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By appropriating mementos of other people’s lives and placing them in an art context, Boltanski explores the power of photography to transcend individual identity and to function instead as a witness to collective rituals and shared cultural memories.
Tate Modern considers activists' wind turbine for art collection: Liberate Tate, an art collective who object to BP sponsorship, have offered the 16 metre turbine blade to the gallery
A 1.5 tonne, 16.5 metre-long wind turbine blade carried last month to the Tate Modern by artists objecting to the gallery's sponsorship by oil company BP is being considered for the national art collection.
The initiators collaborated with the Street Vendor Project (SVP) of the Urban Justice Center to campaign against New York City Council Member Jessica Lappin’s 2010 law project. The bill, intended to revoke permits issued to street vendor trucks if they got parking tickets, was so restrictive that it threatened to put most food trucks out of business.
One of the most pressing questions before us in the United States now is how to resolve the tension between our personal visions and needs, on the one hand, and the demands of being a member of a community, on the other.
On April 26th, 2012, Zheng Churan, a feminist activist who was a senior at Zhongshan University at the time, brought 500 letters of advocacy to the school post office on a bicycle.
In June 2011, the Beijing Local Taxation Bureau demanded a total of over 12 million yuan (US$1.85 million) from Beijing Fake Cultural Development Ltd in unpaid taxes and fines, and accorded three days to appeal the demand in writing. According to Ai's wife, Beijing Fake Cultural Development Ltd has hired two Beijing lawyers as defense attorneys.
Slippery When Wet proposes a wet ontology of Hong Kong—a city in ongoing transfiguration shifting into an uncanny vision of itself. Hong Kong secretes, leaving a trail of ink, tears, humidity, logistic flows, and leaks.
"This area will be photographed" is a public performance of implied photographic consent, inspired by Google's street view and satellite surveillance. Posted signs and handbills alerted the public present in Union Square, New York, NY that a photograph would be taken of the area at a precise time.
Recurrent themes in Emily Jacir's practice—which spans a range of strategies including film, photography, interventions, archiving, performance, video, writing, and sound—are silenced historical narratives, resistance, movement, and exchange.
Lysistrata, by Aristophanes, was first performed in Athens in 411 BC. The play, while fictional, can be read as an early example of creative activism. It is about Lysistrata's quest to end the war between Athens and Sparta. She gathers the women of Athens and makes them swear an oath to deny their lovers and husband sex until they end the war.
The project associating the contemporary movement of the people with the Gilgamesh journey focuses on the contemporary global crisis of the political systems and humanistic values, with the goal to contribute to the prevention of radicalization of our respective societies mobilized around recent conflicts, enhancement of the wellbeing of immigrants, through opening a space for creative expression and questioning the role of culture in contemporary polit
The Whitney Museum of American Art’s pay-what-you-wish Fridays are typically busy. For two-and-a-half hours out of the 53 the museum is open each week, visitors can enter without paying the usual $25 admission fee, a brief and temporary, but recurrent, leveling of the playing field for art lovers.
There is a large Filipino community in the Bay Area that organizes and fights for better workers’ rights and educating youth of color. There are groups within this community that address these issues through hip-hop.
Kiwi Illafonte, 40, is a Bay Area political rapper who talks about social issues in his music.
“Social change is at the center of my universe,” Illafonte said.
At the Democratic National Convention in Chicago in 1968, the Yippies (Youth International Party) nominated a pig for president, with the campaign pledge: “They nominate a president and he eats the people. We nominate a president and the people eat him.” This porcine political maneuver was the brainchild of sixties activists Abbie Hoffman and Jerry Rubin.
The Guerilla Girls are masked art activists who seek to bring attention to women in the art world and expose the unfair dominance of white males in the field. Their research into the racial and gender inequality in the art world is exposed through ironically worded public posters and billboards.
Members of three organizations – Artists Building Communities, Essential Food and Medicine, and Living Earth Structures – have built a kitchen, clinic, free store, stage, toilet, oven, and shower with and for a homeless community near Wood Street in West Oakland.
Amplify HER is a visually dynamic, character driven feature documentary that offers intimate access into the lives of numerous emerging female artists. By combining ecstatic energy and feminine artistry, these talented young women in the global electronic music scene are harbingers for the emerging paradigm.
To some, the Clandestine Insurgent Rebel Clown Army (CIRCA) might appear to be but a ragged bunch of activists sporting false noses, a smudge of grease paint, camouflage pants and bad wigs. And those people may be right. But it is also a highly disciplined army of professional clowns, a militia of authentic fools, a battalion of true buffoons.
What seemed to be a cruel and bizarre PR campaign took over Amsterdam yesterday as a barge with an apparently drugged polar bear, a Russian child superstar, and a colorful marching band wound through Amsterdam's canals to the city zoo. There, visitors and staff watched Gazprom and Shell reps officiously give the bear to Amsterdam—before being forcibly removed by zoo security and city police.
In December – as many around the globe were preparing for the holidays – Sama, a former attorney, remained hunkered down in her house in Kabul, Afghanistan, trying to comprehend how her world had changed.