In the four years since launching his eponymous label, Kozaburo Akasaka has established himself as a leader of New York’s new guard of fashion designers. In 2017, just months after graduating from Parsons’ prestigious Fashion MFA programme, his tailored silhouettes -- knife-sharp and steeped in retrofuturistic grunge -- earned him the LVMH Special Prize.
"White Noise explores the seductive power of extremism. Hatred feels good. But the fix is fleeting. As the film progresses, the subjects reveal the contradictions at the heart of their world. Lauren Southern advocates for traditional gender roles, but resents the misogyny and sexism of her peers. Mike Cernovich warns that “diversity is white genocide,” but has an Iranian wife and biracial kids.
Hundreds of taxi drivers gathered together on the streets of Mexico City protesting against Virtual apps like Uber and Cabify. They formed a caravan and stopped the traffic for hours, as a way of denouncing unfair price competition.
Tina Piña, better known as Mother Pigeon (@motherpigeonbrooklyn), is an artist and self-described “high priestess of the pigeon religion,” whose passion for New York City’s often-overlooked bird has helped her carve out a unique creative niche centered around pigeons—as well as a lifestyle geared towards helping New Yorkers appreciate the misunderstood creatures.
As part of the Creativity and Change postgrad course,(www.creativityandchange.ie) we created a street action. It was designed to raise awareness about climate change, and promote Climate Case Ireland, while also inspiring people to think of visions for the future and the actions they might take to avoid climate catastrophe. We wanted to do this in an accessible, creative, fun and interactive way.
For an art project about the effects of white privilege and the disturbing ways in which its effects are built into our society, Risa Puno’s The Privilege of Escape is a surprisingly fun, even enjoyable experience.
Holzer's Truisms have become part of the public domain, displayed in storefronts, on outdoor walls and billboards, and in digital displays in museums, galleries, and other public places, such as Times Square in New York. Multitudes of people have seen them, read them, laughed at them, and been provoked by them. That is precisely the artist's goal.
There are over 200,000 migrant domestic workers living in Lebanon
today — a large number when you considered that Lebanon’s population is
only a little over 4 million. Most migrant workers live with their
Lebanese employers, cleaning their houses, washing their clothes,
cooking their food and looking after their children. Yet these workers
are not included under Lebanon’s labor laws — they are not entitled to
Ghana ThinkTank is an international collective that “develops the first world” by flipping traditional power dynamics, asking the “third world” to intervene into the lives of the people living in the so-called “developed” world.
Tamms Year Ten is an all-volunteer grassroots coalition of artists, prisoners, men formerly incarcerated in Tamms, family members and other people of conscience. In 2008, at the ten-year anniversary of the opening of the Tamms supermax prison, the group launched a legislative campaign to call for its reform or closure. Men were originally supposed to be there for one year—but at that point 1/3 of them had been in solitary confinement the entire decade.
Sing for Hope is bringing its renowned Sing for Hope Pianos back to the streets of New York City this summer. From June 5-25, as a celebration of the work Sing for Hope does in communities year-round, 60 Sing for Hope Pianos will be placed in parks and public spaces in high traffic locations across all five boroughs in New York for anyone and everyone to play.
I was just shy of 18 when I bought the hooded sweatshirt — a metallic silver thing that cost about $10 on the Aeropostale clearance rack — to take with me to Northwestern University in the Chicago suburbs, knowing my parents would be worried when they saw it.
A social experiment testing the public’s reaction to gay people in China has gone viral.
The blindfolded activists stood in public wearing T-shirts that said “I’m gay would you hug me?” and video of the protest then spread rapidly on Weibo, a hugely popular social media platform in China.
The social experiment follows a recent announcement by Weibo to ban gay content on its platform of 400 million active users.
If you assign no sound to the redaction in I'm Blue (If I Was █████ I Would Die), it has the same amount of syllables as its referent, the first line of the chorus from Eiffel 65's 1999 chart-topping single, I'm Blue. The last word in that line is spelled out "da," but when you listen to Jeffrey Jey's compressed scatting, it sounds more like "die."
A toothless garbageman who once wandered Hong Kong’s streets with dingy bags of ink and brushes tied to his crutches is now the subject of a major retrospective. About 300 calligraphic works by the late Tsang Tsou-choi — who is best known by his self-dubbed title, the King of Kowloon — are showing at the ArtisTree art space in a high glass tower.
V-Day is a global activist movement to end violence against women and girls. V-Day is a catalyst that promotes creative events to increase awareness, raise money, and revitalize the spirit of existing anti-violence organizations. V-Day generates broader attention for the fight to stop violence against women and girls, including rape, battery, incest, female genital mutilation (FGM), and sex slavery.
In the wake of the amount of police brutality that has been occurring since the dawn of the damn police, an institution that began as a way to find escaped slaves, across the United States, #manisfestjustice chooses to make its explicit artistic mission to demand that power take responsibility, and to provide avenues to community empowerment in the meantime.
One in three women and one in four men are victims of sexual violence, the CDC reports. Martha Lluch is an artist and a survivor. Art is how she's taken control of her healing and of her life.
What is it like living with AIDS? This heart-wrenching video for South Africa’s Topsy Foundation brings us through 90 hard days in the life of someone living with it. Be sure to watch it all the way to the end. It’s worth it:
Did you catch that? If you didn’t, watch it again. Spoiler after the jump.
In 1932, Rivera was commissioned by Abby Aldrich Rockefeller and her husband John D. Rockefeller Jr. to paint a mural for the lobby of Rockefeller Center. Rivera kept the original, approved plan for the two outer sides of the mural but changed the inner panel to include a critique capitalism. This inner panel ultimately included: Lenin, prostitutes, and the upper class drinking alcohol and covered in signs of venereal disease.