This Girl Can is a campaign launched by England Sports to encourage women to be active no matter how they do it or how they look. In common culture, the trend is to be fit, active, and toned. Social media is filled with women having "the perfect body", sculpted to perfection in every way. Although being healthy and fit is attainable with hard work and dedication, most women struggle to attain their goals.
Notice Nature was a public engagement action undertaken by participants in the Erasmus+ funded training 'Creativity and Change: Empathy 2 Action - nurturing response-able global citizens' which took place in Cork from 8th - 13th April 2017. The team members were Marie-Michele Tessier, Aoife Dare, Ann Foulds, Zsofi Toth and Claire Faithorn.
You’ll find Johanna Toruno on the streets of NYC plastering pictures of her flower-filtered poetry, Kendrick Lamar, and Selena on blank walls, street lights and buildings. When I came across The Unapologetically Brown Series on Instagram I was intrigued not only by the name but by the concept of being unapologetic and brown as the premise for a body of street art.
Two climate change activists targeted an Emily Carr painting at the Vancouver Art Gallery, Saturday.
In a social media post by the account Stop Fracking Around on Twitter, a video shows two activists dousing a painting with an unknown liquid that is said to be maple syrup per the tweet.
The two activists then apparently glued themselves to the wall underneath the painting.
The Dreamland Artist Club project was named after one of the famous amusement parks in Coney Island. The project consisted of more than 25 artists coming together to repaint rides and make custom signs, murals and scenic backdrops for the legendary neighborhood. Most of the artists that participated in this project were from New York City and therefore had a particular interest in the visual culture of the city.
The KLE - Kit de Libertad de Expresión (or Freedom of Speech Kit), is a portable digital device that allows people from all over the world to participate to remote protests by sending and displaying text messages in public space. The interactive banner is (unsurprisingly) inspired by the record number of social protests that took place in Spain in 2011. It is estimated that over 23.000 demonstrations have been organised that year around the country.
"The Red Power Movement of the 1960s and 70s was a time of profound social change and progress for American Indians in the United States and Canada. In her outspokenness about the injustices facing Indigenous people, Buffy Sainte-Marie also sang for peace, the environment, women and children—believing that art can have impact and make a difference.
It’s been a historic year for women. There are more serving in Congress than ever before, and a record number are currently running for president in 2020. But even with these significant gains, women—both in the U.S. and around the world—can still find gender equality elusive.
In Citizen, Claudia Rankine recounts mounting racial aggressions in ongoing encounters in twenty-first-century daily life and in the media. Some of these encounters are slights, seemingly slips of the tongue, and some are intentional offensives in the classroom, at the supermarket, at home, on the tennis court with Serena Williams and the soccer field with Zinedine Zidane, online, on TV—everywhere, all the time.
Most brands have expressed eternal love for emojis in recent years, as they try to talk the talk of young people today. Not so fast, says Always' "Like a Girl" campaign, which points out in a new ad that the images of women in the standard Unicode emoji set are woefully stereotypical.
A creative action against the introduction of mandatory immigration checks and upfront charging in the UK’s National Health Service, including a systematic social media campaign under the hashtag
Play Smart a series of yearly events where photographers and designers are gathered and designed cards to trade. It has lasted from 2010 to this year. Play Smart 2010 is the first in the series. In 2010, Play Smart featured photographers Aaron Cobbett, inkedKenny, Greg Mitchell and Slava Mogutin and was designed by John Chaich.
Se sacuden la desconfianza y entran al camión. En él no hay frutas, ni verduras, ni carnes. El piso, igual que el techo y las paredes están inmaculadas y pintadas de blanco. Solo ellos y algunos compañeros inmortalizados en fotos llenan el espacio.
A major exhibition by Ai Weiwei this autumn features a new series of monumental sculptural works in iron, cast from giant tree roots sourced in Brazil during research and production for last year’s survey exhibition, ‘Raiz’, at the Oscar Niemeyer-designed OCA Pavilion in Ibirapuera Park, São Paulo.
The aim of the action is to create a fractal network of poets, where their poems will be recited, recorded, set to music, will be activistically acted as performance material in order to resist the censorship of art.
The field of action is the poets who will be born and the network that will be created by the restless artists.
From March 29 to April 28, 2012, artist Angel Chen transformed Toronto's Whippersnapper Gallery into a pop-up call centre to field questions on the financial crisis. Phone lines were manned by passers-by, volunteers and guest operators, all of whom solicited callers for discussion about the current economic climate.
Street artist, graphic designer, and activist Shepard Fairey created this visionary portrait of then Senator Barack Obama in 2008 as a form of grassroots activism to support Obama’s first presidential campaign. Fairey based the work on an Associated Press photograph by Mannie Garcia, which he transformed with his signature high-contrast stencil technique, inspired by the political message and bold graphics of Soviet Socialist Realism.
In July and August 2013, O Teatrão, a Coimbra based theatre company, presented the project Arruinados, comprising three theatre performances in three abandoned spaces (‘ruins’), one in each of three cities in the Centre region of Portugal located along the Mondego River:Coimbra, Montemoro Velho, and Figueira da Foz.
DAMN. Kendrick Lamar opened the 2018 GRAMMYs with a powerful and political performance of his hit, "XXX.'" The rapper featured an army of face-covered soldiers marching in the background of an American flag, that quickly turned into a "satire" taking a jab at the current political climate in the United States.