Ricardo Levins Morales is an artist and organizer based in Minneapolis, Minnesota. He was born into the anti-colonial movement in Puerto Rico, and when his family moved to Chicago in 1967, he became interested in activism. After leaving high school early, he worked in various industries and began to use art as part of his activism work.
In Shanghai, a vigil grew into a street protest where many held blank sheets of white paper in a symbol of tacit defiance.
In Beijing, students at Tsinghua University raised signs showing a math equation devised by the Russian physicist Alexander Friedmann, whose surname in Chinese is a homonym for “free man.”
The Dreamland Artist Club project was named after one of the famous amusement parks in Coney Island. The project consisted of more than 25 artists coming together to repaint rides and make custom signs, murals and scenic backdrops for the legendary neighborhood. Most of the artists that participated in this project were from New York City and therefore had a particular interest in the visual culture of the city.
Creative Time, a public art fund, invited artists to make online comics that addressed contemporary issues. Every month for two years a new artist presented their comic strip online. At the end, there were a total of 24 comic works that were archived online and also released as a publication in 2010.
Chinese Artist Zhang Bingjian has embarked on an artistic project to promote transparency in China and Chinese government. His motivation? Discovering the extent of the corruption going on in his country. Zhang told the Toronto Star: “The chief prosecutor announced that 3,000 officials had been convicted for corruption in a single year. I remember being shocked, a little angry and then confused.”
Zoo Portraits is a humorous photo series by Barcelona-based photographer Yago Partal that matches animal heads with human bodies. Partal amazingly matches animals to appropriate human bodies and even manages to match their personalities and styles.
In 1989, playwright, actor, and activist Safdar Hashmi was fatally attacked by political thugs while performing a street play outside of Delhi. His death led to the founding of Sahmat, an influential artist collective that has taken a consistent stance against the threats of religious fundamentalism and sectarianism in India through a vibrant mix of high art and street culture.
In the era of New Media, we share media content with a single click. We co-create the reality of our world, often without thinking how this reality is "real." Nevertheless, what if this reality is sometimes somewhat coloured?
In Portland, Ore., organizers of the “Reparations Happy Hour” invited black, brown and indigenous people to a bar and handed them $10 bills as they arrived, a small but symbolic gift mostly funded by white people who were asked not to attend.
(Honoring our Origins, Ourselves and our Dreams) is an all-womyn and womyn-identified crew from the northeast San Fernando Valley dedicated to creating awareness through public art.
While governmental support for arts and culture is often meager, the Brazilian national government has recently demonstrated great interest in the industry. They've just introduced a "cultural stipend," which provides workers with 50 real (roughly $25) per month for arts and cultural expenses. The allowance covers personal spending on things like movies, concerts, books or museums.
Angel Azul is an environmental documentary that follows the work of eco-sculptor Jason deCaires Taylor. Jason creates artificial coral reefs from statues he's cast from live models and installed on the ocean floor in an underwater museum off the coast of Cancún. The film explores issues that threaten the world's coral reefs which are suffering unprecedented losses.
Tate Modern considers activists' wind turbine for art collection: Liberate Tate, an art collective who object to BP sponsorship, have offered the 16 metre turbine blade to the gallery
A 1.5 tonne, 16.5 metre-long wind turbine blade carried last month to the Tate Modern by artists objecting to the gallery's sponsorship by oil company BP is being considered for the national art collection.
Homeworkers 1977 is the central piece of a multidisciplinary project that comprised photographs, interviews, news clippings and a large canvas documenting the situation of non-unionised women doing manual work at home.
On a drizzly, overcast afternoon, all is quiet at the intersection of Bartholomew and Prieur streets in New Orleans’ historic Ninth Ward. The quiet neighborhood around the Ellis Marsalis Center for Music (EMCM) feel worlds away from the historic French Quarter packed with jazz clubs, bars, restaurants, and markets.
Resonate, Reverberate, Roar (Re-Re-Roar) is a growing archive of original sounds that express an experimental, independent, and socially progressive spirit. The sounds on Re-Re-Roar include field recordings, interviews, songs, speeches, experimental music, and more. Re-Re-Roar is a site for research and activ[ist] listening, with the purpose of distributing sounds of resistance to eager ears around the globe.
Circus Amok is a New York City based circus-theater company whose mission is to provide free public art addressing contemporary issues of social justice to the people of New York City.
Angry Asian Girls United was created in 2012 by a then-17 year old girl who was frustrated with feeling like there was no place for her to talk about issues of racism and othering. This community has since grown in the thousands and seen hundreds of stories told from Asian girls and women all over the world.