Festival “WakEUp!” (organized by “Heartefact”) happened at several locations, and included film and exhibition program. Festival originated from the need for a reaction to the present moment refugee crisis and the situation in the world, began on the 7 th of December at Gallery “G12 Hub” in Belgrade with two days performance that was dedicated to the current problem of refugees and their historical destinies.
As Denmark moves to deter refugees from crossing its borders, a new theater production dramatizing their plight seeks to change how many in the country perceive their new neighbors. Uropa: An Asylum-Seeker’s Ballet, [is] a dance piece performed in part by refugees portraying themselves.
Unfortunately, those who struggle for a more equal and democratic society are not the only ones who can make use of creative forms of activism. The following example shows how creative strategies can also be employed by those who have less wholesome intentions in mind.
Two design students were awarded the Futurapolis prize last Wednesday for their project to adapt the Furan (underground river) , a response to the migration crisis.
From the two shores of the Mediterranean, Zoukak theatre company and cultural association (Beirut) and Center for cultural decontamination CZKD (Belgrade) collaborates by sharing their experiences and knowledge in working within sociopolitical contexts in the field of art and culture.
This was the REX's second debate dedicated to public attitudes towards the institutional treatment of migrants passing through Serbia on their way to Western Europe. Seminar "Human on the Road 2" focused on issues related to some of the negative phenomena happening in Serbian public sphere.
Charities working on the Greek island of Lesbos have made a massive peace sign out of discarded life jackets to honour refugees who've died trying to cross the Mediterranean.
More than 100 volunteers used 3,000 vests to form the symbol on a hill outside the village of Molyvos.
More than one million refugees and migrants have reached Europe by sea since the start of 2015.
The snapshots are thrust at us urgently, as if they were passports being shown at a border crossing, official proofs of national identity. Mostly, they are prosaic pictures of family members or houses. Sometimes a diploma will be offered up instead, or theater reviews clipped from newspapers or a membership card to a duck-hunting club. Later, other, more frightening, pictures will be shown, but they all serve the same function.