"The No Papers, No Fear ride for justice.
Riders are undocumented people from all over the country, including students, mothers and fathers, children, people in deportation proceedings, day laborers, and others who continue to face deportation, harassment, and death while simply looking for a better life.
Come across a poster like the two above on your commute recently? Laid out in classic MTA style, but adorned with Orwellian imagery and an appropriately ambiguous hashtag, they warn of two possible hazards to your health: an upcoming “airborne non-toxic test” in which the NYPD will disperse “harmless, colorless gas” around the five boroughs, and an at-risk nuclear reactor that’s just 28 miles from NYC.
One of the defining features of politics in the 21st century has been the way online cultural phenomena can cross over into the “real” world.
Unfortunately, perhaps because the internet seems to bring out the worst in people, those phenomena have largely been, well, awful.
Beginning in the early 1970s, the Los Angeles-based multi-media arts collective Asco (from the Spanish word for nausea) created performances, street theater and conceptual art that satirized the emerging styles of Chicano art and pushed the boundaries of what it might encompass.
"Sun Mu is not the artist’s actual name. It’s a nom de plume that uses a combination of two Korean words that translate to ‘The Absence of Borders’. It not only represents what he feels is the transcendence of art but also the literal military demarcation line that keeps the Korean people separated.
Strap into your scuba gear — this museum is worth it.
Installation began on Museo Atlantico — the latest project of underwater sculptor James deCaires Taylor — this week, 14 meters underwater in Lanzarote, one of the Spain’s Canary Islands off the coast of West Africa. Taylor, whose creations have spanned the waters from the Bahamas to London, calls it the first underwater contemporary art museum in Europe and the Atlantic Ocean.
Kanami Kusakima, also known as the woman who dances in Washington Square Park with the long black hair and the paint, was happy to allow the Mayor's Office of NYC use her image as a promotional tool for a "post-coivd" New York. Yet, she has had multiple encounters with police who want to shut her performance down.
Monday June 18, 2007 marked history with Operation First Casualty (OFC) – part IV, Chicago, Illinois. As IVAW members were coming into town, organizers were finishing last minute details. Participating IVAW members were from Illinois, New York, Pennsylvania, DC and Indiana.
The Violence Against Women (VAW) Art Map was conceptualized in the fall of 2018, in the wake of the #MeToo movement by Dr. Lauren Stetz, as part of her doctoral research in Art Education with a minor in Women's, Gender, & Sexuality Studies at Penn State University.
Festival “WakEUp!” (organized by “Heartefact”) happened at several locations, and included film and exhibition program. Festival originated from the need for a reaction to the present moment refugee crisis and the situation in the world, began on the 7 th of December at Gallery “G12 Hub” in Belgrade with two days performance that was dedicated to the current problem of refugees and their historical destinies.
"Puppets Against Aids was launched by Gary Friedman on 1st December 1988 in time for 'World Aids Day' in Johannesburg, South Africa. During 1987, Friedman had been studying with Muppet master, Jim Henson, in Charleville-Mézières, France. Henson provided the initial financial contribution to launch the African Research and Educational Puppetry Programme 'Puppets Against Aids'.
A topless activist staged a mock hanging from a bridge in Paris, to protest against the visit of Iranian President Hassan Rouhani. The protester, from international women's rights group Femen, hung from the bridge in an execution-style demonstration on 28 January 2016. She had an Iranian flag painted on her chest.
For 35 years, the Billboard Liberation Front have been altering public advertisements in San Francisco under the cover of night, strategically changing words or phrases to invert the intended message of corporate sponsors. Considering their guerrilla reclamation of public space an "improvement of outdoor advertising," the BLF regards the advertisers whose billboards they improve as clients, for whom they are performing a vital service.
The opening lines of this week’s Staff Pick Premiere, “Battleground,” by Kwesi Thomas and Mark Bone examine how skin color has become just that…a battleground. The short captures the particular discomfort of having to argue for one’s value in a society that should care instead of question. Kwesi, a Black man, powerfully conveys these feelings to his co-director Mark, a white man, in the wake of George Floyd’s death last May.
Demonstrators aligned with the Occupy Wall Street movement sang their way into handcuffs during a Bronx foreclosure auction Monday to protest the housing crisis that continues to plague the borough.
They serenaded a courtroom of real estate investors with the lyrics, "Y'all are speculating off people's pain. With all due respect, you should be ashamed."
The current face of clubhouse will be seeling a NFT of her art at an online marketplace Nifty Gateway, with the proceeds going to the Catalyst Fund for Justice. She is a futirst in her art, using a blend of physical materials and technologies to make pieces. Some range from including virtual realities or creating steel sculptures.
The International Harlem Fine Arts Show (HFAS) is the largest traveling African Diasporic art show in the United States. Inspired by the Harlem Renaissance, HFAS provides a platform for African Diasporic visionaries and American visual artists to exhibit and sell their artwork. The show also aims to create economic empowerment, educational opportunities and professional recognition within the multicultural community.