Compton's Cafeteria, 24 hour diner in S.F.'s Tenderloin was a hang out spot for trans women, drag queens, and sex workers. It was a place for the community to meet up for an expensive meal, a place to chit chat, and let each other know they made it through the night alive. They were often harassed by police and arrested for female impersonation. Finally one night in August the Compton's costumers weren't going to take it anymore.
Haircuts by Children is a whimsical relational performance that playfully engages with the enfranchisement of children, with trust in the younger generation, and the thrills and chills of vanity. Haircuts By Children involves children between the ages of 8-12 are trained by professional hairstylists, and then paid to run a real hair salon, offering members of the public free haircuts.
"Suzanne Lacy is an internationally known artist whose work includes installations, video, and large-scale performances on social themes and urban issues. One of her best-known works to date is The Crystal Quilt (Minneapolis, 1987) a performance with 430 older women, broadcast live on Public Television." (http://www.suzannelacy.com/)
The prints exhibited June 2013 at Firestorm in Asheville NC, will comprise two separate bodies of work; Chelsea Ragan’s combination screen print / woodblock print / painting / drawings graphically detail police shootings of young black males from across the country, and Adam Void’s hand-painted screen prints state the facts of important national news stories that have been swept under the rug of mainstream corporate media.
D.C. Mayor Muriel E. Bowser renamed a street in front of the White House “Black Lives Matter Plaza” and had the slogan painted on the asphalt in massive yellow letters, a pointed salvo in her escalating dispute with President Trump over control of D.C. streets.
The Dove Campaign for Real Beauty is a worldwide marketing/public relations campaign launched in 2004 that includes advertisements, video, workshops, sleepover events and the publication of a book and the production of a play. The principle behind the campaign is to celebrate the natural physical variation embodied by all women and inspire them to have the confidence to be comfortable with themselves.
Room13Delmar is a tricycle-based mobile studio conceived as a sculpture: a cross between a vending tricycle and a ‘Mary Poppins’ bag that unfolds to create a space for creativity on the sidewalk, at a senior center and at a veterans medical center, north of Delmar in the city of St. Louis, Missouri.
A site-specific, community-engaged process: Sarah and NYC collaborators gathered at the water’s edge every month from September 2020 (when the work was initially scheduled to take place but was postponed due to the pandemic) until September 2022, to build Kin To The Cove, a site-specific community-powered environmental public art process that connects local residents to the Cove and Water that surrounds NYC.
In early 2012, a group of artists, activists and assorted other odd balls got together to form People's Tours. The idea was to give walking tours in the Boston area. Standard enough. But instead of the usual history, we would talk about social justice, contested spaces, important protests, and shady corporations.
So far, the group has consisted of Dave Taber, Heather McCann, Kristin Parker, Neil Horsky, and Tim Devin.
El Rey de la Ruina, aka The King of Ruin, is a local artist based in Madrid, Spain, who creates artistic activist pieces that range from the impact Covid-19 had on the social life of people in Spain, to the impact gentrification has taken on various groups of people. He tends to utilize (at least in his more recent pieces) bright colors and fun, geometric shapes in his art.
"The Scream: 21st Century Edition" was created by New York-based artist Jim Costanzo in response to the Iraq War. The piece is directly inspired by Edward Munch's painting, "The Scream." Costanzo expresses anger and frustration at the illegal American war and the attack on our civil liberties.
From Glasgow to Brighton the streets of the UK looked a little different the morning of Monday 5/12/14. In 10 cities around the UK guerrilla install crews have been swapping over 300 ads with art works, creating the largest advertising takeover in world history.
The Monument Quilt is an on-going collection of stories of survivors of rape and abuse. By stitching our stories together, we are creating and demanding public space to heal. We are building a new culture where survivors are publicly supported rather than publicly shamed. From 2013-2016, more and more stories will be added to The Monument Quilt as participants make their own squares, host workshops, and organize local displays of the quilt.
For 35 years, the Billboard Liberation Front have been altering public advertisements in San Francisco under the cover of night, strategically changing words or phrases to invert the intended message of corporate sponsors. Considering their guerrilla reclamation of public space an "improvement of outdoor advertising," the BLF regards the advertisers whose billboards they improve as clients, for whom they are performing a vital service.
The campaign bus was attracting funny looks. On its side was the by now all-too-familiar last name of the Republican presidential frontrunner. Somewhere inside the castle-shaped hotel next door, Donald Trump was holding court, as hundreds awaited another rally of bombast and branding.
Now that the dust has settled from the Met Gala, with all the excitement over Kylie Jenner’s bathroom selfie and Rihanna’s body-swallowing Comme des Garçons florals, it is worth pausing to consider a red carpet moment most people missed: the entrance of Joe Gebbia, co-founder and chief product officer of Airbnb, with Yeonmi Park, a North Korean refugee and international refugee activist.
Some 70 or 80 local activists, politicians and other concerned citizens gathered outside Irvington Village Hall Sunday evening, two days after the release of gut-wrenching video of the murder of 29-year-old Tyre Nichols at the hands of policemen in Memphis.
Whose Utopia? was made by the Chinese artist Cao Fei and filmed at the OSRAM lighting factory in Foshan in the Pearl River Delta in southern China during 2005 and 2006. It was commissioned as part of a project entitled ‘What Are They Doing Here?’ that was run by the Siemens Art Program from 2000 to 2006 and involved Chinese artists undertaking six-month-long residencies at industrial facilities across the country.
Howardena Pindell presented her solo exhibition, “Rope/Fire/Water”, her first video in 25 years and a project utilized by the artist since the 1970s that The Shed commissioned and displayed in late 2020 and into early 2021. “Rope/Fire/Water” mines the history of violence against African-Americans and features Pindell’s personal anecdotes and anthropological and historical data related to lynchings and racist attacks in the United States.