Officials in Thailand had an unorthodox approach to deal with visitors who left a tent filled with litter in a national park: mail the trash to the offenders.
Face Your World was set up as a tailor-made educational program for the youngster to explore and participate in the process of city renewal. The project used Interactor software, an interactive tool to enable users to rebuild their neighborhood. The software creates a virtual environment which represents the neighborhood and enables users to see the result of its modification while it has been used.
"Divided we are weak. Together we are strong."
Those were the words tweeted by openly gay football star Michael Sam, thanking his University of Missouri family for their support. He posted the message after arriving at the school and seeing a group of Mizzou students surrounding the perimeter in order to block out a Westboro Baptist Church protest.
In a single hour, Beyoncé's Lemonade re-wrote the textbook definition of what a visual album should look like. The genre-bending music it introduced will define the struggles a generation was enduring in 2016, specifically for black women. The project transcends every definition pop has ever had; blending R&B, contemporary rock, country, reggae, soul and hip-hop in its 12 tracks, occasionally fusing several of these into a single song.
Thich Nhat Hanh reads his poem "For Warmth" in Vietnamese, Krista Tippett reads the translation in English, excerpted from the episode "Mindfulness, Suffering, and Engaged Buddhism."
Chanel Miller is a Palo Alto–born artist and writer. She first came into the public eye as “Emily Doe,” the victim of a 2015 Stanford University sexual assault whose impact statement presented in court went viral. Miller relinquished her anonymity in 2019, when she published the acclaimed memoir, “Know My Name.” "I was, I am, I will be" is Miller’s first commissioned artwork for a museum and is on view through February 2022.
On the eve of Wells Fargo’s annual shareholders meeting in San Antonio, TX on Tuesday, home defenders, students, community groups, and activists in ten cities took peaceful action against the bank. Petitions signed by thousands of people were delivered to Wells Fargo branches and offices across the country calling on CEO John Stumpf to change the bank’s predatory practices.
The Nanny Van is a public art initiative run by REV- and the National Domestic Workers Alliance. This project aims at shorting distances, gaps and obstacles between domestic workers and the proper information of their rights. Therefore, Nanny Van is a smartphone app every person can download in order to access information about the legal conditions and state any kind of questions or claims.
In 2015, MIT researcher Joy Buolamwini was developing a device called the Aspire Mirror. Onlookers would stare into a webcam and then see a reflection on their face of something that inspires them.
At least, that was the plan. But Buolamwini quickly noticed that the facial recognition software was struggling to track her face — until she put on a white mask.
Across the United States, 2,693 people have received a letter in the last few months, which identified a debt and read: "You are no longer under any obligation to settle this account with the original creditor, the bill collector, or anyone else." This is the work of the Rolling Jubilee project – a non-profit initiative which buys personal debt for pennies on the dollar in the secondary market (where debt is sold to companies who then resell i
Art Works Projects’ mission is to use design and the arts to raise
awareness of and educate the public about significant human rights and
environmental issues. AWP provides visual advocacy tools which produce
action on human rights crises at the grassroots, media, and policy
levels. Conceptualized and created in conjunction with established
humanitarian and human rights advocacy organizations, AWP’s art and
By Hayley Tsukayama, Published: January 18, 2012
Web users woke up this morning to find that, as promised, several prominent Web sites had gone dark or put up messages asking visitors to contact their members of Congress to vote against two online piracy measures: the Stop Online Piracy Act and the Protect IP Act.
Josep Renau Berenguer was a Spanish painter, photomontager, muralist and communist militant.
Renau was the son of an Art teacher. Due to his father’s low income, he had to work various jobs during his youth and teenage years to maintain a middle class position.
Susan Speirs fed four dollars into the Amend-o-matic Stamp Mobile. After spiraling up the "Tower of Corrupted Power," gliding past a clanging gong and sliding down hairpin turns on a roller coaster-style track to a final stamping station, the bills came out with bright red lettering in all caps.
Now, they read, "Stamp money out of politics."
The rise of rock and roll in the late 1980 was largely associated with the student movements taking place at the same time. Cui Jian, considered by many to be the godfather of Chinese rock, even performed for the students on hunger strike in Tiananmen Square in 1989.
Comusitària is a Community Cultural Development agency based in Barcelona run by Noemi Rubio and Laia Serra. They work in the production, management, research and dissemination of artistic projects that build social capital and enable citizens to live more active, critical and creative lives.
Khalil Bandib is a Berkeley-based, award-winning editorial cartoonist with a unique perspective. He critiques a myriad of topics, from racism and homophobia to foreign policy and the Patriot Act. Bandib was born in North Africa under a French colonist regime; he brings a non-Eurocentric perspective not typically visible in large corporate media.
"Vil Du?! is a rather explicit game. You can undress characters until they are fully naked. The action-icons are based on physical parameters of the characters. Amongst others there is a vagina, a penis, a hand, a tongue and a mouth.
The People’s Bank of Govanhill uses social and activist art practices to involve people in re-imagining the local economy, looking at how we can put feminist economics into practice in the local community.
"Beginning in 1910, the Mexican Revolution spawned a cultural renaissance, inspiring artists to look inward in search of a specifically Mexican artistic language. This visual vocabulary was designed to transcend the realm of the arts and give a national identity to this population undergoing transition.