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“Baraye,” the anthem of Iran’s “Woman, Life, Liberty” protest movement—a song woven together entirely from a Twitter hashtag trend in which Iranians express their investment in the current protests—continues to unite Iranians in their opposition to the Islamic Republic several weeks after it was first released online.

Yu Hong’s Female Writer, a painted and photographic portrait of the writer Zhao Bo 趙波 (b. 1971), recalls courtly images of idealized beauties. Yu, however, deliberately complicates the perspective in her composition: she asked the sitters for her She series to select photographs of themselves that could be paired with her paintings, meaning that the images together convey dual female perspectives, both the artist’s and the subject’s.

A Well Within" is a collaborative art and education project that inspires people - young and old - to confront the global water crisis in a personal way. This interactive experience tells the story of Alile, a young East African girl affected by drought, who struggles to give her grandmother a precious drink of water.

Brief History is part of a series produced by Carlos Motta between 2005 and 2009 that presents two chronologies of events in Latin America: one of U.S. interventions in the region since 1946, and one of the area’s leftist guerrilla movements. One side of the print outlines the interventions’ interconnected narratives in text; the other depicts two bloody handprints and the symbol of the Mano Blanco death squads from 1980s El Salvador.

Singaporean artist Lee Wen’s series Journey of a Yellow Man (1992–2012), one of his most famous and long-standing performances, was not simply a personal affront, it was a political affront. At the intersection of Asian art history, critical race theory, and migration and diasporic studies, one is never far (enough away) from the chromatic framing of race and ethnicity: yellow race, yellow peril, yellow face, the forever foreigner.

In a dark nod to International Women's Day, artist aleXsandro Palombo has turned to the world of cartoon characters to shed light on the horrors of domestic violence. His series, "No Violence Against Women," transforms iconic animated women into victims of abuse, resulting in a familiar yet ultimately disturbing collection of illustrations.

The Green Belt Movement (GBM) was founded by Professor Wangari Maathai in 1977 under the auspices of the National Council of Women of Kenya (NCWK) to respond to the needs of rural Kenyan women who reported that their streams were drying up, their food supply was less secure, and they had to walk further and further to get firewood for fuel and fencing.

For this edition of ADE, Stichting NDSM-werf invited art- and activist group Tools for Action + Floor to use their terrain as a public practice space for RÆV REHEARSAL. They invite the public to rehearse new forms of assembly. With a Bluetooth speakers system, floating inflatable sculptures, and a minimalist techno beat, they move through the city like a radiating dancing swarm.

In the early 1980s Keith Haring created hundreds of drawings in the New York subway system. He used chalk to paint on unused advertising space, which was covered with black sheets of paper. Haring was caught and fined numerous times.