Shift Change Dress is a community fashion & art project that utilizes a shift dress sewing pattern as a medium for communication and action. Participants are encouraged to use the pattern as a blank canvas for their art or message and to share their work with the community.
Maryland Hall, in partnership with the Banneker Douglass Museum and Maryland Commission on African American History and Culture, invited Maryland-based Black artists, whose work encapsulates activism and social justice and using the creative process to educate their audiences about diversity, equity and inclusion to send proposals to take one of six 5 ft.
Imagine if back in the 1960s, creators Jack Kirby and Stan Lee had found inspiration for The Avengers in Yoruba mythology. Instead of Iron Man, we'd have the warrior Oxaguiã. Taking the place of the blue-eyed, blonde-haired Norse god Thor would be the equally strong and black-skinned Xangô, the ruler of justice — who also happens to carry a hammer.
Samaria Rice, left, and Terrence Spivey welcome the crowd at the Tamir Rice Sweet 16 event to raise funds for a new youth oriented cultural center Thursday, June 14th, 2018, at the Cleveland Museum of Art in Cleveland, Ohio. Photo by Tim Harrison/Special to The Plain Dealer
Inspired to carry on Tamir's legacy
This weekend marks the one-year anniversary of Donald Trump's inauguration. It also marks the one-year anniversary of the Women's March his election inspired, the largest single-day protest in the nation's history.
Seven undocumented immigrants working with the #Not1More campaign, chained themselves and blocked the entrance to the Etowah County Detention Center in Gadsden, Alabama for several hours today.
Etowah has long been considered one of the worst immigrant detention centers in the country. In a phone call recorded by Detention Watch Network, one detainee named Oscar Quintero describes the facility as “a concentration camp for immigrants:”
Brick x Brick is a public art performance that builds human “walls” against misogyny. It is organized by the Public Displays of Affection, a collective of artists, designers, educators and organizers that engages in nonviolent direct art action. During the wall performances, participants wear brick-patterned jumpsuits adorned with colorful brick patches bearing statements of misogynistic violence made by US President Donald Trump.
Stickers imitating the Land O Lakes Butter packaging are being placed in grocery stores over the original packaging. The packaging has been altered to say "Land O Rape - Culture" by street artist Recycled Propaganda.
PHOENIX — As Super Bowl LVII was getting underway in Glendale, Arizona, on February 12, artist and Apache Skateboards founder Douglas Miles (San Carlos Apache, Akimel O’odham) was protesting racist mascots in the NFL by painting a mural-style portrait of Geronimo with the words “Don’t Call Me Chief” for a community event at Grassrootz, a Black- and worker-owned bookstore near downtown Phoenix.
Dear Team
Please find below the links of the video and detail of Kind Coins Pakistan, Kids for Peace Pakistan School
and Peace Centre, hope you will publish it on your website and circulate it at large,
your this publication and circulation can change the lives of Pakistani kids and children
Kind Coins for Pakistan
"Black Lives/White Light and TABLETRIBES, a D.C.-based tech startup, are coupling art and technology to create The Radius Project, which aims to take conversations surrounding Black Lives Matter beyond newsfeeds and comment sections...TABLETRIBES is a social networking app that allows users interested in similar topics to connect with each other offline...Their goal is to globally scale empathy development by developing opportunities for users to e
CAM brings contemporary art and ideas directly to Saint Louis Public High School and Middle School students through its ArtReach program. Tailored to meet the needs of individual schools and teachers, ArtReach is designed to raise awareness of contemporary issues through an exploration of contemporary art. The program includes a curriculum-based offering of museum tours, school visits, and creative workshops for students and teachers alike.
This satirical website ridicules hipster racism and black tokenism, using two fictional white characters - Sally and Johnny - who have many black friends. The webpage is fairly simple and features fictional testimonies by black people celebrating the stereotypes and innocuous, but prejudiced behavior of Sally and Johnny. There is also a section of submitted testimonies and hate mail/fanmail.
Legendary activist and artist Ed Bereal will be able to have his work displayed again in the newly reopened Portland Art Museum. He is a complex figure, gaining fame in LA in the 1960s for his abstract works and radical performances. His work also includes critiquing politicians in a satirical way.
"SOA Cycle, and what it later became, which is called the Democracy Cycle, is a group of seven large works that approach the question of democracy. What is democracy? How is it constructed? How is it implemented? Is it something that is to be thought of in relation to its political influence? Or is it something that plays out in terms of cultural and social, and even emotional terms, for instance?
Harry Belafonte, the singer, actor and activist whose wide-ranging success blazed a trail for other Black artists in the 1950s, died on Tuesday at age 96.
The new exhibit “MESH” at Portland Art Museum features Indigenous contemporary artists advocating for change
Visual artist, writer and activist Ka’ila Farrell-Smith says she considers herself a wartime artist.
She is a member of the Klamath tribes and lives in Modoc Point, Oregon. When asked about how history influences her work, the answer weaves through over 150 years of white colonization and Indigenous struggles in the West:
For Nicholas Galanin, a Tlingit and Unangax̂ artist and musician, memory and land are inevitably entwined. The 45-foot letters of Never Forget reference the Hollywood sign, which initially spelled out HOLLYWOODLAND and was erected to promote a whites-only development.
Adrian Piper disguised her identity, changing her race, sex, and social class in order to experiment in public situations and gauge people’s reactions. She investigated how outwardly visible identity markers (like skin color) impacted others’ perceptions of her character. By manipulating her (apparent) identity to produce reactions, she demonstrated the power and influence of stereotypes (Piper, 1996).
In this short documentary, Latinos grapple with defining their ethnic and racial identities
http://www.nytimes.com/2016/02/29/opinion/a-conversation-with-latinos-on...
Transfixed by racial, political, and socioeconomic tensions saturating the news, movement artists Jon Boogz and Lil Buck, enveloped by the art of Alexa Meade, switch off the TV and release their emotion into a stirring dance that is both a lament and a spirited call to action.
National Public Radio (NPR):
There's no historical marker outside Jacob Lawrence's childhood home in New York City's Harlem neighborhood.
But Khalil Gibran Muhammad, director of the Schomburg Center for Research in Black Culture, has an idea of what it might say: "Here lived one of the 20th century's most influential visual artists, a man named Jacob Lawrence, who was a child of southern migrants."
Located in Thomas Paine Plaza, across the street from City Hall, Hank Willis Thomas’s All Power to All People was a public art intervention that dealt with racial identity and representation in Philadelphia.
The running world will come together for a virtual run on Friday, May 8, to celebrate and honor the life of Ahmaud Arbery, who was reportedly shot and killed while out on a run on February 23.