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Compton's Cafeteria, 24 hour diner in S.F.'s Tenderloin was a hang out spot for trans women, drag queens, and sex workers. It was a place for the community to meet up for an expensive meal, a place to chit chat, and let each other know they made it through the night alive. They were often harassed by police and arrested for female impersonation. Finally one night in August the Compton's costumers weren't going to take it anymore.

A group of women walked from Barisal, Bangladesh to Khulna to join up with the long march that was crossing the city that day. By long, I really mean long: this march traveled a distance of 145 kms, walking most of the way, meeting people, holding street meetings and telling people why the Rampal coal plant shouldn’t be built in the Sundarbans.

"At the end of 1969, Alain Arias-Misson invited us to join him in a Public Poem project, which he called “A MADRID” (in Madrid, Spain) .

By Mariann Sullivan

It can be important to reflect on the artistic recounts of activists experiences under state imprisonment. In a revealing interview with Artspace, Chinese artist and dissident Ai Weiwei reflects on his 81-day secret detention in 2011 and the psychological strategies used to dismantle identity and autonomy.

“Even if you are a minority of one, the truth is the truth.” Mahatma Gandhi #FUEELESTADO is a project about the lack of social justice and the gross human rights violations in Mexico. It examines the conflict between state power and personal autonomy and responsibility, a conflict that, in Mexico, involves missing persons and unidentified bodies and that can’t be silenced anymore.

Part of the following description is taken from an article posted on the website of Digital-Is National Writing Project (link below):

Counterspace is an independent curatorial platform functioning as the first decolonial thinktank mapping cultural activism worldwide. It shapes collectively decolonial toolkits with common tools and resources, and a global directory browsable by continent, praxis, and social construct, as a Beuys-inspired ‘social sculpture’ revisited, and an alternative map of the universe.

... is this for protest? Perhaps. As is described online, it mentions that there was an attempt taken to challenge power relations, specifically between men and women; however, what I find most fascinating about this 'action' is that it 'demonstrates' the discrepancy between the female body as depicted in the painting, The Origin of the World, and the physically present form of Deborah's own body, i.e. genitalia.