Graffiti art is particularly viewed as a powerful form of social protest, and the (illegal) act of defacing can be as important as the message itself. Artist Void One has been arrested on numerous occasions for his politically-charged interventions.
“I didn’t set out to make political art but art is a platform where I can vent my frustrations” – Void One.
An installation by architecture studio Rael San Fratello, which connected children in the US and Mexico via a trio of seesaws slotted into the countries' border wall, has been crowned the Design of the Year.
Dubbed the Teeter-Totter Wall, the project was in place for only around 40 minutes in July of 2019 and hoped to foster a sense of unity at the divisive border, which was highly politicised under the Trump administration.
Aníbal López, also known by his government identification number A-153167, is a pioneer of performance art in Central America. ArtBus describes his work as, "Generally aimed at immersing viewers into the region’s social and political tensions, his works combine the dry language of 1960/1970s conceptual art with the revolutionary ethos of a Latin American guerrillero.
In state capitals and street protests, women’s rights activists have been wearing red robes and white bonnets based on “The Handmaid's Tale,” the 1985 novel that is now a series on Hulu.
Silent, heads bowed, the activists in crimson robes and white bonnets have been appearing at demonstrations against gender discrimination and the infringement of reproductive and civil rights.
Part telethon, part variety show, and part party, the People’s Bailout Telethon kicked off the Rolling Jubilee, a project by the Occupy-offshoot Strike Debt. The Rolling Jubilee raises funds through grassroots donations, buys debt for pennies on the dollar, but instead of collecting it, abolishes it. The project works within the system of the secondary debt market in order to undermine it.
RACC Satellite Space in Garden City
1205 Franklin Avenue, 3rd Floor, Garden City, NY 11530
June 26, 10 am – July 28, 7 pm
Monday – Friday, 10 am – 7 pm, free admission
Please write to racc.ny@mail.ru or call (347) 662 1456
The artist is available for interviews
Opponents of military rule in Myanmar have marched, observed "flower strikes" and sought alternative ways to communicate after most users were cut off from the internet, undaunted by the bloody suppression of protests during the past two months.
In time for the 30th Anniversary of the famed EDSA People People Revolution, a two-day pop-up museum in Camp Aguinaldo serves as a vivid reminder of a significant period in Philippine History.
The interactive museum, which is composed of nine halls, recreates the martial law victims’ struggle for democracy, including the events that led to the bloodless revolution in 1986.
The smuggling of illicit cargo and people has played a significant role in shaping the culture as well as the economy of the southernmost american city of Key West since its foundation in 1821.
At 7:00 PM on 23 August 1989, approximately two million people from Estonia, Latvia and Lithuania joined hands, forming a human chain from Tallinn through Riga to Vilnius, spanning 675 kilometres, or 420 miles. It was a peaceful protest against the illegal Soviet occupation and also one of the earliest and longest unbroken human chains in history.
During the economic crisis of 2008, bankers in Spain took advantage of the economically disadvantaged, and the artwork La Fiera en Sevilla, or the Wild Animal in Sevilla in English, brings attention to this money-centric act from the bankers. La Fiera refers to the bankers at the time that used predatory methods in their actions to forcibly evict poor people from their houses.
The Yes Lab collaborated with "Knobotiq" to design an action against UBS, a financial services giant renowned for aiding tax evaders, funding environmental destruction, and getting bailed out by the public.
"Sun Mu is not the artist’s actual name. It’s a nom de plume that uses a combination of two Korean words that translate to ‘The Absence of Borders’. It not only represents what he feels is the transcendence of art but also the literal military demarcation line that keeps the Korean people separated.
Activists fighting coronavirus-driven hate crimes are rallying on social media to turn masks into a symbol, rather than a target in racist attacks
Jeff Elder Apr 6, 2020, 2:03 PM
Activists against COVID-19-related hate crimes are leading a social media campaign using images of people in masks to fight back against attacks on Asian-Americans, which Congress and the FBI say are increasing.
A town in northwestern Syria has become the creative center of the revolt against President Bashar al-Assad. Since the beginning of the uprising, the residents of Kafr Anbel have drawn signs that skewer the Assad regime and express outrage that the world has not done more to stop the killing in Syria.
The Tel Aviv Museum of Art is joining the countrywide judicial overhaul protests planned for Thursday, March 23, and will darken the halls and galleries of the museum, closing exhibits to the public and canceling planned tours and lectures.
The only exhibit that will be open to the public, for free, is the exhibit of Israeli art from the museum’s collection, “Material Imagination: Center of Gravity,” which has been open for a year.
After collecting street art and memorabilia from "Occupy Wall Street" since the fall of 2011, the Smithsonian National Museum of American History has lent its collection of Occupy Wall Street posters to Wesleyan's Davison Art Center. The posters will make up an exhibition entitled “Artists Take Action: Protest Posters Today,” which is on display in the University's gallery from April 5 to May 26.
"The No Papers, No Fear ride for justice.
Riders are undocumented people from all over the country, including students, mothers and fathers, children, people in deportation proceedings, day laborers, and others who continue to face deportation, harassment, and death while simply looking for a better life.
Cartoons Against Corruption is a cartoon based campaign by political cartoonist Aseem Trivedi to support anti corruption movement in India, best known for sharp hard hitting anti corruption cartoons. Using national emblems and current political news, Trivedi creates cartoons that don't attempt to skirt the issues at hand, but portrays his political stance straightforwardly.
Felix Gonzalez-Torres produced meaningful and restrained sculptural forms out of common materials. “Untitled” (Portrait of Ross in L.A.) consists of an ideal weight of 175 pounds of shiny, commercially distributed candy. The work’s physical form and scale change with each display, affected by its placement in the gallery as well as audience interactions.
This is the sixth piece of the series Tatlin’s Whisper which examines the relationship between apathy and anaesthetization of the images in the mass media. This series intends to activate images, well-known because of having been repeatedly seen in the press, but are here decontextualized from the original event that gave way to the news and staged as realistically as possible in an art institution.
ScareMail is a web browser extension that makes email “scary” in order to disrupt NSA surveillance. Extending Google’s Gmail, the work adds to every new email’s signature an algorithmically generated narrative containing a collection of probable NSA search terms. This “story” acts as a trap for NSA programs like PRISM and XKeyscore, forcing them to look at nonsense.
Singaporean artist Lee Wen’s series Journey of a Yellow Man (1992–2012), one of his most famous and long-standing performances, was not simply a personal affront, it was a political affront. At the intersection of Asian art history, critical race theory, and migration and diasporic studies, one is never far (enough away) from the chromatic framing of race and ethnicity: yellow race, yellow peril, yellow face, the forever foreigner.