On April 24, 2013, more than 1,000 lives were taken in the Rana Plaza Collapse. While history remembers this tragic event as the deadliest garment factory accident, activist and photographer Taslima Akhter reveals a story of dreams crushed by structural murder. Dedicating her career to the lives and struggles of garment workers in Bangladesh, she has continued to foster a community rallying together for safer working conditions.
Independent producer and longtime WWNO collaborator Eve Abrams brings us Unprisoned: Stories From The System. From New Orleans and Louisiana, the world’s incarceration capital, we meet those serving time inside and outside the criminal justice system.
Few opera choruses are as moving as the one a group of prisoners sings in Act I of Beethoven’s “Fidelio.” Released temporarily from their cells, the inmates almost whisper a hymnlike paean to liberty: “Oh, what a joy to breathe freely again in the open air.”
After weeks of vegan activists protesting in front of his nose-to-tail bistro, chef Michael Hunter decided to make a statement by butchering a freshly-killed deer’s leg in the window of his Toronto restaurant, Antler Kitchen & Bar, right in front of the demonstrators. “I figured, I’ll show them,” Hunter tells writer Corey Mintz. “I’m going to have my own protest.”
The Nahmads have been dealers in Modern art since Giuseppe Nahmad set up in Milan in 1957. But they have been the Warren Buffetts of the business, sticking to the tried and true. Now Joseph Nahmad, one of Giuseppe’s grandsons, is plunging into the shark pool of Contemporary art.
Creative Time, Social Practice Archive: Brinco is an art project, product, and intervention created by the Argentinean artist Judith Werthein for the 2005 inSITE Biennial held on the border of Tijuana and San Diego. Brinco—Spanish for "jump"—is a specially designed shoe the artist created for illegal migrant workers and immigrants who navigate the border region at night.
With more than 48,000 panels and 94,000 names, the AIDS quilt is a constantly growing testament to the deadly toll the disease has taken on the world. At roughly 1.3 million square feet, it is so large that it can’t be displayed in its entirety in one place. Parts of it are currently on display at the National Mall, with volunteers constantly switching sections in and out.
20-year-old Ilyssa, from New York, sees communism as the only viable alternative, one that will improve the societal issues we currently face. “From a young age, I was very aware of the stark class differences that existed,” she says. “I grew up with a single mother in a very poor family.
Text by Jessica Stewart
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In Virginia, one artist is helping his community reclaim a controversial monument in the name of Black Lives Matter. The Robert E. Lee Monument now stands as the only remaining Confederate statue on Richmond's historic Monument Avenue. While litigation ties up the statue's removal, light projection artist Dustin Klein is using his art to change the meaning of this contentious monument.
Promoted as a DIY festival with no corporate sponsorship, the 2015 Latino Punk festival in Brooklyn, NY featured bands from all over the Americas. With an emphasis on local bands supporting each other and nurturing local scenes, this festival functions in reference to the ideals of the punk and Riot Grrrl movements in the 1990s.
Back after a five year hiatus, V-Day Sedona joins with hundreds of other productions across the globe in celebrating V-Day’s 20th anniversary with an act of artistic activism. For its 20th anniversary, V-Day is calling on activists around the world to Rise, Resist and Unite.
In early 2012, a group of artists, activists and assorted other odd balls got together to form People's Tours. The idea was to give walking tours in the Boston area. Standard enough. But instead of the usual history, we would talk about social justice, contested spaces, important protests, and shady corporations.
So far, the group has consisted of Dave Taber, Heather McCann, Kristin Parker, Neil Horsky, and Tim Devin.
A group of protestors and organizers from Sunrise Movement, Earth Guardians, 350 Eugene, Cascadia Wildlands and more staged a bike march culminating with a die-in outside of the Northwest Natural Gas headquarters in Eugene, Oregon.
The protestors lie on the ground outside the NWN building, beneath tombstones donning the dangers of natural gas.
‘I’m an Egyptian, Muslim drag queen who aims to raise issues about Middle Eastern / LBGTQ issues within the Arab world and Muslim community. For too long it was drilled in my head that I was wrong, that I was going to Hell, and that’s simply not fair. No one speaks about the harsh mistreatment we go through as gay people in the Arab world. The internal torture and shame is more than enough.
A couple of weeks ago, a group of activists working with Rainforest Action Network’s Energy and Finance campaign hit the streets of San Francisco to bring a little truth about Bank of America’s misdeeds to its customers—not in the lobbies of the bank’s local branches, but at its ATMs throughout the city.
Another incredible artist determined to change the world for animals is Dana Ellyn. This DC-based artist started being a full-time painter in 2002 after leaving a corporate job. Her paintings do not shy away from showing the exploitation of animals, as well as critiquing society in general. Her paintings are meant to start a conversation, and they are certainly doing that as effective advocacy for animals.
Initially organized to respond to holes in service provision following Hurricane Katrina, Burners Without Borders has since 2005 "emerged as a community led, grassroots group that encourages innovative, civic participation that creates positive change locally." One ongoing project headed by BWB's Will Ruddick is a complementary currency program in Mombasa, Kenya.
Northeast Minneapolis is going to have the first full-fledged water bar of its kind, an establishment where you can sit and drink a variety of local tap waters to your heart’s content. Their delightful motto: “Water is all we have.”
The image is stark. And shocking.
A black man, his ankles shackled, his head hanging away from the viewer, stands in relief on a field of white. Chains stretching to the image's borders on the left and right pull his arms taut. Fourteen crimson marks crosshatch his back. Within the dark fabric that frames "86 Lashes to Go," a small rectangle is labeled simply "salt."
Last night, over 40 protesters staged an intervention inside the Guggenheim Museum in Manhattan during Saturday night’s pay-what-you-wish admission hours.
Students dressed as Israeli soldiers stopped other students, ordered them to the ground, and blindfolded them in a demonstration that drew multiple campus groups to a standoff on College Walk Thursday afternoon.
The Columbia Students for Justice in Palestine set up mock checkpoints—to resemble those manned by the Israeli army in the West Bank—drawing crowds and counter-protests for several hours.
Part telethon, part variety show, and part party, the People’s Bailout Telethon kicked off the Rolling Jubilee, a project by the Occupy-offshoot Strike Debt. The Rolling Jubilee raises funds through grassroots donations, buys debt for pennies on the dollar, but instead of collecting it, abolishes it. The project works within the system of the secondary debt market in order to undermine it.
"It
was important to me to present the whole story in a way that would
captivate people’s attention and make a memorable statement. Making
quilts seemed an ironic solution. Quilts act as a functional memory, an
historical record of difficult times. It
is during times of hardship that people have traditionally made quilts,
“As a Black woman, I can grow absolutely anywhere," Aiyanna explains. "I can adapt to any storm, any weather, any changes. In the Black community, that's something that we're really good at.”
So when Aiyanna, 25, was asked to contribute the first L in a Black Lives Matter mural made by a group of artists in downtown Charlotte, North Carolina, she knew her letter would include a flower person.