How would you describe Mixer?
Anis Bennaceur: It’s a professional network for creatives—people working in arts, fashion, film and media, and music. You can showcase your work, past projects to everyone else on the platform, and you can search, discover, connect, and collaborate with a lot of other incredible and talented people working in those industries. Also, every member is vetted by our team, so we ensure the quality of the userbase.
Linha Vermelha was created in 2016 by the non-profit organization Academia Cidadã (Citizenship Academy). At that time there were fifteen active contracts for oil and gas drilling and we were inspired by the “Red Line Action” in Paris, during COP21 and decided to create this campaign.
I met Antoine in 2012, when I first found out I was going deaf, and attended my first ASL Meetup in San Francisco. At that time I was only moderately hard of hearing (HOH), and had no idea what was to come. I didn't stay in the San Francisco Bay Area long to get too involved in the Deaf community.
“Undanced Dances Through Prison Walls During a Pandemic” features six dances written inside a prison, a 35-minute dance film, and 11 artists (seven choreographic interpreters and four formerly incarcerated narrators) conversing on dancing in carceral spaces.
Richard Turere, 13, has devised an innovative system to protect his family's livestock from the wild beasts. He created "Lion Lights," which keeps the predators away from the family's enclosure. The Kenyan boy will speak about his invention at the TED 2013 conference.
"The Sisters of Perpetual Indulgence® is a leading-edge Order of queer nuns. Since our first appearance in San Francisco on Easter Sunday, 1979, the Sisters have devoted ourselves to community service, ministry and outreach to those on the edges, and to promoting human rights, respect for diversity and spiritual enlightenment.
The Comfort Illusion is a solo aural performance that highlights the effects our everyday actions can have on the environment. Through mixed media storytelling using sound and lighting, Adams narrates the life of "The Overkiller" a fictional villian who negatively impacts the earth and the lives of the people around him through smaller everyday decisions. This character constantly prioritizes convenience over care and responsibility (ie.
"State Names" is a painting by Jaune Quick-To-See Smith. You immediately recognize the outline of the United States, but at the same time, that map is obscured and made difficult to read. It’s at once recognizable and not recognizable. She describes her use of icons as a ploy, as something that brings the viewer closer, and they think they know what they’re going to see.
The 14th day of June each year is celebrated as Flag Day, and in 2017 it was no different save for the fact that the project took center stage. The celebrations kicked off with hoisting the resist flag, a creation by Marilyn Minter on the rooftop of the 4th street headquarters of Creative Time.
Street harassment is one of the most pervasive forms of gender-based violence and one of the least legislated against. Comments from “You’d look good on me” to groping, flashing and assault are a daily, global reality for women and LGBTQ individuals. But it is rarely reported, and it’s culturally accepted as ‘the price you pay’ for being a woman or for being gay.
From The NationBy Laura FlandersA new campaign calling itself Caring Across Generations has in mind
nothing less than a 180-degree turn in the way that Americans think
about themselves, one another, the economy and workers. This group aims
to create 2 million quality jobs in the process and put us all on track
for a happy, healthy old age too. But first we need to talk, out loud,
about care.
Marking the six month anniversary of September 11th, a poster designed by artist Hans Haacke appeared on scaffolding and media walls throughout New York City. The poster itself was blank and white, consisting only of die-cut silhouettes of the World Trade Center towers. The posters effectively reminded the pubic that September 11th created a ubiquitous filter through which everyday realities have become measured or seen.
In this mobile game, the studio Molleindustria makes commentary on the people and practices behind the creation of mobile devices. Not lost on the authors is the deep sense of irony in that the game itself relies on mobile platform. The "game" is structured as a narrative where the process begins in mining materials in Africa (slavery) to putting together the devices in China (labor abuse), to heavy purchasing in the U.S.
The crisis is here, let the party begin! April 30, 2009. At first the crisis was just a state of being, a kind of social sadness that paralyzed everything. To break this atmosphere we couldn’t think of anything better than to throw a party. The first thing you need for a party is a good location, so we set out to find a place where social sadness and fear were extremely present. It didn’t take us long to find one: an unemployment office.
Released as a single on 23 December 1966, Buffalo Springfield’s For What It’s Worth became the short-lived but talent-packed band’s biggest hit, reaching No.7 on the Billboard Hot 100 chart in the spring of 1967.
At TED2009, audience member Cindy Gallop gave a 4-minute presentation that became one of the event’s most talked about. Speaking from her personal experience, she argued that hardcore pornography had distorted the way a generation of young men think about sex, and talked about how she was fighting back with the launch of a website to correct the myths being propagated.
El Antimuseo es un proyecto curatorial que questiona los mecanismos de legitimación del arte. El grupo considera su trabajo " el proceso social donde se produce el valor simbólico y económico de la obra de arte, así como en el análisis de la estructura y límites de la institución."
En las palabras de ANTIMUSEO: