Empathy may be the cornerstone of any Global Justice movement, but how do we cultivate the conditions for empathy to thrive?
The wheelbarrow symbolises something universally useful, practical and pleasingly straightforward. A space to deliver things in an efficient and direct manner - no packaging and completely people powered.
Utilizing Tumblr, Peyton Fulford crafted Abandoned Love as a participatory art project with other users on Tumblr's social network. Asking her followers "to send phrases from their diary, text messages, and anything else they personally have written in their own words", Fulford noted how an overwhelming majority of the written responses were concerned with the theme of love.
'Learning To Love You More' is a digital and physical presentation of artistic responses from the general public. These "assignments" were facilitated under the creative direction of Harrell Fletcher and Miranda July, managed on a website by designed and curated by Yuri Ono. In 2010, the San Fransisco Museum of Modern Art acquired the website to persevere it as an archive.
In 2006, art historian Claire Bishop lit a fire under the collective seat of the art world with her Artforum piece βThe Social Turn: Collaboration and its Discontents.β It set off β as much as any essay in the hermetic and staid world of contemporary art theory can β an uproar. The article inspired Grant Kester, an art historian also specializing in relational art practices, to respond: