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Since the beginning of Bulgaria's transition to democracy, the monument’s meaning and future has been the subject of heated debates. Opponents to the monument aren’t happy about the presence of such a dominating foreign army monument in the country that is situated higher and more central than national symbols. In recent years, the monument has turned into a canvas for anonymous political statements on multiple occasions.

Isabelle Wenzel's series of photographs entitled 'Building Images' is a striking view on the idea of the office/ workplace. Not only do her images ironically translate the uncomfortable positions office workers endure sitting in a single position for 8 hours a day, but she also takes on a feminist approach by focusing on feminine models in her photographs that center upon the contorted body and office fashion worn.

Prague's Lennon Wall is a tourist attraction to some, and a participatory street art haven for others. Directly opposite of the French embassy, the wall has been filled with evolving art and graffiti since the 80s. The wall received its first public inscription, a tribute to John Lennon, following Lennon's assassination in September 1980.

IMPEACH An online exhibition of art work by twenty artists Katherine Aoki, Deborah Harris, Nicolas Lampert,Cicely Cottingham, Art Hazelwood, Ilse Schreiber-Noll, Priscilla Stadler, Tim Fite, Anne Q McKeown, Anne Dushanko Dobek, Robyn Ellenbogen, Joseph O’Neal, Donna Coleman, Robert Geshlider, Michael Dal Cerro, Leona Strassberg Steiner, Barbara Madsen, Ray Must, Carol Radsprecher and Patricia Dahlman

A mixture of a social cause with a creative vision, this visual art exhibit is dedicated to the millions of unemployed citizens and veteran’s in the United States. Constructed out of 1284 used empty wallets from over 2,000 donated nation wide; this project aims to have a voice about the economic problems our country is facing and show the potential of art to awaken our social consciousness.

From Mother JonesBy James RidgewayTomorrow, at the annual meeting of Corrections Corporation of America, the nation's largest private prison company,

With a lick of wheat paste, a roller and a stepladder, Tatyana Fazlalizadeh, a painter and illustrator from Brooklyn, introduced herself to the South, in an unusual way. She plastered a poster with her own face floating above the words, “Stop Telling Women to Smile” on a vacant storefront here, across from a federal courthouse.

Strap into your scuba gear — this museum is worth it. Installation began on Museo Atlantico — the latest project of underwater sculptor James deCaires Taylor — this week, 14 meters underwater in Lanzarote, one of the Spain’s Canary Islands off the coast of West Africa. Taylor, whose creations have spanned the waters from the Bahamas to London, calls it the first underwater contemporary art museum in Europe and the Atlantic Ocean.

This interactive, site-specific project is a comment on how we - constantly attached to mobile devices - neglect to observe the environment around us. Like ostriches, we willingly trap our heads, minds, and imagination in a fantasy world that is detached from reality. Three colorful fabric tunnels span a man-made grove of Elm trees in downtown Boston, defining an intimate courtyard where nature clashes with cartoonish representation.