Main Gallery

SORT Random (lowest)Random (highest)Date (lowest)Date (highest)Views (lowest)Views (highest)Favorited (lowest)Favorited (highest)Social shares (lowest)Social shares (highest)Post Date (lowest)Post Date (highest)

Before Chance the Rapper performed at sold-out concert venues, he practiced his rhymes in front of an intimate crowd of roughly a dozen people at Harold Washington Library. Now the rapper is trying to return the favor, one open mic at a time.

Luzinterruptus turns their art activism towards the overabundance of dog doo littering the city’s streets. The studio inflated 500 poop-scoopin' plastic bags and placed a lightbulb inside each one. Installation lasted nine hours.

At the Democratic National Convention in Chicago in 1968, the Yippies (Youth International Party) nominated a pig for president, with the campaign pledge: “They nominate a president and he eats the people. We nominate a president and the people eat him.” This porcine political maneuver was the brainchild of sixties activists Abbie Hoffman and Jerry Rubin.

UNLESS by Stephanie Cardon is a vibrant floor-to-ceiling installation that fills the main entryway of Boston’s landmark Prudential Center. Commissioned by Boston Properties and curated and produced by Now + There, UNLESS explores sustainability, climate justice, and how taking action together can create positive change.

The New Life Foundation is a Colombian organization located in Bogota, whose aim consists of offering vulnerable women alternatives to quit prostitution and rehabilitate from its surrounding dangers (crime, drug addiction, AIDS, etc.) One of its remarkable projects was based on theater as a method to overcome a past of shame and grief building a more dignant present in which they co-construct with their communities.

FloodNet was a conceptual artwork and a tool for online collective action. Developed by the collective Electronic Disturbance Theater (EDT), it took the form of a Java applet that allowed users to send useless requests or personalized messages to a remote web server in a coordinated fashion, thereby slowing it down and filling its error logs with words of protest and gibberish—a kind of virtual sit-in.

ScareMail is a web browser extension that makes email “scary” in order to disrupt NSA surveillance. Extending Google’s Gmail, the work adds to every new email’s signature an algorithmically generated narrative containing a collection of probable NSA search terms. This “story” acts as a trap for NSA programs like PRISM and XKeyscore, forcing them to look at nonsense.

In 2006, 25-year-old Jason DaSilva was on vacation at the beach with family when, suddenly, he fell down. He couldn’t get back up. His legs had stopped working; his disease could no longer be ignored. Just a few months earlier doctors had told him that he had multiple sclerosis, which could lead to loss of vision and muscle control, as well as a myriad of other complications. Jason tried exercise to help cope, but the problem only worsened.

FACELESS was produced under the rules of the 'Manifesto for CCTV Filmmakers'. The manifesto states, amongst other things, that additional cameras are not permitted at filming locations, as the omnipresent existing video surveillance (CCTV) is already in operation.