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The Dreamland Artist Club project was named after one of the famous amusement parks in Coney Island. The project consisted of more than 25 artists coming together to repaint rides and make custom signs, murals and scenic backdrops for the legendary neighborhood. Most of the artists that participated in this project were from New York City and therefore had a particular interest in the visual culture of the city.

"The Surveillance Camera Players (SCP) is a small, informal group of people who are unconditionally opposed to the installation and use of video surveillance cameras in public places.

Emel Mathlouthi (Arabic: آمال المثلوثي) is a Tunisian singer-songwriter best known for her protest songs "Ya Tounes Ya Meskina" (Poor Tunisia) and "Kelmti Horra" (My Word is Free) which became anthems for the Tunisian revolution and the 2011 Egyptian revolution.

Street harassment is one of the most pervasive forms of gender-based violence and one of the least legislated against. Comments from “You’d look good on me” to groping, flashing and assault are a daily, global reality for women and LGBTQ individuals. But it is rarely reported, and it’s culturally accepted as ‘the price you pay’ for being a woman or for being gay.

Voina conducted a wake for absurdist poet and Soviet-era dissident Dmitry Prigov, featuring a table with food and vodka, in a Moscow Metro car. Originally, they had planned an action involving Prigov but he died before they were able to implement it. They later carried out a similar action on the Kiev Metro. As an art collective, Voina is testing the boundaries of performance art. As activists, they are testing the patience of Russian authorities.

Maria was psyched to travel to the Philippines where her hand-made basketball nets were well received. Invited with the Institute for Infinitely Small Things (Boston/Mass based) by Clara Balaguer and the Office of Culture and Design (Manila) she worked in Zamboanga City with students of Western Mindanao State University to carry out a 6 day arts and activism workshop.

Several nights of Halloween celebration in Shanghai provided a vivid, if indirect, commentary this week on the malaise gripping the world’s second-largest economy.

In 2016, the Guggenheim Museum commissioned its very first robotic artwork called Can’t Help Myself (Wannmann, 2016). The artwork is created by two of China’s most controversial artists Sun Yuan and Peng Yu and can be described as a robotic arm that has one specific, life-long duty: to prevent the deep-red, bloodlike liquid, which constantly oozes outwards, from straying too far (Weng, n.d.).

Italian environmentalists used a dye to turn Venice's Grand Canal green on Saturday in protest at what they said was a lack of progress at the COP28 climate summit in Dubai. The protesters from the Extinction Rebellion group, dangling from the Rialto Bridge over the canal with the aid of climbing ropes, also displayed a banner that read: "COP28: While the government talks, we are hanging by a thread."