FACELESS was produced under the rules of the 'Manifesto for CCTV Filmmakers'. The manifesto states, amongst other things, that additional cameras are not permitted at filming locations, as the omnipresent existing video surveillance (CCTV) is already in operation.
With an estimated four million surveillance cameras, Britain is by far the most-watched nation on earth. Every Londoner is on camera about 300 times a day. How could this come about in George Orwell’s mother country? What were the ignition sparks for this development? Why haven’t other nations copied the schemes if they really are as successful as the Home Office and the police are saying?
"Suzanne Lacy is an internationally known artist whose work includes installations, video, and large-scale performances on social themes and urban issues. One of her best-known works to date is The Crystal Quilt (Minneapolis, 1987) a performance with 430 older women, broadcast live on Public Television." (http://www.suzannelacy.com/)
