from ahramonlineby Sara ElkamelAn indelible link has materialised between artistic expression and
revolution. Maybe it is the features they share: freedom, deviance and
fluidity, which bring them so close together.
In any case, Egypt’s January 25 Revolution undeniably led to a
surge of creativity across the country; a rebel’s passion merges with an
A photo project/online feed to increase visibility of sex workers and increase the sex workers’ sense of community of voice, in response to a spate of violence against the community in Ireland. The project led to a piece in The National, and increased area interest and conversation about violence against sex workers.
We demand that AATA respond to Karen Pence's stated commitment to our field by asking her to publicly take action for the rights of LGBTQIA people, Native people, Black and Brown people, Muslims, survivors of sexual assault, people with disabilities, immigrants, refugees and all people who are in danger as a result of the policies of the current administration.
Beautiful Trouble is a book, web toolbox and international network of artist-activist trainers whose mission is to make grassroots movements more creative and more effective.
The protagonism of the body in the dramatization of marginalized groups is also central to Emilio García Wehbi's Proyecto Filoctetes, an urban intervention staged November 15, 2002, on the streets of Buenos Aires. The project consisted in placing twenty-five lifelike latex mannequins in central, highly trafficked locations around the city in varying positions of injury, physical distress, and abandonment.
Women took to the streets of Beirut wearing blood-stained wedding dresses with signs that said "A white dress does not cover up rape. Undress 522," referring to the number of the penal article in question. The demonstration was an act by the Beirut-based Resource Center for Gender Equality (ABAAD) association on December 6.
New York activists responded to a recent anti-Muslim subway campaign by plastering stickers over ads depicting the World Trade Center in flames, juxtaposed with text quoting the Koran. The day-glow orange and yellow stickers warn "Caution: This is war propaganda. You're the target". The ads were paid for by the American Freedom Defense Initiative, led by notorious anti-Muslim crusader Pamela Geller, reportedly costing $70,000.
Tamms Year Ten is an all-volunteer grassroots coalition of artists, prisoners, men formerly incarcerated in Tamms, family members and other people of conscience. In 2008, at the ten-year anniversary of the opening of the Tamms supermax prison, the group launched a legislative campaign to call for its reform or closure. Men were originally supposed to be there for one year—but at that point 1/3 of them had been in solitary confinement the entire decade.
Sublevarte, a Collective of Mexican artists, was born out of the ENAP (National School of Fine Arts) of UNAM (the National Autonomous University of Mexico), during the student strike of 1999-2000, the longest student strike in history.
"The Scream: 21st Century Edition" was created by New York-based artist Jim Costanzo in response to the Iraq War. The piece is directly inspired by Edward Munch's painting, "The Scream." Costanzo expresses anger and frustration at the illegal American war and the attack on our civil liberties.
Bob and Roberta Smith has been at the forefront of activist art for 2 decades; so who better to ask about how art is responding to these politically bleak times?
SAY NO TO AI
Artstation is a showcase of an artist's industry-relevant ability. AI generated imagery dilutes appreciation for the art that it mimics, and devalues the work of the artists it exploits. There are no regulations for the way that AI utilizes scraped data from the net and no recourse for artists who have uploaded their work freely for the enjoyment of others.
In September 1943, the Nazis prepared for the deportation of all Danish Jews to the concentration camps and death. But Georg Duckwitz, a German diplomat with a conscience, deliberately leaked the plans for the roundup, which was due to begin on Rosh Hashanah, the Jewish New Year. Armed with the information from Duckwitz, Danes swung into action.
Renowned French artist JR and Oscar-nominated American filmmaker Darren Aronofsky have collaborated on The Standing March, a major public artwork exhibited in Paris during the UN’s COP21 climate conference. The video projection will remind leaders that the world is watching as they gather to negotiate a deal aimed at keeping global warming below 2°C.
Since summer 2011, FARM’s activists have been paying people $1 each to watch a 4-minute video depicting the inherent cruelties of raising animals for food. This tactic, known as “pay-per-view,” has led 80% of participants to reduce meat consumption, sparing tens of thousands of animals from abuse and slaughter.
Late last year the Spanish government passed a law that set extreme fines for protesters convening outside of government buildings.
In response to the controversial Citizen Safety Law, which will take effect on July 1, Spanish activists have staged the world's first ever virtual political demonstration.
SUNO is one of the few luxury fashion brands that has been born out of a social cause. Max Osterweis and designer Erin Beatty launched their first collection in the spring of 2009, " after post-election violence threatened to damage the economy and industry in Kenya."
While the clothes is mostly produced by local artisans in Kenya, Suno has since expanded its business to include production in Peru, India, and NY.
Thich Nhat Hanh reads his poem "For Warmth" in Vietnamese, Krista Tippett reads the translation in English, excerpted from the episode "Mindfulness, Suffering, and Engaged Buddhism."
In February , two leaders of a guerrilla movement here traveled to the financial district carrying a wooden container that contained three pigs, each painted yellow from snout to tail.