Compton's Cafeteria, 24 hour diner in S.F.'s Tenderloin was a hang out spot for trans women, drag queens, and sex workers. It was a place for the community to meet up for an expensive meal, a place to chit chat, and let each other know they made it through the night alive. They were often harassed by police and arrested for female impersonation. Finally one night in August the Compton's costumers weren't going to take it anymore.
Disabled people gathered to protest at the site where a memorial to the Peterloo massacre in 1819 is being built. We are keen to have a memorial to Peterloo, but we want one we can be proud of, rather than the one under construction, which will be inaccessible to many disabled people.
Judy Chicago, the pioneering feminist artist who made the iconic 1970s work The Dinner Party, has enjoyed a long and illustrious career rife with critical approval. Now, in anticipation of Earth Day 2020, Chicago is launching a new project called Create Art For Earth, wherein people from all over the world can submit their own creations to the campaign via a corresponding hashtag. “This is no time for abstractions,” the call for art reads.
The Atacama Desert in northern Chile — the setting of Patricio Guzmán’s transfixing cinematic essay “Nostalgia for the Light” — is a place where heaven and earth converge. Or some might say heaven and hell.
FloodNet was a conceptual artwork and a tool for online collective action.
Developed by the collective Electronic Disturbance Theater (EDT), it took the form of a Java applet that allowed users to send useless requests or personalized messages to a remote web server in a coordinated fashion, thereby slowing it down and filling its error logs with words of protest and gibberish—a kind of virtual sit-in.
Celeste Caeiro, who on April 25, 1974, handed out red carnations to soldiers on their way to ending a 40-year right-wing dictatorship in Portugal, a spontaneous patriotic act that gave a largely bloodless coup its name, the Carnation Revolution, and her an enduring appellation, “the Lady of the Carnations,” died on Friday in Lisbon. She was 91.
After artists learned that London's Design Museum was connected to Leonardo, a large arms dealing company, and hosted an event for them, many of the artists featured in their Hope to Nope: Graphics and Politics 2008-2018 asked the museum for their work to be removed. After receiving no response, one third of the show's artists removed their work from the show.
Iraq Veterans Against the War (IVAW) was founded by Iraq war veterans in July 2004 at the annual convention of Veterans for Peace (VFP) in Boston to give a voice to the large number of active duty service people and veterans who are against this war, but are under various pressures to remain silent.
From its inception, IVAW has called for:
Forensic Architecture's Cloud Studies is a project that investigates the impact of toxic clouds on colonised and oppressed communities. The clouds, originating from sources like tear gas, industrial emissions, chemical weapons, and forest fires, often go unaddressed due to doubt and denialism.
In the broad context of the modern world of art, the work of Beili Liu has always seemed extraordinary in visual terms and deeply profound in thematic development. Born in China and living in the United States, much of her work usually circles themes tightly interwoven with notions of identity, culture, and time.
For an art project about the effects of white privilege and the disturbing ways in which its effects are built into our society, Risa Puno’s The Privilege of Escape is a surprisingly fun, even enjoyable experience.
The group known as Kalpulli Yaocenoxtli, which practices Mexican Nahua dance, song and drumming, is a frequent presence at Black Lives Matter protests in Minneapolis and St. Paul. Its dancers first took to the streets in solidarity with the movement after the death of Jamar Clark, who was shot and killed by Minneapolis police in 2015.
Mary Fisher wears many hats: Artist, author, and HIV/AIDS activist are just a few. The latter is perhaps what she's known best for—her influential speech at the 1992 Republication National Convention is regarded as one of the greatest American speeches of the century, spurring a push toward treatment and compassion towards those who are HIV-positive.
The flashmob ‘’I will dance despite everything’’ was organized in Tunis's old medina on December 2012 by “Art Solution", a Tunisian group aiming to promote street art as a form of resistance.
By Andrea Long-Chavez
The recognizable figure of a Latino gardener is a common sight for most Southern California locals. But if you happen to see the cardboard painting of a gardener propped up against a chain link fence or hedge, chances are you’ve just seen the public art of Los Angeles-based artist Rarmio Gomez, Jr.
To Battle Fake News, Ukrainian Show Features Nothing but Lies
KIEV, Ukraine — The studio lights dim, and the anchor taps a stack of papers on her desk and directs a steely gaze toward the television cameras.
What appears to be a nightly newscast is about to begin, only with a very Ukrainian twist: Everything is a lie, from start to finish.
Back after a five year hiatus, V-Day Sedona joins with hundreds of other productions across the globe in celebrating V-Day’s 20th anniversary with an act of artistic activism. For its 20th anniversary, V-Day is calling on activists around the world to Rise, Resist and Unite.