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A human tide swept through Paris last month for the type of event France knows only too well — a protest. Union leaders led the march, awash in a multicolored sea of flags. Demonstrators shouted fiery slogans. Clashes with the police erupted. And, as in every protest, there was Jean-Baptiste Reddé.

Located in Thomas Paine Plaza, across the street from City Hall, Hank Willis Thomas’s All Power to All People was a public art intervention that dealt with racial identity and representation in Philadelphia.

A is for Activism is a children's book developed by Innosanto Nagara, an author illustrator and founding member of the Design Action Collective, a worker owned cooperative design studio in Oakland that is dedicated to “serving the Movement.” The book includes playful rhymes for each letter stressing the importance of civic engagement and a participatory democracy.

When Tracey Emin aired her dirty laundry in the 1999 Turner Prize exhibition at Tate Britain, she set a new standard for confessional art. She conceived of the installation, titled My Bed (1998), after a long, bedridden bender following a bad break-up. When Emin finally left her sheets, she examined the mess she’d created.

To bring attention to the widespread apathy toward climate change, nonprofit group 350action and agency Barton F. Graf 9000 got a little personal. Tapping into the meteorological legacy of naming hurricanes after people–thereby marring the good names of unsuspecting Sandys, Irenes and Katrinas everywhere–“Climate Name Change” told the same storm story, but subbed in the name of prominent politicians who refuse to acknowledge climate change.

"Vaccines Work. Here Are the Facts." is a short web comic by Maki Naro explaining "The risks, the misinformation, and the science behind history’s greatest life saver."

In December 2008, Tim DeChristopher, along with his church group, was protesting outside a Bureau of Land Management oil and gas lease auction of 116 parcels of public land in Utah's red rock country. Tim decided to take his protest inside and disrupt the auction itself. Instead, at the door, he was offered a bidder's paddle — which, after a split second of hesitation, he accepted.

Buses serving several routes in central Seoul have acquired a new and highly controversial passenger: a barefoot “comfort woman”, wearing a traditional hanbok dress with her hands resting on her knees.

The People’s Bank of Govanhill uses social and activist art practices to involve people in re-imagining the local economy, looking at how we can put feminist economics into practice in the local community.