"Members of the Reclaim Shakespeare Company jumped on stage at the Noël Coward theatre to deliver another surprise anti-BP performance. Just before the second half of a BP-sponsored Royal Shakespeare Company (RSC) performance of Much Ado About Nothing was due to begin, the three actor-vists performed a short Shakespeare-inspired piece.
The Revolutionary Theatre project co-written, co-directed and acted by writers, artists and poets currently living, surviving and sometimes thriving in Single Room Occupancy Hotels aka poor people housing in the Bay Area.
From 2005-2010 the Ngapartji Ngapartji project was based out of Alice Springs, working with Pitjantjatjara communities throughout Central Australia.
The project created an online Pitjantjatjara language site, two touring theatre works and a documentary Nothing Rhymes with Ngapartji; http://www.nothingrhymeswithngapartji.com/
Note before the post: This article is great in highlighting a specific case of creative activism in the streets of New York City, but also gives some contextual background to how this project manifested.
On a sidewalk in the Village in downtown Manhattan, an African-American woman leans on her elbows and knees, wearing only black underpants. Scrawled in black marker all over her body are the words "Ain't I a Woman?"
Bashar al-Assad snores, his head twitching on a large white pillow. Suddenly, he wakes up. “The people want to overthrow me!” he screams, the pompom on his nightcap bouncing.
“IN an instant all will vanish and we’ll be alone once more, in the midst of nothingness.”
When the actor Wendell Pierce spoke these words in performances of “Waiting for Godot” here last month, he really was in the middle of nothingness, or what looked a lot like it.
V-Day is a global activist movement to end violence against women and girls. V-Day is a catalyst that promotes creative events to increase awareness, raise money, and revitalize the spirit of existing anti-violence organizations. V-Day generates broader attention for the fight to stop violence against women and girls, including rape, battery, incest, female genital mutilation (FGM), and sex slavery.
Eight years after his death, the annual August Wilson Monologue Competition provides high school students from around the country an opportunity to carry on the African-American playwright’s legacy. That legacy includes Pulitzer Prizes for “Fences” and “The Piano Lesson,” two installments of Wilson’s 10-play series set in his hometown of Pittsburgh that examined 20th-century black life through the personal and political struggles of everyday people.
The Insurrection-Resurrection Service Circus is this summer’s [started in 2020 and is ongoing] contribution to the iconic Bread and Puppet Circus tradition beloved by audiences worldwide for nearly 2 generations — a bright, raucous melee of short acts governed by a brass band, addressing the heart of the current moment using diverse puppetry styles and spanning many moods, from slapstick to the sublime.
"On Friday, March 15, 2013, for the launch of the 20th edition of the Bayeux-Calvados Award for War Correspondents, the theatre company Map performed Jusqu’au bout, a play directed by David Ropars based on a text by the photojournalist Eric Bouvet. It was a great success! The monologue was given a magnificent interpretation by the actor Jean-Pierre Morice.