This is a parody of 1970s American daytime television aimed at housewives. In this performance Rosler takes on the role of an apron-clad housewife and parodies the television cooking demonstrations popularized by Julia Child in the 1960s. Standing in a kitchen, surrounded by refrigerator, table, and stove, she moves through the alphabet from A to Z, assigning a letter to the various tools found in this domestic space.
The Deep Listening Post is a place where people can come to be heard about what's important to them in a safe and respectful environment. Empathetic volunteers lend an ear so that people can share about what's happening in their lives and in their hearts.
In 1900, Montgomery, Alabama had passed a city ordinance to segregate bus passengers by race, and conductors were empowered to assign seats to achieve that goal. The first four rows of seats on each Montgomery bus were reserved for whites, and buses had "colored" sections for black people generally in the rear of the bus, although blacks composed more than 75% of the ridership.
Willie Mae Rock Camp for Girls is a non-profit music and mentoring program that empowers girls and women through music education, volunteerism, and activities that foster self-respect, leadership skills, creativity, critical thinking, and collaboration.
Project Row Houses (PRH) is a neighborhood-based nonprofit art and cultural organization in Houston’s Northern Third Ward, one of the city’s oldest African-American communities. PRH began in 1993 as a result of discussions among African-American artists who wanted to establish a positive, creative presence in their own community.
Welcome to Doing It Right, a column where Eater meets chefs, restaurateurs, and entrepreneurs who recognize challenges in their communities — and are actually doing something about it. In this installment, we head to New Orleans to focus on the work of activist Ashtin Berry.
El movimiento 15M ha abierto la veda a una protesta insistente, que mantiene la presencia en la calle. Según la delegada de gobierno, Cristina Cifuentes, en Madrid hay ocho manifestaciones diarias.
Charities working on the Greek island of Lesbos have made a massive peace sign out of discarded life jackets to honour refugees who've died trying to cross the Mediterranean.
More than 100 volunteers used 3,000 vests to form the symbol on a hill outside the village of Molyvos.
More than one million refugees and migrants have reached Europe by sea since the start of 2015.
The following is a description of the action that Huffington post published online on 6/25/2011:
"Student demonstrators took to the streets of Santiago dressed as goblins and ghouls from Michael Jackson’s 'Thriller' video in their latest spirited pursuit of higher education reforms."
This was the REX's second debate dedicated to public attitudes towards the institutional treatment of migrants passing through Serbia on their way to Western Europe. Seminar "Human on the Road 2" focused on issues related to some of the negative phenomena happening in Serbian public sphere.
In early 2012, a group of artists, activists and assorted other odd balls got together to form People's Tours. The idea was to give walking tours in the Boston area. Standard enough. But instead of the usual history, we would talk about social justice, contested spaces, important protests, and shady corporations.
So far, the group has consisted of Dave Taber, Heather McCann, Kristin Parker, Neil Horsky, and Tim Devin.
Orquesta Solfónica de Madrid
The Orquesta Solfónica de Madrid (Solphonic Orchestra of Madrid) is a self-organized orchestra that was formed in the context of the social movement 15M and that has gained popularity for playing classical music in demonstrations and acts of social protest.
Female students from the Guangdong University of Technology in Guangzhou called for equal job opportunities and for people to "pay attention to the value of women" while protesting on the school's campus, shirtless and covered in body paint.
The photos, taken by ogling passersby, have been circulating on Weibo and naturally netizens stand divided on whether the semi-naked protests were empowering or counterproductive...
Two children stand back-to-back, but they are facing two very different Chicagos. One child blows bubbles in a park under blue skies. The other wears a gas mask against a backdrop of scrap metal and billowing smokestacks.
"Featuring giant ocean dice that originally appeared in the booklet "drift" by Max Mulhern, these dice were launched in international waters to create a visually stunning ode to chance and luck. This project can also be found under the title: "the greatest floating craps game on earth"." --AquaDice website
Our key beliefs and principles are the very pillars that form the backbone of our movement:
‘Taking Up Space’: We believe marginalised voices must take up their rightful space in this world and deserve to have their voices heard, lived experiences believed, and should be visible in a world of constant erasure.
WeiweiCam is a self-surveillance project by artist Ai Weiwei that went live on April 3, 2012, exactly one year after the artist's detention by Chinese officials at Beijing Airport.[1] At least fifteen surveillance cameras monitor his house in Beijing[2] which, according to Ai, makes it the most-watched spot of the city.[3] He described his decision to put himself under further surveillance as a symbolic way to increase transparency in the Chinese g
The term “Afrofuturism” was coined in the 1990s by the cultural critic Mark Dery, who recognized a preoccupation with the future in the work of a number of black artists. Ever since, it has remained a term that is retrospectively applied to seemingly disparate artists, from Missy Elliot to Toni Morrison. What unites the movement is a shared fascination with the black experience, particularly in America.