The city of Douala in Cameroon had a huge problem associated with malfunctioning water drainage systems. This is due the fact that in many illegally constructed areas of the town, the sewers are without cover, and after heavy rainfall, this would generally lead to floods and related threats to public health.
In a bid to fight the spread of COVID-19, the EU Delegation to Ghana on Wednesday 27 May joined the International Organisation for Migration (IOM), the Accra Metropolitan Assembly (AMA) and artists from the Ghana Graffiti Collective, to launch an initiative to use street art and graffiti to create awareness about coronavirus and migration.
The artwork created by the Ghana Graffiti collective speak about hope, tolerance, love and solidarity.
I am a visual activist. Most of what I have done over the years focuses on black LGBTQIA+ and gender-non-conforming individuals from South Africa and other neighbouring countries. It’s about making sure we exist in the visual archive. I call myself a visual activist — or, rather, a cultural activist, because this work is not only about the arts; I’m focusing on education, I’m dealing with culture in a way that confronts a number of issues.
As part of the commemoration of this year’s World Art Day (April 15), Ghanaian-based Tapioca Foundation and Imposters Art Collective have embarked on a campaign to educate the public about environmental sustainability.
The project, which was launched in Ada in the Greater Accra Region, is intended to use art pieces to highlight issues relating to environmental protection and climate action to boost awareness in local communities.
On August 14th 2014 several prominent statues within the city centre and the southern suburbs of Cape Town got redressed in green blankets, equipped with miner gear or carrying grocery bags. The statues – mainly of which represent colonial figures – were redressed in light of what has come to be known as the Marikana Massacre: the shooting of 34 miners by the local police force of Marikana, South Africa on August 16th, 2012.
Africa has had a devastating history of blood diamond wars. Blood diamond refers to a diamond mined in a war zone and then sold to finance an invading army's war efforts, usually in Africa where more than two-thirds of the worlds diamonds are extracted.
This site specific social / political word play was painted on the exterior wall of Johannesburg's largest diamond trader Jewel City.
Afrika ARTS Kollective is a group of artists that decided to face Uganda's demographic growth and the garbage problem of the capital, Kamala, with art. 30,000 tons of residues come out of this monthly and the Administration is being working on healthy and good environmental behaviors among citizens.
Toyi-toyi is a Southern African dance originally from Zimbabwe by Zimbabwe People's Revolutionary Army (ZIPRA) forces that has long been used in political protests in South Africa.
Toyi-toyi could begin as the stomping of feet and spontaneous chanting during protests that could include political slogans or songs, either improvised or previously created. Some sources claim that South Africans learned it from Zimbabweans.
Mandela's notion of manhood changed over time. In the early days, he evoked the image of toughness to deal with an enemy that would not respond to reason. When it became possible to secure peace through talking, Mandela adapted. After his release his image was one of warmth and inclusiveness, embracing those who feared majority rule and even his former enemies.
Pray the Devil Back to Hell is the extraordinary story of a small band of Liberian women who came together in the midst of a bloody civil war, took on the violent warlords and corrupt Charles Taylor regime, and won a long-awaited peace for their shattered country in 2003.
In an endeavor to raise awareness at the local and international level, Razia organized the Mifohaza Masoala (Wake Up Masoala) music and environmental festival, which took place at the edge of the Masoala Rainforest in October 2011. The concert featured some of Madagascar’s most thrilling performers, and the festival was a tremendous success, with over 10,000 people in attendance.
DOHA — In an interview with the Paris Review in 1993, the late Toni Morrison once said,
I think of beauty as an absolute necessity. I don’t think it’s a privilege or an indulgence. It’s not even a quest. I think it’s almost like knowledge, which is to say it’s what we were born for.
The collective Ndaku Ya La Vie Est Belle, a group of Kinshasa street performers turn their bodies into living sculptures, and use them to political ends. Among the artists is Jared, who regularly takes to the streets dressed as Robot Annonce. The costume, made from broken radio parts, is designed to raise awareness of fake news. “People receive so much incorrect information and many inaccuracies are spread. I want to fight this,” says Jared.
Although we are in the supposedly modern and advanced year of 2020, there are still at least 500 million women and girls that lack adequate facilities for menstrual hygiene management, according to the World Bank Organization.
The Women Are Heroes project has various steps in Africa, in Kenya, Sierra Leone, Liberia and Sudan.
In January 2009, 2000 square meters of rooftops are covered with photos of the eyes and faces of the women of Kibera, in Kenya. Most of the women have their own photos on their own rooftop and for the first time the material used is water resistant so that the photo itself will protect the fragile houses in the heavy rain season.
A video that was first posted on X (formerly Twitter) on November 8, of a Congolese man setting himself on fire has gone viral. The gruesome clip has started a discussion on whether a genocide is occurring in the DRC and is being ignored by both Africa and the rest of the world.
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Created a platform to showcase disparities that are therein in public basic schools verses the private schools.
Simple a call to duty bearers to act on the deplorable physical learning environment existing in the public schools , because the environment impacts teaching and learning.
This series of protests began on the UCT campus in an effort to remove the bronze statute of Cecil Rhodes in the center of campus due to the belief that Rhodes represents the oppressive colonization of South Africa that eventually led to apartheid.
In February , two leaders of a guerrilla movement here traveled to the financial district carrying a wooden container that contained three pigs, each painted yellow from snout to tail.
“So dramatic, so strong, so visual,” artist Stéphan Gladieu said of his first encounter with the revival of an ancestral folk art movement in Kinshasa, Democratic Republic of Congo. Kinshasa is the capital of Congo but also one of the many places American and European countries send their waste.
The work of South African artist Mary Sibande tells the tale of her alter-ego Sophie, a domestic worker who finds refuge in dreams where she emancipates herself from the ghoulish realism of an ordinary existence, cleaning other people's homes.
Exploring the construction of identity within post-apartheid South Africa, Sibande's work probes the stereotypical contextualisation of the black female body.
Activist Boniface Mwangi on confronting corruption in his homeland, and director Sam Soko on recording his campaign
Kenyan director Sam Soko’s debut documentary feature, Softie, opens with the film’s protagonist, Boniface Mwangi, sourcing 1,000 litres of pigs’ blood. “I’ve found a van for you. When do you want it? When are you getting the blood?” Mwangi asks.
The Uganda National Contemporary Ballet (UNCB) presented a new powerful and moving production advocating for the child soldiers all over the world at the National Theatre in Kampala.