Shortly after the events of 9/11, a group of NYC women came together in protest of the Bush Administration's use of the terror attacks to justify war. Seeking out a new form of political protest, the women decided to respond to what they believed were the absurd reactions of Bush by attaching paper maché missile "dicks" and demonstrating in public.
A series of performances orchestrated by Lila Roo, to bring awareness to the past, present and future issue of the physical and energetic violence against the First Nation of the native buffalo and peoples of the United Sates of America in the past few hundred years. Lila worked alongside activists, the buffalo and First Nation musicians and spiritual leaders to create multi-sensory blessings for the blood spilt.
(SUBSCRIBE AT http://typingsyria.com/)
Typing…SYRIA is a one month socio-artistic performance piece where any individual can subscribe to witness a WhatsApp conversation between two Syrian characters play out in real time.
Peter Marks Review from the Washington Post:
“As Far as My Fingertips Take Me,” a performance piece about the ordeal of seeking refuge by Tania El Khoury that’s being presented for the next 2½ weeks in the lobby of Woolly Mammoth Theatre. For this hypnotic, one-audience-member-at-a-time experience, you pass through the door of a white-walled booth and slip into a white lab coat before putting on a pair of headphones.
Driving along an ordinary dirt road, it's hard to miss the Goma Cultural Centre with its bright blue gate, emblazoned with the Congolese flag. "As you can see, we are proud to be Congolese around here," said Belamy Paluku, a volunteer manager at the youth centre.
Grammys 2015: Abuse survivor Brooke Axtell talks Katy Perry, advocacy
by Nardine Saad
Domestic abuse survivor and advocate Brooke Axtell captivated audiences watching the Grammy Awards on Sunday with a stirring spoken-word piece before Katy Perry's performance of her ballad "By the Grace of God" at the Staples Center in Los Angeles.
The performance, “Lambrakis LivZ”, concerns the re-enactment of the political speech of Grigoris Lambrakis given in Athens in 1962. Grigoris Lambrakis was a peace-activist, assassinated by a paramilitary plot on June 1963 at Thessaloniki, Greece.
In this solo work, Gómez-Peña tests brand new material dealing with radical citizenship and what he terms “imaginary activism,” combining live art, literature, theory, and pedagogy in a wonderfully strange mix. Not one solo performance is ever the same.
Note before the post: This article is great in highlighting a specific case of creative activism in the streets of New York City, but also gives some contextual background to how this project manifested.
On a sidewalk in the Village in downtown Manhattan, an African-American woman leans on her elbows and knees, wearing only black underpants. Scrawled in black marker all over her body are the words "Ain't I a Woman?"
"I had an intuitive sense that being shot is as American as apple pie. We see people being shot on TV, we read about it in the newspaper. Everybody has wondered what it's like. So I did it." - Chris Burden
In light of his recent death, I wanted to bring one of Chris Burden's pieces, Shoot, to Actipedia.org. Not just to honor the artist, but to also remind us of our country's insane fascination with guns and violence.
“The Grace Period” is a live blogging platform with seven anonymous contributing bloggers called: Monday, Tuesday, Wednesday, Thursday, Friday, Saturday and Sunday. Through, videos, writings, and visuals they present multiple perspectives of landing/creating a meaningful job after school in a country where personal and national debt is high and jobs are few. In this environment, will our creative spirits be resilient?
The Climate Comedy Cohort is an unprecedented network of comedians who are coming together to learn, collaborate, and create hilarious new comedy informed by the hottest climate science. The Climate Comedy Cohort functions as a 9-month fellowship.
The Democracy Machine! is a performative sculpture that gives participants the opportunity to experience the thrill of democracy in action, in a competitive game that challenges people to work together toward understanding a better society. Using the spectacle and play of performance drawn from Las Vegas Casinos, gambling machines and game shows, The Democracy Machine!
"Gardens Speak is an interactive sound installation containing the oral histories of ten ordinary people who were buried in Syrian gardens. Each narrative has been carefully constructed with the friends and family members of the deceased to retell their stories as they themselves may have recounted it. They are compiled with found audio that evidences their final moments.
"Las sinsombrero" ("without hat") were a group of spanish women formed by the artists Maruja Mallo, Margarita Manso, Concha Méndez and the socialist activist Margarita Nelken.
NOT READY TO MAKE NICE: GUERRILLA GIRLS BIRTHDAY
30 YEARS AND STILL COUNTING!
BLOWOUT PARTY WITH DJ AND CAKE!
Friday, May 15 8-10 PM • ABRONS ARTS CENTER 466 GRAND ST, NY
ALSO AT ABRONS ARTS CENTER 466 GRAND ST, NY
• May 1-17, 2015: Pop Up Exhibition of GG work 1985-2015
• May 17: Exhibition walkthroughs 3pm
Few opera choruses are as moving as the one a group of prisoners sings in Act I of Beethoven’s “Fidelio.” Released temporarily from their cells, the inmates almost whisper a hymnlike paean to liberty: “Oh, what a joy to breathe freely again in the open air.”
MEXICO CITY — Of the half-dozen pieces that form Tania Bruguera’s series “Tatlin’s Whisper,” the one that the Cuban government silenced may have resounded most.
The Insurrection-Resurrection Service Circus is this summer’s [started in 2020 and is ongoing] contribution to the iconic Bread and Puppet Circus tradition beloved by audiences worldwide for nearly 2 generations — a bright, raucous melee of short acts governed by a brass band, addressing the heart of the current moment using diverse puppetry styles and spanning many moods, from slapstick to the sublime.
The Miss Rockaway Armada is both a collection of
individuals and an idea. At its most basic, the idea is this: we’re
going to float down the Mississippi River from Minneapolis to New
Orleans on rafts that we built ourselves. The crew can be called many
things: artists, musicians, builders, travelers, organizers, dreamers.
Ask one of the people who help build and move these crafts for the
“The real wealth of the Nation,” marine biologist and author Rachel Carson wrote in her courageous 1953 protest letter, “lies in the resources of the earth — soil, water, forests, minerals, and wildlife… Their administration is not properly, and cannot be, a matter of politics.” Carson’s legacy inspired the creation of Earth Day and the founding of the Environmental Protection Agency, whose hard-won environmental regulations are now being undone in the
In the fall of 2011, Urbano’s teen artists and artist-in-residence Neil Horsky partnered with professional artists,
educators, librarians, and historians to undertake a critical investigation of
Boston’s Freedom Trail. During the
investigative process teen artists questioned the assumptions, accuracy,
comprehensiveness, and impartiality of public presentations of the city’s