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By David Gonzalez Leslie Thomas wants to shock you. She wants to anger you. And above all, she wants you to do something. She’s not talking about run-of-the-mill, “Hey buddy, watch your step” angry or TMZ sleaze shock. She’s talking about the great humanitarian and social crises of our time, like in Darfur, Afghanistan or Myanmar. And yes, she’s talking to you.

This piece is fascinating because of its use of just a few words and country names, muted colors, and the recreation of famous art. The artist used this canvas to depict a concern about events happening in the Gaza strip.

In 2013, Shell sent out press releases about their upcoming event, the Science Slam, which would aim to “celebrate the company’s responsible oil production” and “showcase ideas for renewable energy by scientists and students.” Essentially, Shell organized this event in the hopes that it would allow the multinational oil company to appear as if it is actually concerned about the environment and finding alternatives to oil.

In the wake of the amount of police brutality that has been occurring since the dawn of the damn police, an institution that began as a way to find escaped slaves, across the United States, #manisfestjustice chooses to make its explicit artistic mission to demand that power take responsibility, and to provide avenues to community empowerment in the meantime.

From Black Power to Migrants’ Power BY Robin Cembalest POSTED 01/22/13 As ’60s activist art enters museums, a new generation is creating an iconography of protest for today

The Survivaball made its first appearance in 2006, when "Halliburton representatives" attended a conference on catastrophic climate change and demonstrated the functionality of the large inflatable suits ("a gated community for one"), which keep corporate managers safe from global warming. Not long afterward, in Berlin, the Yes Men learned they also work as disruptive, arrest-resistant tools.

A short documentary about Artist Stephen Sheehan's performance called 'Weighed down by a cushion' performed at Liverpool One. The footage contains views from the public captured during the performance.

Even if the idea of interactive theater gives you hives, you can still find amusement, and perhaps enlightenment, at Forum Theatre’s “The T Party,” a bold and inventive exploration of gender identity by local writer-director Natsu Onoda Power. The play begins as a progressive party you’ll be encouraged to join, but fear not. You can remain a mere observer.

Sitting at a folding table in the basement of Trinity Episcopal Church in downtown Columbus, Monica Jacobo used a felt tip marker to write the words “No means no!” on a white bandana.