Doris Salcedo talked extensively with victims of the violence in Colombia. For the project titled Unland she spoke specifically with children who had witnessed the murder of their parents. This piece was a poetic response and representation of their testimony. Salcedo combined halves of tables together to make a whole. In the seam where the tables joined Salcedo meticulously sewed the tables together using white silk thread, dark hair and bone.
Activism imitated art when Justice 4 Grenfell protesters drove three provocative signs through the streets of London. In a clever nod to Three Billboards Outside Ebbing, Missouri, the Oscar-nominated film directed by Martin McDonagh, the billboards were bright red, with black letters that read:
71 DEAD
AND STILL NO ARRESTS?
HOW COME?
World Microphone (世界麦克风) is an organization created by students (most of them are Chinese) located in London. The organization has an account in RED, which is a popular social media in China. It often holds interviews and movements on the street in London, talking about world culture, food, and travel. Then, it makes short videos based on these interviews and movements and posts the videos on RED.
Singaporean artist Lee Wen’s series Journey of a Yellow Man (1992–2012), one of his most famous and long-standing performances, was not simply a personal affront, it was a political affront. At the intersection of Asian art history, critical race theory, and migration and diasporic studies, one is never far (enough away) from the chromatic framing of race and ethnicity: yellow race, yellow peril, yellow face, the forever foreigner.
Trade School is a self-organised, alternative learning space that runs on barter. It was started in 2010 in New York’s Lower East Side by Rich Watts, Louise Ma, and Caroline Woolard of OurGoods.org, a creative barter network. Over 800 students participated in 76 single-session classes during 35 days. Anyone can teach a class, and students sign up by agreeing to meet the barter requests of teachers.
