Located within Boston’s historic (brick) core, and using the history of Boston as example, this kinetic, site-specific, public art installation is a humorous commentary on our use and trust of the internet for learning.
The Guardian:
Olafur Eliasson is putting the chill into climate change. The revered Scandinavian artist has placed 24 large blocks of centuries-old ice, harvested from the Nuup Kangerlua fjord in Greenland, in a circle outside the Tate Modern in London, with another six on display in the City.
In Pittsburgh, Memphis and Los Angeles, massive billboards recently popped up declaring, “Birds Aren’t Real.”
On Instagram and TikTok, Birds Aren’t Real accounts have racked up hundreds of thousands of followers, and YouTube videos about it have gone viral.
Last month, Birds Aren’t Real adherents even protested outside Twitter’s headquarters in San Francisco to demand that the company change its bird logo.
The Propaganda Machine is a battle cry delivered in the language of extreme metal. On Sahil Makhija’s fourth solo album as Demonstealer, he takes aim at the right-wing politicians, racist nationalists, disinformation artists, and religious extremists who manipulate and exploit the masses, in his native India and all over the world. He doesn’t mince his words; just about every lyric on the album could easily be printed on a protest sign.
First Inspired by a doll-sized action in Siberia, #occupysmallstreet staged its first little protest in Melbourne's City Square, as part of #F12, International Art + Occupy Day. Signs are made collectively, by regular Arts x Activism and members of the public (adults and children) who stop by and have something to add.
"Ex Google employee Andrew Norman Wilson’s video Workers Leaving the Googleplex investigates the marginalized class of Google Books’ "ScanOps" workers at their international headquarters in Silicon Valley while simultaneously chronicling the complex events surrounding his own dismissal from the company."
Eva Koťátková is one of the most outstanding contemporary artists of the Czech Republic, working in the interdisciplinary art genre, emphasizing themes of the human body, society, and psychology. Her art often occupied the space of the thorny, tangled, and complicated human environment and did not remain indifferent.
“Artist Andrea Bowers creates powerful works addressing immigration, gender violence, and environmental justice. Her large-scale drawing ‘No Olvidado’ memorializes migrants who died crossing the U.S.-Mexico border, calling attention to the human cost of border policies.”
Untitled (Your Body is a Battleground) is an iconic 1989 silkscreen portrait made by artist, feminist and activist Barbara Kruger .
Though the poster was meant for the pro-choice march on April 9th, 1989, in DC, the portrait is now used mainly to voice the artist’s own opinion about gender inequality. The piece is much more relevant in today’s society, where it controls the way we view and treat women’s bodies.
“I am very, very happy to announce that for the first time, Dow is accepting full responsibility for the Bhopal catastrophe. We have a $12 billion plan to finally, at long last, fully compensate the victims, including the 120,000 who may need medical care for their entire lives, and to fully and swiftly remediate the Bhopal plant site,” said the supposed Dow Chemical spokesman, Jude Finisterra, on Dec. 3, 2004, during an appearance on BBC World.
Dove's "Real Beauty Sketches" campaign is the new face of viral marketing success. The uplifting promotional video generated record-breaking online interest, yielding more than 114 million views the first month. This was thanks in part to the Unilever brand's efforts to spread its message worldwide: Dove uploaded the video in 25 languages to 33 of its official YouTube channels, reaching consumers in more than 110 countries.
"Spears entered the conservatorship in 2008, at age 26, when her struggles were on public display. Now she is 39, and a growing number of her fans are agitating on her behalf, raising questions about civil liberties while trying to deduce what Spears wants.
“Some people call you the elite,” George W. Bush joked to his wealthy funders, “I call you my base.” Whether candidate Bush meant it as a joke or not, the Billionaires for Bush (B4B) campaign used humor, street theater and creative media actions to show the country how true the quip was.
Greenpeace advocates displayed a banner outside of the Ministry of the Environment in Warsaw. The banner reads "I love primeval forests" to protest against tree felling in Bialowieza Forest.
Protesters dressed as construction workers wearing hard hats and scaling the Ministry of the Environment building on harnesses.
My skin is black,” the first woman’s story begins, “my arms are long.” And, to a slow and steady beat, “my hair is woolly, my back is strong.” Singing in a club in Holland, in 1965, Nina Simone introduced a song she had written about what she called “four Negro women” to a young, homogeneously white, and transfixed crowd.
As a visual art student, I’m interested in hearing your feedback about this project. Thanks
We need to make a call to awaken humanity from their passivity and social indifference and acceptance of criminals who did commit crimes against humanity. When a human suffers we also suffer. Is only one Humankind I’m not from a different species.
Students at the University of California-San Diego were surprised when an Unmanned Aerial Vehicle, commonly referred to as a drone, crashed in the middle of campus — or at least they thought that’s what happened.
Beginning in February 2014, the New Museum will present the first US museum exhibition devoted to the work of Polish artist Paweł Althamer. The exhibition “The Neighbors” will include a new presentation of the artist’s work, Draftsmen’s Congress, originally presented at the 7th Berlin Biennial (2012).