The Great Wall of Los Angeles represents a minority perspective/p.o.v. of the history of the city. Judy Baca first began the mural in 1974 through SPARC at the rise of the Chicano movement. The project was a part of the community and completed by Baca, other local artists and local youth volunteers. This mural is effective in depicting the racial tension of the past, but maybe it would be enhanced by a prospective future.
A group of protesters calling themselves the "Gmuni dancers" block a Google Bus from moving on 24th Street at Valencia Street on Tuesday April 1, 2014 in San Francisco, Calif.
Protests erupted in cities and on campuses across China this weekend as frustrated and outraged citizens took to the streets in a stunning wave of demonstrations against the government’s “zero covid” policy and the leaders enforcing it.
Elina Chauvet’s red shoes are worldly. They’ve been in Milan, Italy, and Grand Rapids, Michigan. Not just one pair, but hundreds — red boots, red heels, red toddler shoes. They’re not there to see the sights, but to take up space. Especially when the women or girls who would have worn them no longer take up any space, except in the lives of their loved ones.
Express and Create, Solidarity and Support" is a slogan that summarises the aims of HeadSpace, a new, non-profit, artistic magazine that accepts submissions on the theme of mental health. It is entirely run by volunteers and mostly distributed for free in psychiatric wards and other places that cater to people with mental health problems. The first issue was launched in May 2013 in Dublin.
The enforcement of city and state law pertaining to graffiti, advertising, and other signage has enormous power to visually shape public space. In New York City, enforcement is heavily skewed to ignore illegal commercial advertising, while simultaneously aggressively targeting graffiti and, in some cases, symbols of dissent.
Tong Wenmin is a Chinese performance artist affiliated with works exploring movement, interaction, and humanity. Her art is a relationship between human behavior and the natural world, a round dynamic between physicality and environmental elements. One of her most compelling works, "FLYING THE WIND," is outstanding in merging performance art with a deeper exploration of the interaction between humans and nature.
Born in Nigeria in 1975, Péju Alatise, is a multimedia artist focusing on the experience of women and girls, particularly in her native country but with resonance across the world.
In early January, constructions workers in Wuhan, China staged a Gangnam Style protest in front of their employer's building. Using the Gangnam Style dance, the men sought to bring media attention to their mounting unpaid wages.
A school may be made of bricks and mortar, but when one closes, the loss can feel like a death in the family.
So, when Philadelphia started to close 31 public schools three years ago, there was an outpouring of protests, grief and tears — emotions captured in “reForm,” a show that opened on Friday and focuses on one shuttered school and its neighborhood.
In 2005, Rebar, a design studio in San Francisco, transformed a single metered parking space into a temporary public park. The area where this two-hour park took place was one that lacked public open space. This was the first Park(ing) Day project.
Artists: Cindy Maguire, Assistant Professor Art Education Adelphi University and Teaching Artist with Artistic Noise and girls ages 13-17 from the Brentwood Residential Center on Long Island.
The group Art Not Oil did a campaign to raise awareness about the oil industry, and their funding of Art. "Art Not Oil has campaigned against Big Oil cultural sponsorship since 2004.
Oh, the sweet irony.
Pete Peterson is the conservative billionaire who is a major financier in the effort to dismantle, cut and privatize Social Security, Medicare and Medicaid. Recently he and his foundation held a contest asking folks to submit videos on why it is important to “fix” the national debtof which, he and his foundation falsely claim, Social Security is a major contributor.
Sara Hendren is an Enabler. Hendren's writing, research, and "knowledge-building" propels conversations of ability and disability in such a way that activates a creative dialogue as well as provides a scholarly basis for cultural critique.
For artists exploring themes of violence towards humans and animals, there is a fine line between thoughtfully engaging and needlessly shocking the viewer; being sensationally explicit can turn people away while being tacit or innocuous may fail to make an impact.
How many of the 38 environmental protests staged in museums in 2022 can you remember? How many of the more recent ones only generated widespread outrage? Did any of them lead to tangible change? The protesters’ cause is serious, the threat is very real, the message is important and urgent. But is it not getting through to the public?