In May, 2013, Russian performance artist Petr Pavlovsky wrapped his body, nude, in barbed wire and lay outside the St. Petersburg legislative assembly. The act was in protest of restrictions imposed on freedom of speech and assembly. Police officers were forced to attempt to disengage him from the wire. After medical officials also arrived, Pavlovsky refused to be taken to the hospital and was brought to jail, where he was held for several weeks.
Jes Baker is cutting retailer Abercrombie & Fitch down to size. Baker, who blogs under the name "The Militant Baker" and wears a size 22, changed the brand's A&F logo to "Attractive & Fat" in a mock, black-and-white Abercrombie ad to challenge the line's branding efforts.
No Home Gallery is a traveling gallery that curates exhibitions and happenings in various living and studio spaces in New York City. In an attempt to make contemporary art accessible and inviting, No Home offers emerging artists and art enthusiasts a forum for collaboration and creation.
Recurrent themes in Emily Jacir's practice—which spans a range of strategies including film, photography, interventions, archiving, performance, video, writing, and sound—are silenced historical narratives, resistance, movement, and exchange.
In the mid early 2000s, religious advocates tried a new strategy: promoting the theory of “intelligent design” to be taught in schools. As the Kansas School Board considered the argument, Prophet Bobby Henderson saw an opportunity. His now famous, “Open Letter to the Kansas School Board” began:
While governmental support for arts and culture is often meager, the Brazilian national government has recently demonstrated great interest in the industry. They've just introduced a "cultural stipend," which provides workers with 50 real (roughly $25) per month for arts and cultural expenses. The allowance covers personal spending on things like movies, concerts, books or museums.
In 2017, the political party Ahora Buenos Aires (Now Buenos Aires) was running in the legislative election for the first time. It is not easy being a small left-wing party in the City of Buenos Aires, therefore imagination is an essential part of a campaign if you want to get the attention of the media and voters.
The pink "pussy hats" in The Women's March were created by a group of activists and knitters, including Krista Suh and Jayna Zweiman. The hats were designed as a form of protest and a symbol of resistance to the new administration and its policies.
Dylan Marron is a Venezualan-American actor, writer, and director who noticed something about the film industry: in most of the major films, people like him (and other non-white groups) were not being well represented.
In a conceptually odd but undeniably memorable PSA campaign, the Mexico City Metro has installed a “penis seat” in one of its subway cars, featuring a molded likeness of a man’s torso and penis, to get male riders thinking about the sexual harassment that women endure every day.
The seat is labeled “For men only.”
Chen Boer's first heroine film, which she co-wrote and directed, was "Daughter of China," about female soldiers in the Northeast Anti-Japanese United Army. They didn't have much filmed material at the time, but as a feminist, Chen Boer clearly wanted to record the sacrifices and contributions of Chinese women in the War of Resistance against Japanese Aggression.
Kurokawa Cup is a protest against former head Tokyo prosecutor Hiromu Kurokawa's de facto immunity after he had played mahjong for money, which is an illegal act in Japan.
Social distancing guidelines didn’t stop members of Refuse Fascism Philly from criticizing President Donald Trump’s response to the coronavirus pandemic on Saturday.
Rather than march as a crowd through Center City, a handful of protesters from the group, which has repeatedly called for Trump’s removal, drove their cars through Philadelphia before arriving at the Trump National Golf Club in Pine Hill, N.J.
by Natalie Pompilio
Natalie Jeremijenko wants you to feed the animals. She encourages you to text the fish—and makes sure they'll text you back. She turns moths into movie stars and believes the next big thing in urban transportation is human flight.
The 15M movement in Spain grew out of a desire for liberation and greater access to social and political rights for marginalized groups. At its core the activists of 15M were visionaries and used voting for a utopian society as a creative act to reimagine the world they created. Reality is socially construed by the forces that determine individual agency.
South Korean artist Do Ho Suh is internationally known for his ghostly, diaphanous architecture and fabric-made objects, which create imaginary spaces that are physically present yet impossible to inhabit. His large-scale, immersive, but impermanent installations serve as “acts of memorialization,” exploring themes of identity, home, and the tension between personal and public space.
In September 1943, the Nazis prepared for the deportation of all Danish Jews to the concentration camps and death. But Georg Duckwitz, a German diplomat with a conscience, deliberately leaked the plans for the roundup, which was due to begin on Rosh Hashanah, the Jewish New Year. Armed with the information from Duckwitz, Danes swung into action.
ParaSITE: Custom built inflatable shelters designed for homeless people that attach to the exterior outtake vents of a building’s Heating, Ventilation, and Air Conditioning (HVAC) system. The warm air leaving the building simultaneously inflates and heats the double membrane structure.
In the broad context of the modern world of art, the work of Beili Liu has always seemed extraordinary in visual terms and deeply profound in thematic development. Born in China and living in the United States, much of her work usually circles themes tightly interwoven with notions of identity, culture, and time.
"is a conceptual documentary project in which I photographed every Mom and Pop-style cornershop on the island of Manhattan as quickly as possible, as I walked each block in the city ( CLICK FOR A MAP of my route). I fear these veritable microcosms of NYC will be swallowed in the presently swelling wave of corporate homogeny.