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A wall will go up in Washington Square Park on Sept. 7, but come down by the end of the day. Called “Muro,” this wall will be the artist Bosco Sodi’s first public installation in New York, in partnership with Paul Kasmin Gallery. It will be more than 6 feet high and about 26 feet long, made with 1,600 clay timbers fired in Oaxaca, Mexico.

WOW started as an international women's theatre festival in October of 1980 in NYC. Within 18 months Wow found a permanent location and produced works by women and trans people all year around. In 1984 it moved into its current home at 59-61 East 4th Street.

Showcasing death to defend life El Pais, Madrid Activists protested with the organization Animal Equality (Igualdad Animal) in Puerta del Sol, Madrid, Burgos, and Toledo on December 10, commemorating the international Animal Rights Day. 

Both Johnson and Lewis recognize that the personal is political, and vice versa. By making connections between storytelling and activism, the two young women are using creative approaches to achieving justice and equity.

Wafaa Bilal’s brother, Haji, was killed by a missile at a checkpoint in their hometown of Kufa, Iraq in 2004. Bilal feels the pain of both American and Iraqi families who have lost loved ones in the war, but the deaths of Iraqis like his brother are largely invisible to the American public.

Founded in 2008, the French Feminist Collective, La Barbe, targets inequities of female representation in media and cultural/governmental institutions. La Barbe, meaning "beard" in French, is also an old colloquial expression for "enough is enough!". Known as barbues, the female members are all ages. Any woman is welcome to join.

500+ snowmen appeared outside the office of Senator Chuck Schumer in Melville Monday, Feb. 15, 2021. The snowmen appear to be placed there by climate activist @pricecarbonplz. (Source: Newsday, https://www.newsday.com/long-island/photos-of-the-day-1.50139710)

Howardena Pindell presented her solo exhibition, “Rope/Fire/Water”, her first video in 25 years and a project utilized by the artist since the 1970s that The Shed commissioned and displayed in late 2020 and into early 2021. “Rope/Fire/Water” mines the history of violence against African-Americans and features Pindell’s personal anecdotes and anthropological and historical data related to lynchings and racist attacks in the United States.

In 1991, Gonzalez-Torres lost his partner Ross to AIDS (the artist would face the same fate in 1996). In a tragic and highly personal tribute to Ross, Gonzalez-Torres took a picture of his still-indented empty bed - an image of universal intimacy and loss - and placed it on two dozen commercial billboard spaces throughout New York.