Museums and art galleries are not usually the sites of feminist political protest. Yet over the past couple of years, before the lockdown, gallery visitors all over the UK had noticed a small, determined activist whose modus operandi is “Small signs, big questions, fabulous wardrobe”.
"Denial of Family Values, Gay and Anti-gay Propaganda in Russia"
105 NY-110, Melville, NY 11747
June 3, 11 am – June 28, 7 pm
Monday – Friday, 11 am – 7 pm, free admission
Artist talk – June 28, 2 pm
Please write to racc.ny@mail.ru or call (347) 662 1456
The artist is available for interviews
Ali Ferzat, the daring political cartoonist from Syria, fearlessly wields his pen as a powerful weapon against oppressive regimes. His illustrations pierce through the fabric of authoritarianism, revealing the raw truth that lies beneath. Despite facing unimaginable brutality, Ferzat's indomitable spirit remains unyielding.
In 1984, a group of women in New York gathered outside the Museum of Modern Art as part of a protest. A group show, An International Survey of Recent Painting and Sculpture, was showing 165 artists, 152 male artists exhibited alongside just 13 women.
Outraged, they attended the protest, bringing placards and chanting outside the museum. But a handful of women within the larger crowd learned something.
The Free Hugs Campaign is a social movement involving individuals who offer hugs to strangers in public places.The hugs are meant to be random acts of kindness - selfless acts performed just to make others feel better. International Free Hugs Month is celebrated on the first Saturday of July and continues until August first.
An inspired story of artists who have made millions engaging their communities of using their artistic influence to create change for others!
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Over the last few years or so, Diddy and Jay-Z have continually found themselves near the very top of Forbes' wealthiest acts in hip-hop list. Now, it looks like the two are combining their immense wealth to help Black people across the U.S.
From Variety:
YouTube launched a campaign with the hashtag #DearMe — encouraging users to upload “video letters” with advice to their younger selves, aimed at helping girls deal with problems — and within an hour it became the No. 1 trending topic on Twitter both in the U.S. and worldwide.
A hundred days. That’s how long it took Xiao Meili to walk from Beijing, in the arid north, to the humid, central city of Changsha. Since September, the 24-year-old has been trekking south and west across the Chinese heartland, along rumbling highways, around construction sites, down dusty streets. She stops along the way to send letters to local officials. Her plea: China must change the way it handles sex abuse.
On January 18, 2012, numerous website across the internet called for an internet blackout in protest of SOPA and PIPA. SOPA, or the Stop Online Piracy Act, and PIPA, the Protect IP Act, were a series of bills promoted by Hollywood in the US Congress that would have created a “blacklist” of censored websites.
In a twist on the Broken Windows Theory, street artists are using their skills to combat urban blight in Baltimore with "The Slumlord Project". By drawing the attention of neighbors to abandoned and vacant properties and giving pertinent ownership information to take action on, 17 artists are spray painting and wheat-pasting in a D.I.Y.
On March 10, 1914, Mary Richardson slashed Velasquez's "Rokeby Venus" with a small axe during public hours at the National Gallery in London. A militant suffragette protesting the force-feeding of imprisoned suffragettes in prison (and the Cat and Mouse Act which released the starving women only until they were slightly healthier only to imprison them again), Richardson released this statement after her arrest:
FROM THE NEW YORK TIMES:
" While filming a documentary about divisive oil refinery ventures in the subzero cold of Fort McMurray, Alberta, the director David Dufresne said he wasn’t considering only pollution in that Canadian boomtown or the vast tar sands beneath its frozen ground. He was also thinking deeply about technology, about making a new kind of hybrid media, a docugame.
On what seems to be just another ordinary day, a man is exposed to sexism and sexual violence in a society ruled by women... Eléonore Pourriat's short film imagines how a man might experience a sexual assault in a matriarchal society.
This is Marina Abramović's first attempt to interact with the audience on the spot, allowing the audience to become part of her work. Guns, bullets, kitchen knives, whips and other dangerous items), the audience can use any item to do whatever they want to her. Due to the unpredictable danger of the work, Marina promised to take full responsibility for the performance of the performance art.
SUNO is one of the few luxury fashion brands that has been born out of a social cause. Max Osterweis and designer Erin Beatty launched their first collection in the spring of 2009, " after post-election violence threatened to damage the economy and industry in Kenya."
While the clothes is mostly produced by local artisans in Kenya, Suno has since expanded its business to include production in Peru, India, and NY.
The artist I chose to focus on personally is the photographer Cristina Garcia Rodero. I used photos from her photography essay España Oculta, in which Rodero traveled to small villages in Spain to document the resident’s lives. Our group's main focus is on gender issues, and I personally wanted to focus on activism involving women and representation. Rodero uses photos of rituals and activities among those outside of the majority population.
On 27th January 2013, the participatory project titled 175 hectares has run through the streets of the city of Trento (Italy). All the community has traced a line of white chalk that measures 6.3 km and the area included was 175 hectares: the exact surface area of the extermination camp of Birkenau (Auschwitz II, Poland).
From Public Delivery:
"He calls his work Support, which involves two giant hands rising from a canal to support the building that houses Ca’ Sagredo Hotel. The idea is to depict that the sculpture is helping Venice. It also symbolizes humankind’s capability to destroy the world and an equal ability to save the world too."