Shooting Without Bullets incubates young artist activists and eliminates systemic barriers in art and society for Black and Brown youth, all while spreading bold messages of justice and equity across Northeast Ohio and beyond. In Our DNA, their new public art initiative, uplifts Cleveland’s Black history to catalyze present and future racial equity, social justice, and civic engagement efforts across Cleveland communities.
In this game, you own and operate McDonald's. You have the choice to try to operate ethically or make decisions like using genetically modified soy or administering bovine growth hormone. If you go the ethical route, you bankrupt the company and lose.
The game then forces players to become "the bad guy" gleefully firing workers, plowing over rainforests, and bribing nutritionists in order to stay profitable.
Hundreds of taxi drivers gathered together on the streets of Mexico City protesting against Virtual apps like Uber and Cabify. They formed a caravan and stopped the traffic for hours, as a way of denouncing unfair price competition.
"Many people have criticized Barbie dolls for their unrealistic proportions, claiming that they give young girls a warped idea of what beauty should be. To tackle this problem, Nikolay Lamm created digital visualizations of a regular-sized “Barbie” doll, hoping to promote realistic beauty standards.
Kurokawa Cup is a protest against former head Tokyo prosecutor Hiromu Kurokawa's de facto immunity after he had played mahjong for money, which is an illegal act in Japan.
The structure teeters over fields of knee-high grass, looking like a cross between a camping tent and a giant wedding cake. Eleven stories of dark red wooden rooms, diminishing in size as they ascend, balance atop one another, seemingly held together by only the thicket of cords that stretches from the peak to the ground.
The initiators collaborated with the Street Vendor Project (SVP) of the Urban Justice Center to campaign against New York City Council Member Jessica Lappin’s 2010 law project. The bill, intended to revoke permits issued to street vendor trucks if they got parking tickets, was so restrictive that it threatened to put most food trucks out of business.
Sam Durant is an LA based artist who engages in social, cultural and political issues through his interactive public sculptures. Durant is interested in investigating historical narratives and their contemporary communities. From 2005-2010 Durant was part of the collective Transforma Projects, a grassroots cultural rebuilding initiative in New Orleans. One of his most recent interactive public sculptures Scaffold is on view at the Hague.
For third world artists who are forced into exile, the creativity process could be greatly challenged due to displacement in language, community and history. Many filmmakers in exile tend to look at their connection to the homeland in strictly political terms, or give up making films overall.
Logic, a rapper known to incorporate meaningful messages with his music, recently released his newest track, “1-800-273-8255.” Covering topics of depression and suicide, the song and its subsequent music video uses the phone number of a national suicide hotline as its title.
The post (r)evolutionary exercises are the outcome of a meeting/friendship/project that started in summer 2010, when we took part in "Goings on" seminar in Beirut, Lebanon. In this seminar, curated by Cecilia Andersson, Scandinavian and Middle east art groups were invited to meet and learn about each others practices. That's what we did, we got along really well, and we started at once to think of ways to do something together again.
Armed with a can of washable spray paint, an artist in Greater Manchester, England, has embarked on a worthy crusade: to rid the region of potholes… by drawing penises on them.
The anonymous artist, who goes by the name “Wanksy,” told the Manchester Evening News that he decided to draw attention to the “appalling” pothole-ridden streets after some of his cyclist friends were badly injured on the roads.
The Mexican Pavilion is an immersive space based on a 1:1 scale fragment of the expanded model of the campesino basketball court, an infrastructure that has become repurposed as a space for poly- and pluri-valent processes of decolonisation in Mexico’s indigenous communities.
Project Catalyst specializes in designing culturally rich entertainment experiences that re-imagine the empowering possibilities of cinema and media from a multicultural perspective. Project Catalyst exemplifies the efficacy and essential value of art and cinema at the intersections of social justice and the modern technologies of everyday life.
The inspiration for the creation was the Common Snapping Turtle. A big shout-out to local member, Kristin Rubin and local college students, Sarah Lockhart and Alanis Gonzalez, for their assistance in the construction of the artwork.
Tom Loeser is currently the Chair of the UW-Madison Department of Art, and specializes in woodworking and furniture. From his studio on the east side, he produces many functional and beautiful furniture pieces. He’s also a vibrant community member; he crafted the interactive reception desk at the Madison Children’s Museum with his wife as well as the “reading pods” at the Madison Public Library with Dave Chapman.
By 2010, the Nigerian film industry, also referred to as “Nollywood,” had become the second-largest film industry in the world. Today, the accessibility of digital video technology continues to enable prolific amateur filmmakers to produce wildly popular low-budget and direct-to-DVD films, which deal with timely issues of religion, poverty, and corruption.
At age twenty-eight, Waltraud Hollinger changed her name to VALIE EXPORT, in all uppercase letters, to announce her presence in the Viennese art scene. Eager to counter the male–dominated group of artists known as the Vienna Actionists—including Günter Brus, Otto Mühl, Hermann Nitsch, and Rudolf Schwarzkogler—she sought a new identity that was not bound by her father's name (Lehner) or her former husband's name (Hollinger).
"Street corners are used to maximum effect by British youth homelessness charity Depaul UK in a new campaign created by Publicis London.
The idea is to show another side to homelessness to raise awareness of Depaul’s Nightstop–a service which provides emergency accommodation to homeless 16-to-25-year-olds–to recruit new volunteers.