The project consists of an online tool that helps protestors negatively impact the price of a publicly traded stock by using the same sentiment analysis tools used by many stock trading algorithms. In the contemporary stock markets, high-frequency trading bots that continuously buy and sell stocks have replaced human market makers. These bots provide the market with liquidity by being ready to take the buy or sell end of a stock trade most of the time.
"Whirl-Mart Ritual Resistance is a participatory experiment. It is art and action. It came into being in 2001 as a response to Adbusters magazine’s call for foolish action on the first of April. What began as a single happening in Troy, NY has over the course of a year evolved into a ritual activity that is performed across the U.S., and known around the world.
For the first time since its controversial installation in 1989, the I.M. Pei-designed Louvre Pyramid has been decorated in a museum-sanctioned act of anti-capitalist activism.
The Survivaball made its first appearance in 2006, when "Halliburton representatives" attended a conference on catastrophic climate change and demonstrated the functionality of the large inflatable suits ("a gated community for one"), which keep corporate managers safe from global warming. Not long afterward, in Berlin, the Yes Men learned they also work as disruptive, arrest-resistant tools.
To mark the 200th anniversary of Karl Marx, PL Henderson offers an appreciation of one of Frida Kahlo’s greatest paintings, which was heavily influenced by Marx's creative thinking.
On a freezing Friday in January, Khmer-American artist Kat Eng sits in front of retail giant H&M’s Time Square store working on a manual sewing machine. For eight hours, Eng stitches together U.S. dollar bills while wearing a surgical mask and bloodstained shirt. Her performance “</3 Less Than Three” protests the way fast fashion and consumer culture creates oppressive conditions for Khmer workers.
In 1998 Hacker-Poet-Artist Yucef Mehri breached the security of CANTV at the time the largest telecommunications company in Venezuela. He was able to access the personal data kept by the company which contained the names, addresses, phone numbers, working places, and even checking accounts, credit cards, and expiration dates of it's customers.
Activists gate-crashed a retirement dinner for outgoing HMRC boss Dave Hartnett in Oxford, presenting him with flowers and a fake award for allowing large companies to avoid paying tax.
Anonymous (used as a mass noun) is a loosely associated hacktivist group. It originated in 2003 on the imageboard 4chan, representing the concept of many online and offline community users simultaneously existing as an anarchic, digitized global brain.
he Federal Trade Commission (FTC) is demanding Elon Musk turn over internal Twitter documents, including a list of the journalists who were behind the viral "Twitter Files."
The Wall Street Journal first reported Tuesday about more than a dozen letters the FTC sent to Twitter and its legal counsel as part of a probe looking into Musk's 2022 takeover of the tech giant.
Over the past twenty-five years or so, ever since her spectacular New York début at the Drawing Center, in 1994, the now forty-four-year-old artist Kara Walker’s visual production—sculptures, cutouts, drawings, films—has been diaristic in tone.
In September 2003 the news went out nationwide: Karlsplatz, one of Vienna's main squares, is soon to be renamed Nikeplatz. Apart from the new name, it appears that a huge monument in the shape of Nike's famous "Swoosh" logo will be built in Nikeplatz. Needless to say, it is all fake.
During Wednesday’s Senate hearing on the Equifax data breach, a protester dressed as the “Monopoly Man” from the board game photobombed Equifax CEO Richard Smith’s testimony.
While the CEO discussed his company’s breach that affected 145.5 million people, the protester gazed skeptically through a monocle at the back of his head.
GAME ON! Its gonna be a good Spring!" Connie Bacon.
Activists and the politically aware will march with the message that Donald Trump and his beliefs are "UNWANTED".
Per os is a research-based art project about the pharmaceutical companies' role in our society, psychiatry and healthcare. Using surveys I have conducted over the past three years and a large amount of anger at how wrong and corrupt the system is, I would like to interpret this research artistically in order to develop material for an exhibition and interventions.
After collecting street art and memorabilia from "Occupy Wall Street" since the fall of 2011, the Smithsonian National Museum of American History has lent its collection of Occupy Wall Street posters to Wesleyan's Davison Art Center. The posters will make up an exhibition entitled “Artists Take Action: Protest Posters Today,” which is on display in the University's gallery from April 5 to May 26.
A French illustrator/painter/graphic designer from Nice who also has had shows in galleries in Monaco, Mr OneTeas is known to some as a graffiti artist who samples pop culture on his canvasses and appropriates commonly recognizable images of Hollywood names like Liz Taylor, Princess Grace, and Alfred Hitchcock. He also presents 80s television culture ironically (spotlighting Gary Coleman, Alf, Mr.
It was a classic summit protest at the height of the anti-globalization movement. Thirty-four heads of state from across the Americas were gathering in Québec City to negotiate the Free Trade Area of the Americas (FTAA), a sweeping trade deal with deeply anti-democratic provisions.
Anti-opioid activists unfurled banners and scattered pill bottles on Saturday inside the Sackler Wing of the Metropolitan Museum of Art in New York, which is named for a family connected to the powerful painkilling drug OxyContin.
The protest, which was organized by a group started by the celebrated photographer Nan Goldin, started just after 4 p.m., when several dozen people converged at the Temple of Dendur inside the wing.
#makeamericagreatagain is a group exhibition of diverse media that ran during February and coincided with the initial Democratic and Republican primaries. The exhibition’s title is culled verbatim from Donald Trump’s campaign slogan.