The Eye that Cries (El Ojo que Llora, in Spanish) is a memorial that was born as a private initiative designed to honor the thousands of victims as a result of terrorism in Peru, to strengthen the collective memory of all Peruvians and to promote peace and reconciliation in the country.
When Europeans of the 18th and 19th centuries established their grandest museums, each building meant to unite the world’s cultural heritage under a single roof, they had no doubt as to who should explain it all: themselves. They took a Eurocentric view, categorizing the spoils of colonial enterprise by nation and region, splitting art from craft, and nature from culture.
SACRAMENTO, Calif. (AP) — In director Adam McKay’s “Don’t Look Up,” a 2021 satire about two scientists who try in vain to warn the world about a planet-destroying comet, the scientists’ desperate plea for action ultimately doesn’t work.
But don’t take that as McKay’s view on the power of activism to change the course of the climate crisis, the existential threat his movie was really about.
"Work-from-home lawyers and museum staff convened by webinar on 11 and 12 March, for an annual conference on Legal Issues in Museum Administration, hosted by the non-profit American Law Institute with the support of the Smithsonian Institution. This year’s focus was decidedly shaped by the Covid-19 pandemic, which has squeezed museums financially and pushed ever more museum activity into the digital realm.
Shea Glover, age 18, began a senior project that became an activist/social campaign. Shea approached people throughout her high school and asked them if they would pose for her senior project. To each person she would say, I'm taking pictures of things I find beautiful". Recording the entire encounter revealed the diverse reactions of each student and teacher. Some erupted with laughter, others a huge grin, while some embarrassment.
Since the beginning of Bulgaria's transition to democracy, the monument’s meaning and future has been the subject of heated debates. Opponents to the monument aren’t happy about the presence of such a dominating foreign army monument in the country that is situated higher and more central than national symbols. In recent years, the monument has turned into a canvas for anonymous political statements on multiple occasions.
On September 19,2015 in Paris, 140 animals sailed up the River Seine to bring awareness to climate change, ahead of the COP21 UN meeting in December. French artist Gad Weil created this pop art piece from fully recyclable acrylic sheets, and installed the animals on top of a barge in front of the Eiffel Tower.
Over 150 Riot Games Employees walked out of the League of Legends office in Los Angeles in order to protest against Riot Games stance on forced arbitration. They stood out in front of the company's parking lot holding picket signs and gave speeches. The employees asked for forced arbitration to be ended for all past, current, and future Riot employees which includes contractors and in current litigation.
Craftsmanship in Istanbul is under the danger of extinction with all the knowledge accumulated with generations of masters and apprentices. After visiting some workshops in the city, craftsmen shared with the initiators how their condition and businesses have changed since they started working.
"Under the Same Sky" bearing the name and the first part of my project completed. I collected the letters written to 40 Armenian young people from 40 random Turkish young people. The mutual translations of all letters and video subtitles were made. Letters and photographs are handed out to young people, friendships are being established.
Comusitària is a Community Cultural Development agency based in Barcelona run by Noemi Rubio and Laia Serra. They work in the production, management, research and dissemination of artistic projects that build social capital and enable citizens to live more active, critical and creative lives.
Criminal barristers in England and Wales have voted to stage mass walkouts and refuse new publicly funded cases in protest against sustained government cuts to the justice system.
In a poll organised by the Criminal Bar Association (CBA), 90% of its members backed direct action from 1 April. They are likely to be supported by solicitors working in the criminal courts and possibly other court staff.
The Black, Dallas-based artist Jammie Holmes put George Floyd’s final words in a place where everyone could see them: the sky. Five days after Floyd was killed by a police officer in Minneapolis on Saturday, May 30th, Holmes’s piece took flight across Detroit, Miami, Dallas, Los Angeles, and New York. Airplanes carrying banners flew between the hours of 11:30 a.m. and 9 p.m. EDT.
The Shifting View on Anthropofagia
Tarsila is closely associated with the establishment of the Brazilian art movement known as cultural “cannibalism,” or “Anthropofagia”: the then-radical idea that a truly Brazilian art would emerge by ingesting all the different cultures that intermingled within the country, rather than simply copying European styles.
La Casa Invisible project was started in 2007 in Malaga, Spain, when a group of socially involved participants squatted in a run-down building, aiming to eventually claim the legal rights to the property (Moor & Smart, 2016). The space was opened to local artists and creators, quickly becoming a hub for free local music, performances, and seminars as well as creating an important meeting space for social groups (Moor & Smart, 2016).
Students dressed as Israeli soldiers stopped other students, ordered them to the ground, and blindfolded them in a demonstration that drew multiple campus groups to a standoff on College Walk Thursday afternoon.
The Columbia Students for Justice in Palestine set up mock checkpoints—to resemble those manned by the Israeli army in the West Bank—drawing crowds and counter-protests for several hours.
Najah al-Bukai cannot forget.
As an accomplished artist in Syria before the war, Mr. Bukai had long thought his photographic memory was his greatest asset, allowing him to recreate scenes on his sketch pads and canvases days, months and even years after he witnessed them. But now, after he has survived two stretches in the Syrian government’s notorious detention centers, his sharp memories only serve to haunt him.