A year after the revolution, Egypt is still in conflict, still grasping for a catalyst to solidify its society and bring unity and peace to the people. Violence, poverty and unemployement are still rampant, and the voiceless still seek a voice.
As was the case in 2011, Hip Hop has reemerged as a voice for the Egyptian youth for 2012, with new challenges and frustrations countering their struggle for freedom and equality.
Internet spreads word as networks shun adverts for Buy Nothing Day
Duncan Campbell in Los Angeles
The Guardian, Friday 24 November 2000
Today is America's Buy Nothing Day. An event that was started to poke pointed fun at consumerism is now being celebrated in more than 40 countries, embarrassing television networks and demonstrating the power of the internet as a political organising tool.
Conceived and curated by Bushwick native Joe Ficalora, the Bushwick Collective has evolved into an extraordinary open-air gallery since its first mural surfaced in 2011.
Attracting a wondrous array of local, national and international artists, it showcases first-rate street art -- from legendary Blek Le Rat stencils to huge collaborative walls by such world-renowned artists as Case Ma'Claim and Pixel Pancho.
As the No. 59 bus hurtled down Ratchadamnoen Klang road in Bangkok's Old Town, its passengers diverted their attention from the intense midday heat to a small crowd on the concrete below. About 25 people were marching and chanting, photographers scuttling in front of them.
Is your favorite apparel brand a fashion trendsetter, greenwasher, or laggard? Find out by taking a spin on Greenpeace International's "Detox Catwalk" . Unveiled Thursday, the interactive online platform examines which companies are "walking the talk" to a toxic-free future.
"Nearly 2 million decaying Goodyear tires lie submerged off the coast
of South Florida, decrepit hunks of rubber that have gradually succumbed
to the pressures of tides and tropical storms. The steel cables that
once strung them along the ocean floor have snapped, and many have
drifted into the natural reefs only 70 feet away, permanently scarring
them. What is now a 36-acre underwater junkyard was once the
UndocuNation, a performance and visual art conglomeration, took place this past Friday at International House. The Center for Race and Gender at Berkeley, CultureStr/ke, and the Theater and Dance Performance Studies department here at UC Berkeley helped put on the show specifically for Berkeley students. The show’s main focus was on the complex issues of undocumented immigration, and what that can mean for students especially.
Priya’s Shakti is an augmented reality comic blending Indian mythology with modern storytelling. It follows Priya, a rape survivor turned superhero, challenging cultural taboos around sexual violence and empowering women through art and technology.
GreatFire was set up in 2011 by three anonymous individuals to counter the “Great Firewall of China”, the systematic blocking by the Chinese government of any website deemed controversial, including any that touch on news, human rights, democracy or religion.
SAY NO TO AI
Artstation is a showcase of an artist's industry-relevant ability. AI generated imagery dilutes appreciation for the art that it mimics, and devalues the work of the artists it exploits. There are no regulations for the way that AI utilizes scraped data from the net and no recourse for artists who have uploaded their work freely for the enjoyment of others.
WHAT WOULD WE FEEL IF WE COULD HEAR EACH TREE FALLING IN THE WORLD?
333HZ is an installation translating deforestation monitoring data into a sensorial experience.
If a tree falls in a distant forest, and no is around? does it make a sound?
When Behnaz Babazadeh was young, her family moved from Afghanistan to the US. She loved almost everything about her new home — especially America’s amazing selection of candy — but she also loved wearing her familiar pink-flowered headscarf, which she’d grown used to wearing as part of her school uniform in her old home.
This satirical website ridicules hipster racism and black tokenism, using two fictional white characters - Sally and Johnny - who have many black friends. The webpage is fairly simple and features fictional testimonies by black people celebrating the stereotypes and innocuous, but prejudiced behavior of Sally and Johnny. There is also a section of submitted testimonies and hate mail/fanmail.
Toyi-toyi is a Southern African dance originally from Zimbabwe by Zimbabwe People's Revolutionary Army (ZIPRA) forces that has long been used in political protests in South Africa.
Toyi-toyi could begin as the stomping of feet and spontaneous chanting during protests that could include political slogans or songs, either improvised or previously created. Some sources claim that South Africans learned it from Zimbabweans.