Video of Mary Perry Stone's social protest art created in the 1960s . Civil Rights, and the Vietnam War were her subjects. Mary never stopped being an activist and a few of her later works are also in the video.
It’s the summer of 1971 and tourists flock around one of Washington DC’s most famous hotspots – the Capitol steps. Journalist Art Goldberg recalls ‘a squad of soldiers moving through the space. They are grubby-looking troopers, clad in jungle fatigues. Jumping a low fence, they begin shouting at a group of tourists. “All right! Hold it! Hold it! Nobody move. Nobody move!” Their voices full of tension and anger. A man runs from the crowd.
On the night of Thursday, Nov. 13, 1969, the “March Against Death” began. By the time that weekend was over, Washington, D.C., had seen more protesters than any single event in its history had drawn. Attendance was higher, by tens of thousands, than at the 1963 Civil Rights March on Washington. And despite a name that, 45 years later, may seem overblown or vague, the march was actually about something very specific.
The San Francisco Mine Troupe has been staging radical political theater for over fifty years. In 1967, the Troupe toured campuses across the midwest, performing L'amant Militaire - a satirized adaptation of an old anti-war play, updated to critique US involvement in the Vietnam War.
In 1968, with the US war against Vietnam raging, anti-war veterans and the anti-war movement as a whole in the US increasingly put the spotlight on the US use of napalm. Napalm is burning jellied gasoline dropped on humans engineered to stick to skin and cause horrible burns. According to the wikipedia page on napalm, http://en.wikipedia.org/wiki/Napalm "388,000 tons of U.S.