Yoann Bourgeois is a mastermind in performance art who treats dance, acrobatics, and theatricality as practices that delve into fundamental human experiences related to falling and flying. His approach is unique, in which every creation transcends into something more than just a performance but an exploration of life's poetic rhythms.
Gender equality charity Women of the World (WOW) is launching a one-day festival of activism that invites people from all generations, genders and backgrounds to take part in conversations around sexual violence.
Joseline de Lima was wandering the dusty alleys of her working-class neighborhood in the capital of Togo one day last year, when a disturbing thought crossed her mind: Who would take care of her two boys if her depression worsened and she were no longer around to look after them?
The Future Republic of Macedonia of the Former Republic of Macedonia
Devised, constructed and carried out all within 24 hours, the Future Republic of Macedonia of the Former Republic of Macedonia opened its borders for 2 hours on Saturday 22nd March, 2014.
MOSCOW (AP) — Put your paws in the air.
Moscow police have arrested 10 environmental activists, including four dressed in polar bear costumes, who were protesting outside the main office of Gazprom, the Russian oil and natural gas giant.
In 1987 with AIDS deaths in the thousands and government policy still criminally indifferent, activists formed ACT UP (AIDS Coalition to Unleash Power) with the purpose of turning grief and fear into rage and action.
A well-known advocate for the poor in Puerto Rico was released from jail Thursday evening after a San Juan judge dismissed charges stemming from his arrest earlier in the day during a protest against the island government's response to the coronavirus crisis.
Members of this organization begin the narrative process by examining city neighborhoods and commercial districts for compelling structures that appear to have fallen into disuse —“hidden gems” of the built environment. In varying states of repair, these buildings suggest only stories about the past, not the future.
Zheng Xi 郑熹, a Ph.D. candidate with a focus on gender studies at Zhejiang University in Hangzhou. Zheng has launched a campaign asking city governments around China to display anti-sexual-harassment logos, complete with a groper’s “salty-pig hand” visual (etymological context here), alongside other commonly displayed public safety logos on places like subway trains and buses.
What would a chemical attack on NYC look like? How would poisonous gases spread, through the lines of the subway and above ground? These are some of the questions the NYPD and a team of researchers hope to answer this July, when they’ll disperse colorless, odorless, and apparently harmless gases called perflourocarbons around the city and track their movement.
Last August, as protesters marched in Ferguson, Missouri, after the death of Michael Brown, the 18-year-old unarmed teen shot by a police officer, another group of activists began thinking about how to incorporate the creative community into the movement. The result is Manifest:Justice, a free pop-up art show taking place in Los Angeles.
Digital art platform Kinfolk has launched its New York City-wide participatory exhibition Signature Series, the initiative’s largest public endeavour to date. The project places newly created augmented reality (AR) monuments by four New York artists—Pamela Council, Derrick Adams, Tourmaline and Hank Willis Thomas—into designated public spaces across the city.
"After the murder of George Floyd last year, cities all over the nation vowed to rethink their approach to public safety, including our hometown of Burlington, VT. We took a hard look at what's changed — and what hasn't."
The term “Afrofuturism” was coined in the 1990s by the cultural critic Mark Dery, who recognized a preoccupation with the future in the work of a number of black artists. Ever since, it has remained a term that is retrospectively applied to seemingly disparate artists, from Missy Elliot to Toni Morrison. What unites the movement is a shared fascination with the black experience, particularly in America.
IT’S 7 AM, and a thin layer of mist still hovers over the harbor in Talamone as fisherman Paolo Fanciulli stretches out his nets. Pulling them out of a plastic tub, he examines them section by section, setting the ripped ones aside to be repaired. It’s a time-consuming process—one that’s occupied men from this tiny village on the coast of Tuscany for centuries.
In March of 2022, JR, with the help of 100 volunteers, unfurled the portrait of five-year-old, Ukrainian refugee Valeriia in Lviv, Ukraine. Leaving Ukraine, JR saw firsthand how difficult it was for women and children to get to safety due to long queues at the border. In response, he released two NFTs of Valeriia as part of his solidarity project titled: Can Art Change the War?
A project as expansive as the Guerrilla Girls Twin Cities Takeover is a first for them. Kicking off on January 21, the festival will comprise a series of events by 30 different groups, which will take place until March 6 at more than 20 arts and cultural organizations in and around Minneapolis/St. Paul. A network of local art activists will be mobilized, and the Guerrilla Girls have been working in tandem with the area’s youth groups to prepare.
The Repellent Fence is a social collaborative project among individuals, communities, institutional organizations, publics, and sovereigns that culminate with the establishment of a large-scale temporary monument located near Douglas, Arizona and Agua Prieta, Sonora. This 2 mile long ephemeral land-art installation is comprised of 26 tethered balloons, that are each 10 feet in diameter, and float 100 feet above the desert landscape.
For weeks, 14 giant balloons had been mysteriously parked in front of the Sidra Medical and Research Center, a hulking steel, glass and white ceramic building devoted to women’s and children’s health that is to open on the outskirts of this city in 2015.
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