SAY NO TO AI
Artstation is a showcase of an artist's industry-relevant ability. AI generated imagery dilutes appreciation for the art that it mimics, and devalues the work of the artists it exploits. There are no regulations for the way that AI utilizes scraped data from the net and no recourse for artists who have uploaded their work freely for the enjoyment of others.
WASH CLOTHES :: MAKE ART :: BUILD COMMUNITY
The Laundromat Project brings engaging, community-responsive art and artists into local coinops across Greater New York City. By helping turn imaginations into creative fuel, we empower communities of color living on modest incomes to dream new visions for their own neighborhoods.
Laura Poitras’s Academy Award–nominated documentary All the Beauty and the Bloodshed (2022) about photographer Nan Goldin is a powerful and thoughtfully constructed film. Focusing on Goldin’s work with the activist group Prescription Addiction Intervention Now (PAIN), it allows viewers to continue appreciating the ongoing rebellion and inspiration of this singular artist.
Join other families in reimagining sports team mascots and logos that misrepresent Native American communities. Design a campaign for alternative names with the help of artists Sam Durant and Elisa Harkins, taking inspiration from the exhibition Jimmie Durham: At the Center of the World.
Pop-Up Studio
Families explore art and create together in lively workshops led by artists. These drop-in programs are designed for ages 5 and up.
At the Eighth Avenue subway station, sewer alligators are not an urban legend.
Anyone who’s been through the 14th St./Eighth Ave. station has probably seen the bronze gator sculpture — and probably wondered what it means and why it’s there.
The underground gators — along with dozens of other whimsical creatures — are part of the permanent art installation housed at the intersection of the A,C,E, and L lines.
The 15M movement in Spain grew out of a desire for liberation and greater access to social and political rights for marginalized groups. At its core the activists of 15M were visionaries and used voting for a utopian society as a creative act to reimagine the world they created. Reality is socially construed by the forces that determine individual agency.
Mine is not Arts for the sake of Arts. It is a revolutionary INSGINA carved into the artistic plaque of my DNA to speak FREEDOM of expression and then freedom after EXPRESSION. The footprints of my revolutionary walk are dipped in the paths of RESISTANCE. My Ideological Swag -word is CREATIVITY. My spiritual birth mark is RESILIENCE. My revolutionary slogan is a nonviolent but a poetic fist of MASS INSTRUCTION. I am non-selfish believer.
On July 23rd 2011 a newly formed organization Multi-Story performed Stravinsky’s Rite of Spring in a multi-story car park in Peckham Rye London. In doing so it completely subverted the entrenched traditions of the performance of classical music. The organization used student musicians and did not charge admission.
The rise in feminism and feminist advocacy has changed history forever in terms of how women are viewed and treated in society. Though great progress has been made, women are still fighting for their rights even today. Abortion and body vulnerability are just two issues that are still being confronted and fought for in the public view.
"Iconography: Ten Portraits"
105 NY-110, Melville, NY 11747
May 27, 11 am – June 30, 7 pm
Wednesday – Sunday, 11 am – 7 pm, free admission
Please write to racc.ny@mail.ru or call (347) 662 1456
The artist is available for interviews.
Welcome to Doing It Right, a column where Eater meets chefs, restaurateurs, and entrepreneurs who recognize challenges in their communities — and are actually doing something about it. In this installment, we head to New Orleans to focus on the work of activist Ashtin Berry.
This year marks the 50th anniversary of one of this country’s most beloved theater companies. Founded in New York City in 1963, the Bread and Puppet Theater’s first productions ranged from puppet shows for children to pieces opposing poor housing conditions. The group’s processions, involving monstrous puppets, some about 20 feet high, became a fixture of protests against the Vietnam War. "We don’t have playwrights in the theater.
Miku is a Japanese virtual idol. She is 16 years old. Miku is created in 2007 and has been heavily promoted since 2008 and was originally aimed at professional musicians. On September 12, 2007, Amazon.co.jp reported sales of Hatsune Miku totaling 57,500,000 yen, making her the number one selling software of that time. She was the first vocal to be developed and distributed by Crypton Future Media and sung in Japanese.
No Home Gallery is a traveling gallery that curates exhibitions and happenings in various living and studio spaces in New York City. In an attempt to make contemporary art accessible and inviting, No Home offers emerging artists and art enthusiasts a forum for collaboration and creation.
Founded 19 years ago, the Beijing Queer Film Festival (aka Love Queer Cinema Week) is one of the grassroots film festivals in China focusing on independent queer film screenings and cultural exchange activities. We aim to expand public discussions on sexuality / gender identity / gender expression, we aim to give a platform to sexual and other minorities in China and the World, and we celebrate diversity.
On Sunday, April 29, dozens of protesters occupied the Beaux-Arts Court at the Brooklyn Museum as they reiterated demands for a decolonization commission, about which the art institution has remained silent. The calls for the commission come after the criticisms that followed the appointment of two white curators to the museum, including in the field of African art.
An exhibition of textile-based work by disabled artists, organised in protest at the inaccessibility of an exhibition by a popular artist, when it came to Leeds.
"Iconography"
1235 Ocean Parkway
Brooklyn, NY 11230
May 27, 11 am – June 24, 7 pm
Tuesday – Saturday, 11 am – 7 pm
Please write to racc.ny@mail.ru or call (347) 662 1456
The artist is available for interviews
The Amplification Project: Digital Archive for Forced Migration, Contemporary Art, and Action (https://theamplificationproject.com) is a community-led participatory public digital archive to which any artist and activist can document, preserve and share their work inspired, influenced, or affected by forced migration.
Peter Marks Review from the Washington Post:
“As Far as My Fingertips Take Me,” a performance piece about the ordeal of seeking refuge by Tania El Khoury that’s being presented for the next 2½ weeks in the lobby of Woolly Mammoth Theatre. For this hypnotic, one-audience-member-at-a-time experience, you pass through the door of a white-walled booth and slip into a white lab coat before putting on a pair of headphones.
Protesters from Extinction Rebellion disrupted London Fashion Week last weekend (15 February).
The group called on the industry to change its approach to protecting the planet: “We are asking not for sustainability but a complete reinvention of this industry in a way that regenerates the environment,” Extinction Rebellion spokesperson Sara Arnold said.
After artists learned that London's Design Museum was connected to Leonardo, a large arms dealing company, and hosted an event for them, many of the artists featured in their Hope to Nope: Graphics and Politics 2008-2018 asked the museum for their work to be removed. After receiving no response, one third of the show's artists removed their work from the show.
Promoted as a DIY festival with no corporate sponsorship, the 2015 Latino Punk festival in Brooklyn, NY featured bands from all over the Americas. With an emphasis on local bands supporting each other and nurturing local scenes, this festival functions in reference to the ideals of the punk and Riot Grrrl movements in the 1990s.
Mary Fisher wears many hats: Artist, author, and HIV/AIDS activist are just a few. The latter is perhaps what she's known best for—her influential speech at the 1992 Republication National Convention is regarded as one of the greatest American speeches of the century, spurring a push toward treatment and compassion towards those who are HIV-positive.
Founded by Bobby Gordon and Nayeli Adorador Knudsen, The Melrose Poetry Bureau is a public intervention involving a whole lot of typewriters, a public space, and the chaos that ensues. Once a location is picked for an intervention, Bobby and Nayeli pack up their collection of old and new, sleek and saggy typewriters and transport them to that place. They set up tables, distribute the typewriters, and invite people to come write poetry.