Camp Mossandsticks, named after moss and sticks--two of the most rudimentary tools with which one can spark fire--is a site for young women and girls to become resourceful, defiant, and self-sufficient revolutionaries of today. Started on November 6, 2012, the camp hosts workshops to spark the attendees’ inner political flames, challenging them to confront disenfranchisement created by the status quo and to take matters into their own hands.
Project IMPACT is an 8-week leadership-through-storytelling workshop for teen survivors of commercial sexual exploitation. The goal of Project IMPACT is to introduce survivors to the idea that sharing their stories is a powerful advocacy tool that can impact the legislative process and work to combat sex trafficking and commercial sexual exploitation.
From Black Power to Migrants’ Power
BY Robin Cembalest POSTED 01/22/13
As ’60s activist art enters museums, a new generation is creating an iconography of protest for today
No Home Gallery is a traveling gallery that curates exhibitions and happenings in various living and studio spaces in New York City. In an attempt to make contemporary art accessible and inviting, No Home offers emerging artists and art enthusiasts a forum for collaboration and creation.
The humorously critical project offered people an opportunity to compare themselves to the supermodel silhouette: face to face in the imaginary impression of a mirror, or at real physical scale.
The idea was born out of a serious concern with the publicized woman's body - our social obsession with thin ideals - that falls nowhere close to average or, for the majority of the population, healthy.
"On 17 December 1976, 18-year-old Eduardo Raúl Germano was abducted in Rosario, Argentina. Following the commemoration of the 30th anniversary of the 1976 coup d’état, Gustavo Germano, Eduardo’s brother, began working on the photography exhibition "Ausencias" (Absences). Born in 1964 in the Argentinean Province of Entre Río, Gustavo Germano started taking photographs of the journeys he made across Latin America in 1987.
Palas por Pistolas initiated in the city of Culiacán, a city in western Mexico with a high rate of deaths by gunshot. The botanical garden of Culiacán has been comissioning artist to do interventions in the park and my proposal was to work in the larger scale of the city and organize a campaign for voluntary donation of weapons.
Contra-Tiempo’s first Miami dance performance will bring Ana Maria Alvarez back to her roots. Her father’s family settled in Miami after leaving Cuba in the early ’60s. Most of them, including his four siblings and their spouses and children, still live here, and Alvarez expects much of the clan to attend her show.
from ahramonlineby Sara ElkamelAn indelible link has materialised between artistic expression and
revolution. Maybe it is the features they share: freedom, deviance and
fluidity, which bring them so close together.
In any case, Egypt’s January 25 Revolution undeniably led to a
surge of creativity across the country; a rebel’s passion merges with an
On Tuesday, May 8, in the midst of final exam week, a group of female first-year students performed a public art action at UC Berkeley to call attention to the UC Regents’ privatization of what was once the premier public university in the country.(See photos below)
In June of 1987, a small group of strangers gathered in a San Francisco storefront to document the lives they feared history would neglect. Their goal was to create a memorial for those who had died of AIDS, and to thereby help people understand the devastating impact of the disease.
The performance, “Lambrakis LivZ”, concerns the re-enactment of the political speech of Grigoris Lambrakis given in Athens in 1962. Grigoris Lambrakis was a peace-activist, assassinated by a paramilitary plot on June 1963 at Thessaloniki, Greece.
Artistic Activist, Charlotte Claire, is at the forefront of initiating revolutionary change in mental health care. Her project, The Babyfacedassassin, is dedicated to improving mental health care and inspiring people to care for their mental health.
On September 5th, 1991, I put a giant condom over Jesse Helms’ house. Why? Because, as the condom said, “Helms is deadlier than a virus.” Senator Jesse Helms was one of the chief architects of AIDS-related stigma in the U.S. He fought against any federal spending on HIV research, treatment or prevention.
Mending Baghdad is a four-and-a-half-by-six-and-a-half-foot quilt memorializing Baghdad as it looked during the American bombing on the first nights of the Iraq war. The purpose of the project is to bring people together to do something symbolically curative for Iraq. The artist, Clare Wainwright, worked up the image in about two days, but left it deliberately unfinished.
Hello and thanks for viewing.
This was a little installation that took place in the beauty of West Texas. The goal was to reorientate the site specific Prada Marfa into something more relevant, TOMS Marfa. Prada Marfa, being in the middle of nowhere, a structure placed as sort of a apocalyptic trophy for the high art world meant to challenge time; TOMS Marfa was to accelerate that vision with 2014 subject matter.
The “Wearable/Portable Architecture project” discussed the possibilities of having a locale create portable architecture based on the conditions of its environmental, urban and cultural conditions. It is structured to find ways in providing new arguments and sustaining an artistic impetus to our immediate environment.
This interactive, site-specific project is a comment on how we - constantly attached to mobile devices - neglect to observe the environment around us. Like ostriches, we willingly trap our heads, minds, and imagination in a fantasy world that is detached from reality.
Three colorful fabric tunnels span a man-made grove of Elm trees in downtown Boston, defining an intimate courtyard where nature clashes with cartoonish representation.
El albañil anarquista Lucio Urtubia falsificó miles de cheques del First National City Bank, en la segunda mitad de los años setenta, hasta prácticamente llevar el banco a la ruina. Urtubia donó el dinero así generado a diversos movimientos de guerrilla europeos y latinoamericanos.
In the country formerly known as Burma, these free thinkers are a force in the struggle for democracy.
By Joshua Hammer
Photographs by Adam Dean
Smithsonian Magazine, March 2011