Since November 2020, tens of thousands of farmers have been living in tents at sprawling camps pitched on highways outside the capital New Delhi.
Large barricades erected by the police and topped with barbed wire stand a few hundred meters from the camp, preventing the farmers from encroaching any closer to the center of Delhi. At times, violence has broken out during demonstrations.
Meet To Sleep, a campaign started by Blank Noise, asks citizens from all across India to come to different public spaces like parks, and sleep there in order to take back free spaces without being afraid for their safety. The first meet was organised in November, 2014, in Bengaluru’s Cubbon Park. And since then there have been eleven meets across various cities including Jaipur, Pune, Mumbai, and Bengaluru.
Under the moniker BomBaebs, Pankhuri Awasthi and Uppekha Jain rap about rape, cultural stereotypes, religious biases, and hypocrisy surrounding sexism and gender biases in India. They open the video with a disclaimer, warning that “This video doesn’t have any explicit or bannable content. It is just that the reality for women in India is Explicit.”
The Kiss of Love campaign in India is a non violent protest against moral policing. It started out as a Facebook page but gained momentum across India when a mob of conservative, right-wing party members attacked and demolished a coffee shop in Kozhikode, Kerala. Their grounds to do so was public display of affection by couples inside the coffee shop, which they saw as immoral activity.
With World Comics India, the organization he started, Sharad has pioneered a cheap and easy medium for poor people to communicate meaningfully on issues that are neglected by the conventional media. While the urban elite dominates public media, the grinding day-to-day concerns of millions are rarely heard. Layers of discrimination and abuse heaped on huge numbers of people keep their problems out of sight and out of mind.
A new, three-minute ad by Coca-Cola, "Small World Machines," starts with a relatively straightforward premise: India and Pakistan do not get along so well. It ends with the promise of peace: "Togetherness, humanity, this is what we all want, more and more exchange," a woman, either Indian or Pakistani, narrates as the music swells. Sounds great. How do we get there? By buying Coke, of course.
Baadal Nanjundaswamy, a Bangalore based artist who works at an advertising agency uses his art to embarrass the civic authorities into fixing the potholes that litter the roads of Bangalore.
