The Guardian
By Tania Branigan
In the opaque world of Chinese censorship, a few red lines shine through the murk. One of the clearest is: no gossip about top political leaders, their families or internal party affairs.
Ge Yulu’s artistic practice playfully pulls at the strings of a social system that, although seemingly all-encompassing, is in fact a malleable structure consisting of individual human beings. For his 2016 project Eye Contact, Ge positioned himself in front of a surveillance camera and stared directly into the lens for hours, then negotiated with a security guard to buy the footage.