A public art exhibition designed to raise awareness of solutions to climate change. Cool Globes grew out of a commitment at the Clinton Global Initiative in 2005, and was incorporated as a non-profit organization in 2006. Since that time, Cool Globes premiered in Chicago and went on tour across the country from Washington DC to San Francisco, San Diego, Sundance, Los Angeles, Houston and Cleveland.
The screen portrayal of a cancer sufferer whose illegal import of foreign medicines into China spurred national policy changes has become a box-office smash as audiences flock to a rare Chinese film on a hot-button issue.
Dying To Survive is based on Lu Yong, who was arrested in 2013 after illegally importing a generic cancer drug in a case that sparked public debate about high medical costs.
JAY SHELLS DROPS “RAP QUOTES,”
HIS MOST SITE-SPECIFIC STREET ART PROJECT YET
By Aymann Ismail | March 25, 2013 - 12:30PM
After schooling New Yorkers on etiquette via numerous unsanctioned interventions, artist Jay Shells channeled his love of hip hop music and his uncanny sign-making skills towards a brand new project: “Rap Quotes.”
A French illustrator/painter/graphic designer from Nice who also has had shows in galleries in Monaco, Mr OneTeas is known to some as a graffiti artist who samples pop culture on his canvasses and appropriates commonly recognizable images of Hollywood names like Liz Taylor, Princess Grace, and Alfred Hitchcock. He also presents 80s television culture ironically (spotlighting Gary Coleman, Alf, Mr.
Brief History is part of a series produced by Carlos Motta between 2005 and 2009 that presents two chronologies of events in Latin America: one of U.S. interventions in the region since 1946, and one of the area’s leftist guerrilla movements. One side of the print outlines the interventions’ interconnected narratives in text; the other depicts two bloody handprints and the symbol of the Mano Blanco death squads from 1980s El Salvador.
Last September, Fusion commissioned artist Tatyana Fazlalizadeh, 29, to travel to Mexico City and create an installation of her highly-acclaimed art project protesting street harassment, “Stop Telling Women to Smile.” Fazlalizadeh’s visit to Mexico was her first to the country; it was also the first time the STWTS project — for which Fazlalizadeh papers city streets with hand-drawn portraits of women pushing back against their street harassers — had eve
The kidnapping and enslavement of African people was the life-blood of transnational corporations like the "Royal African Company." In law, these human resource corporations were called "artificial people." Their human cargo was called "cargo."
Following on from Ruben Shanchez's mural on the Syrain boader, we head back to the same subject with Awareness & Prevention Through Art (AptART) is a not-for-profit organisation that aims to give vulnerable children an artistic experience with an opportunity to express themselves as well as an outlet to build awareness and promote prevention about the issues that affect their lives.
I have been composing and singing a selection of our President's tweets. I have two goals for this ongoing project. One is to laugh which helps all of us deal with the high anxiety of our times. The second is to shine new light on the absurd, troubled and baffling mind of our 45th President. There’s something utterly satisfying when I hear his words sung in an earnest lilting voice. I hope it compels you to think and listen in a whole new way.
Several nights of Halloween celebration in Shanghai provided a vivid, if indirect, commentary this week on the malaise gripping the world’s second-largest economy.
Ah, the unsolicited dick pic. Technology has made it all too tempting for men's penises to pop up on a woman's phone while she's reading on the train or walking home from work. This is a fairly recent invention, because who would've taken their rolls of film to the local drug store to get their dick pics developed?
In Shanghai, a vigil grew into a street protest where many held blank sheets of white paper in a symbol of tacit defiance.
In Beijing, students at Tsinghua University raised signs showing a math equation devised by the Russian physicist Alexander Friedmann, whose surname in Chinese is a homonym for “free man.”
On Sunday April 3rd, Art Not Oil coalition member group BP or not BP? occupied the Great Court of the BP-sponsored British Museum with a 'disobedient exhibition'. Called 'A History of BP in 10 Objects', the exhibition featured artifacts submitted by frontline communities around the world who are fighting back against the impacts of BP's operations.
"a dinner cooked by six indigenous chefs, members of tribes from around North America, who are meeting together for the first time this week to launch a new indigenous activist group, called the I-Collective. Thursday’s dinner will be at Dimes, on Canal Street, and it will follow a dinner tonight for New York City’s local Native American community at the American Indian Community House, on Eldridge Street.
BEIJING — Like many art students, Zou Yaqi often worried she’d be unable to afford to live in Beijing after graduation. So, earlier this year, she decided to set herself a daunting challenge: Survive in the city for three weeks without spending a single yuan.
It turned out to be a piece of cake.
Art of the Umbrella movement refers to artistic works created as part of the Umbrella Movement in Hong Kong which demanded democracy in the election of the territory's top leader. Most of the physical works of art are located within the three main protest sites of Admiralty, Causeway Bay and Mong Kok.
In 1987 with AIDS deaths in the thousands and government policy still criminally indifferent, activists formed ACT UP (AIDS Coalition to Unleash Power) with the purpose of turning grief and fear into rage and action.
Using Performance Art to Alert Drivers to Look Out for Pedestrians
A series of three street performances taking place this Thursday and Friday carries a simple message - remember to see and stop for pedestrians.
The image is stark. And shocking.
A black man, his ankles shackled, his head hanging away from the viewer, stands in relief on a field of white. Chains stretching to the image's borders on the left and right pull his arms taut. Fourteen crimson marks crosshatch his back. Within the dark fabric that frames "86 Lashes to Go," a small rectangle is labeled simply "salt."