. Fazlalizadeh hopes the captions speak directly to offenders by placing the posters outside in public spaces where harassment happens.
You might think that pictures of dicks (usually unsolicited) aren’t particularly hard to come by on the internet. And most of those dick pics aren’t particularly expertly composed. But that’s not the case for Penile Papers, a new collection of phallic art curated by London-based artist Dominic Myatt.
IMAPCT are youth activists who view the creative arts and leadership training as a way to develop ourselves and change the world in a positive way. They believe that they must be the message that bring through hardwork, focus, discipline, unity and the principles of S.O.S. safe space, outstanding effort and service to their family friends and community.
I have several theories about why song rewrites work well. Theory aside, people know the tunes and can learn the words. Scholars differ on whether you should make it as simple as possible or let the crowd be the artist by recognizing their ability to learn and perform something a bit tricky. Either way, it's great when songs are repurposed and people get to shout and sing instead of just chanting or listening to speeches.
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By appropriating mementos of other people’s lives and placing them in an art context, Boltanski explores the power of photography to transcend individual identity and to function instead as a witness to collective rituals and shared cultural memories.
Between 1995 and 2017 the highly addictive painkiller OxyContin brought in $35 billion USD in revenue for Purdue Pharma, most of which went directly into the hands of the Sackler family.
HeForShe is a solidarity campaign for gender equality initiated by UN Women. Its goal is to engage men and boys as agents of change for the achievement of gender equality and women’s rights, by encouraging them to take action against negative inequalities faced by women and girls.
female:pressure is an international network of female artists in the fields of electronic music and digital arts founded by Electric Indigo: from musicians, composers and DJs to visual artists, cultural workers and researchers. A worldwide resource of female talent that can be searched after criteria like location, profession, style or name.
The screen portrayal of a cancer sufferer whose illegal import of foreign medicines into China spurred national policy changes has become a box-office smash as audiences flock to a rare Chinese film on a hot-button issue.
Dying To Survive is based on Lu Yong, who was arrested in 2013 after illegally importing a generic cancer drug in a case that sparked public debate about high medical costs.
If you visit the Art AIDS America exhibition expecting to see activist slogans and memorial pieces along with some art-world superstars, you won’t be disappointed—Keith Haring, Robert Mapplethorpe and the “Silence = Death” slogan are present and accounted for—but you might also walk through the show scratching your head in confusion.
Mine is not Arts for the sake of Arts. It is a revolutionary INSGINA carved into the artistic plaque of my DNA to speak FREEDOM of expression and then freedom after EXPRESSION. The footprints of my revolutionary walk are dipped in the paths of RESISTANCE. My Ideological Swag -word is CREATIVITY. My spiritual birth mark is RESILIENCE. My revolutionary slogan is a nonviolent but a poetic fist of MASS INSTRUCTION. I am non-selfish believer.