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Cyclist activists from the Koce, Return to the Street initiative set up sculptures symbolically showing the marginalization of cyclists in the city, the inadequate and dysfunctional infrastructure for this means of transport, but also to point out the large number of trampled bikers in Skopje.

The "I'm Not A Joke" campaign from Daniel Arzola is a series of images inscribed with compelling truths about human diversity that encourages individuals to live as their authentic selves. He wants the images to eventually appear on buses and subways, exposing audiences to the realities of queer experiences in an attempt to break down prejudice in a form of activism that he calls "Artivism."

Flash Mob. The Beatles 1969 song is a counterpoint to Spain's soaring unemployment rate (over half of Spanish youth are out of work).

We built a conversation space where members of the public were invited to enjoy a free cup of tea. We used a vertical garden which spelled out the word 'TEA' in easily available plants and herbs that can be used to make tea.

Female students from the Guangdong University of Technology in Guangzhou called for equal job opportunities and for people to "pay attention to the value of women" while protesting on the school's campus, shirtless and covered in body paint. The photos, taken by ogling passersby, have been circulating on Weibo and naturally netizens stand divided on whether the semi-naked protests were empowering or counterproductive...

For years, workers in Florida’s tomato fields have endured poverty wages and terrible working conditions. In 1993, a small, community-based organization called the Coalition of Immokalee Workers (CIW) formed to demand an end to these unfair labor practices.

A television report written, directed and produced by Enmedio members Leónidas Martín and Xavier Artigas. Collective projects that see art as a kind of social relationship. Artistic interventions that target consumption, media guerrilla tactics, creative mobilisations and protest, critical projects brimming with humour and disobedience, new narratives capable of changing the existing symbols and codes.

“How different. Exotic,” commented one women as she watched a group of almost 50 people — mostly young and black, many wearing bright fabrics with African designs — stroll through the Shopping Leblon mall.

The artist I chose to focus on personally is the photographer Cristina Garcia Rodero. I used photos from her photography essay España Oculta, in which Rodero traveled to small villages in Spain to document the resident’s lives. Our group's main focus is on gender issues, and I personally wanted to focus on activism involving women and representation. Rodero uses photos of rituals and activities among those outside of the majority population.