Projects tagged "Arts & Culture"

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The Dreamland Artist Club project was named after one of the famous amusement parks in Coney Island. The project consisted of more than 25 artists coming together to repaint rides and make custom signs, murals and scenic backdrops for the legendary neighborhood. Most of the artists that participated in this project were from New York City and therefore had a particular interest in the visual culture of the city.

During 2008-2009, when the United States was entering a recession, the idea of the Homeless Art Gallery was popping up across Staten Island, New York City's least populated borough and biggest underdog. This is an example of art intervention, disrupting space to question the economic and political systems of capitalism. It was also an excellent community building project.

Food transcends language—it brings people together, bridges cultures, and tells stories words cannot. In early March, the Razom Advocacy team, alongside renowned Ukrainian chef Olia Hercules, embarked on a journey through Louisiana—visiting Shreveport and New Orleans—to foster connections, celebrate Ukrainian culture, express gratitude to local first responders, and advocate for Ukraine.

On Nov. 6, the day after the presidential election, the artist Hank Willis Thomas was at his studio in Brooklyn. His production assistants were poring over tables strewed with blobby red white and blue silk-screen prints of the words “Fragile/ Democracy / Handle With Care” in capital letters.

How did a pineapple become a postmodern masterpiece? The aesthetic merits of tropical fruit inadvertently entered Britain’s national cultural conversation after two students jokingly placed a store-bought pineapple on an empty table at an art exhibition this month at Robert Gordon University in Aberdeen, a port city in northeastern Scotland.

Thelma Golden, curator at the Studio Museum in Harlem, talks through three recent shows that explore how art examines and redefines culture. The "post-black" artists she works with are using their art to provoke a new dialogue about race and culture -- and about the meaning of art itself.

“Rose Boy” (玫瑰少年) refers to Yeh Yung-chih, a 15-year-old junior high school student in Taiwan who died on April 20, 2000, after years of bullying due to his non-conforming gender expression. Though the official cause of death was ruled accidental—he allegedly slipped in a school bathroom—the circumstances surrounding his death, including prior complaints from his mother about repeated verbal and physical harassment, drew widespread public attention.

When Patricia Stonefish returned home to the United States from Egypt in 2014, she brought with her a new outlook for conceptualizing women's self defense. Having seen firsthand the benefits and empowerment of Taekwando/ Hapkido/ Gumdo classes for Egyptian women during and after the revolution in 2011, she decided to put her decade of martial arts training to good use on home turf.

Richard Bell has often called himself ‘an activist masquerading as an artist’. Aboriginal journalist and radio broadcaster Daniel Browning has suggested that Bell is also ‘a megaphone.

The signature angst of our time was profoundly expressed in the poems submitted for WOMAWORDS Literary Press June 2020 edition, Imaging Life After COVID-19, offering women poets an opportunity to write about their experience of the pandemic and their vision of or for the future. The universal trauma wrought by this virus, invisible and silent and pouncing with madness and mendacity, brings us to a place we’d like to forget but never will.

DAMN. Kendrick Lamar opened the 2018 GRAMMYs with a powerful and political performance of his hit, "XXX.'" The rapper featured an army of face-covered soldiers marching in the background of an American flag, that quickly turned into a "satire" taking a jab at the current political climate in the United States.