Projects tagged "South Africa"

“up yours” share trading
Practitioner:
James Gubb
Date:
Nov 9 2017
JAMES GUBB was finishing off the knuckles when the Johannesburg Stock Exchange (JSE) shut him down. Trading single shares between two accounts, Mr Gubb had managed to “draw” the image of a fist with an upright middle finger onto the share-price chart for Oakbay Resources and Energy Limited, a company controlled by the Gupta brothers, cronies of President Jacob Zuma, that is at the centre of allegations of “state capture” in South Africa.
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The art of activism: Thapelo Motsumi & the Umuzi Photo Club
Practitioner:
Umuzi Photo Club
Date:
May 14 2012
Photographer Thapelo Motsumi is one of many young South Africans who has worked with the Umuzi Photo Club to develop his artistic skills and engage his community. Now this “drop out” has had two exhibitions in London and has been entrusted with Mandela’s football jersey. By GREG NICOLSON.
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"Hail to the Thief" : political art or creative activism?
Practitioner:
The Goodman Gallery
Date:
May 20 2012
Established Cape Town based artist Brett Murray returns to Goodman Gallery Johannesburg with Hail to the Thief II. This body of satirical work continues his acerbic attacks on abuses of power, corruption and political dumbness seen in his 2010 Cape Town show Hail to the Thief.
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Puppets Against AIDS
Practitioner:
Puppets Against AIDS, Gary Friedman
Date:
Dec 1 1988
"Puppets Against Aids was launched by Gary Friedman on 1st December 1988 in time for 'World Aids Day' in Johannesburg, South Africa. During 1987, Friedman had been studying with Muppet master, Jim Henson, in Charleville-Mézières, France. Henson provided the initial financial contribution to launch the African Research and Educational Puppetry Programme 'Puppets Against Aids'.
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#ANOTHERLIGHTUP
Practitioner:
Faith47, Design Indaba Trust, Thinking
Date:
Feb 25 2014
In Cape Town, South Africa the design firms Design Indaba Trust and Thinking have teamed up with artist Faith47 to help raise funds to bring more light to their urban city. Their goal is to raise funds to light up 700 meters of Manwabisi Park, which will ultimately reduce the crime rate in the area through more light. In order to get the community involved in the project, they have combined street art with community engagement.
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Above's Blood Diamond
Practitioner:
ABOVE
Date:
Apr 10 2012
Africa has had a devastating history of blood diamond wars. Blood diamond refers to a diamond mined in a war zone and then sold to finance an invading army's war efforts, usually in Africa where more than two-thirds of the worlds diamonds are extracted. This site specific social / political word play was painted on the exterior wall of Johannesburg's largest diamond trader Jewel City.
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Mandela Danced
Practitioner:
Nelson Mandela
Date:
Jan 1 1980
Mandela's notion of manhood changed over time. In the early days, he evoked the image of toughness to deal with an enemy that would not respond to reason. When it became possible to secure peace through talking, Mandela adapted. After his release his image was one of warmth and inclusiveness, embracing those who feared majority rule and even his former enemies.
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Toyi-Toyi
Practitioner:
Soutth African protesters
Date:
Jan 1 1976
Toyi-toyi is a Southern African dance originally from Zimbabwe by Zimbabwe People's Revolutionary Army (ZIPRA) forces that has long been used in political protests in South Africa. Toyi-toyi could begin as the stomping of feet and spontaneous chanting during protests that could include political slogans or songs, either improvised or previously created. Some sources claim that South Africans learned it from Zimbabweans.
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As the statue falls, she rises in protest
Practitioner:
Sethembile Msezane
Date:
Apr 9 2015
I was born in the 90s, but I’m not a Born Free; it was before South Africa became a democracy. Many believe that my generation doesn’t have anything to protest against. Given that police threw stun grenades at a student protest outside parliament last month, that is far from the truth.
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Maboneng Township Arts Experience
Practitioner:
Palesa & Siphiwe Ngwenya
Date:
Jan 1 2001
At the age of just 30, Palesa Ngwenya is helping transform these areas through her position as development coordinator of Maboneng Township Arts Experience. “We turn homes in the townships into art galleries,” says the young South African woman, who grew up during apartheid. “It’s about showing people that you can use what you have to do things that can change your life."
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Zanele Muholi: 'I'm a visual activist'
Practitioner:
Zanele Muholi
Date:
Jan 5 2018
I am a visual activist. Most of what I have done over the years focuses on black LGBTQIA+ and gender-non-conforming individuals from South Africa and other neighbouring countries. It’s about making sure we exist in the visual archive. I call myself a visual activist — or, rather, a cultural activist, because this work is not only about the arts; I’m focusing on education, I’m dealing with culture in a way that confronts a number of issues.
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Reclaiming the Domestic
Practitioner:
Mary Sibande
Date:
Jan 7 2014
The work of South African artist Mary Sibande tells the tale of her alter-ego Sophie, a domestic worker who finds refuge in dreams where she emancipates herself from the ghoulish realism of an ordinary existence, cleaning other people's homes. Exploring the construction of identity within post-apartheid South Africa, Sibande's work probes the stereotypical contextualisation of the black female body.
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