"Work-from-home lawyers and museum staff convened by webinar on 11 and 12 March, for an annual conference on Legal Issues in Museum Administration, hosted by the non-profit American Law Institute with the support of the Smithsonian Institution. This year’s focus was decidedly shaped by the Covid-19 pandemic, which has squeezed museums financially and pushed ever more museum activity into the digital realm.
In 2016 an eye-catching sparrow was spotted in Scotland. The bird had ingested feed pellets from a nearby salmon farm, turning its feathers pink. Cramped in underwater feedlots, farmed salmon have no access to the prey that colour their flesh in the wild. Instead, they are fed artificial colourants mixed with supplements, drugs, and hormones, causing them to relentlessly produce the additive-filled flesh that fills supermarket shelves.
Fashion designers from L.A. to Milan are picking up their shears in solidarity to do their part to prevent the spread of COVID-19 to at-risk patients and primary care providers.
In Pittsburgh, Memphis and Los Angeles, massive billboards recently popped up declaring, “Birds Aren’t Real.”
On Instagram and TikTok, Birds Aren’t Real accounts have racked up hundreds of thousands of followers, and YouTube videos about it have gone viral.
Last month, Birds Aren’t Real adherents even protested outside Twitter’s headquarters in San Francisco to demand that the company change its bird logo.
Shackles. Cotton. The Big House.
Americans tend to think of slavery in terms of chattel slavery. Plantation Slavery. Slavery where human beings are bought, sold, and owned. The kind outlawed in the United States by the Emancipation Proclamation in 1863.
Slavery as a relic of the 19th Century.
“Six of us lived, worked, slept in a 10-by-10 (foot) room without a bed, bathroom, or clean water,” Nasreen Sheikh remembers.
With people in Turkey and Syria still reeling from Monday’s devastating 7.8 magnitude earthquake, many in the art world have united in support of the relief efforts for the disaster. The death toll has now surpassed 22,000, with close to one million people now in need of food amid freezing temperatures.
The sneaker brand Converse has commissioned an indigenous artist in Australia to create a gigantic mural with a surprising twist. The Melbourne mural plays homage to indigenous urban identity and was painted with a special type of pollution-absorbing paint that “cleans the air,” according to the agency behind the project, Amplify.
On May 14, 2022, the Buffalo community suffered a devastating act of violence when a gunman opened fire at the Tops Friendly Market on Jefferson Avenue, killing ten people and wounding three. Many have asked how to help.
In partnership with Tops, the National Compassion Fund has established the Buffalo 5/14 Survivors Fund to provide direct financial assistance to the survivors of the deceased and those directly affected by this tragedy.
The Mexican Pavilion is an immersive space based on a 1:1 scale fragment of the expanded model of the campesino basketball court, an infrastructure that has become repurposed as a space for poly- and pluri-valent processes of decolonisation in Mexico’s indigenous communities.
The Protest Mask Project was co-organized by Maggie Thompson and Jaida Grey Eagle. During the George Floyd protests, the artists' studio, Makwa Studio, created hundreds of masks to give to protestors in the city of Minneapolis where the demonstrations began.
“As an educator, I want people to have a sense of empowerment. I want them to have ownership of their own creative experience. It’s a very humane thing knowing we are inherently creative.”
FloodNet was a conceptual artwork and a tool for online collective action.
Developed by the collective Electronic Disturbance Theater (EDT), it took the form of a Java applet that allowed users to send useless requests or personalized messages to a remote web server in a coordinated fashion, thereby slowing it down and filling its error logs with words of protest and gibberish—a kind of virtual sit-in.
The Vivienne Foundation exists to honour, protect and continue the legacy of Vivienne's creativity and activism.
Since the start of her career in the 1970s, Vivienne was renowned not only for her fashion design, but also her activism. Vivienne always utilised her platform of prestige to make the world a better place.
The US-Mexico border wall has become a battleground for political theater, but also various artistic interventions. One of these outstanding artworks is the pink seesaws. They went viral after they were installed by the two creative architects Ronald Rael and Virginia San Fratello. Between the erect giant steel posts of the border fence lie small gaps a couple of inches apart. It is this space where they installed the seesaws.
Destin from the Youtube channel Smarter Every Day has started the "Hunstville Fighting Covid" website in order to mobilize and teach those who have 3D printers how to print Personal Protective Equipment to aid medical professionals fighting the COVID-19 epidemic.
The Free Breakfast for School Children Program was initiated at St. Augustine's Church in Oakland by the Black Panther Party. The Panthers would cook and serve food to the poor inner city youth of the area.
from "Laugh, O Revolution: Humor in the Egyptian Uprising" by Anna Louie Sussman, in 2011.
Revolutions can be messy. They can be tragic. As long as the Internet is working, they can be tweeted. And, as Egyptians demonstrated during their 18 days of protest, they can also be funny.
During the Black Lives Matter protests in Richmond, VA, the two fourteen-year-olds posed in a powerful photo in front of Confederate General Robert E. Lee’s statue. Ava had originally arranged an appointment with photographer Marcus Ingram, but as she and Kennedy posed in front of the graffiti-covered monument with their fists firmly jutted in the air, several photographers began snapping pictures.
Drag Out The Vote™ is a nonpartisan, nonprofit organization that works with drag performers to promote participation in democracy. We educate and register voters at drag events online and offline, by organizing local and national voter activations. Led by fierce drag kings and queens across the nation, we advocate for increased voter access and engagement in 2020 and beyond.
Haiti is a conservative society where Roman Catholicism shapes many of its social norms. Patriarchal norms, says Haitian feminist Pascale Solages, co-founder and general coordinator of feminist organization Nègès Mawon, have informed its strict views on abortion. In Haiti, women can’t legally access voluntary abortions. Doctors can’t perform them unless the woman’s life is in danger.
“What Is Missing?” is a multi-sited memorial created by Maya Lin to raise awareness through science-based artworks about the present sixth mass extinction of species, connect this loss of species to habitat degradation and loss, and emphasize that by protecting and restoring habitat, we can both reduce carbon emissions and protect species.
"A Tanzanian-born, Preston-based artist, curator and cultural activist, Lubaina Himid aims to 'fill in the gaps of history', giving representation to marginalised histories and to what was previously invisible or silenced. Significantly, Himid's art reinserts black narratives into the forefront of cultural practice and conversation.
Four days before the U.S. presidential election, three Ukrainian activists gathered at a stranded fence in New York City’s East Village to hang an expansive information poster. “19546+ Ukrainian Children Abducted by Russia,” reads its headline in bold. From a black canvas, white letters jump out at the passersby, a haunting reminder of the toll the Russian invasion continues to inflict on Ukrainian families.